Tag Archives: Daguerreotypist

Cole & Chamblin

1853                Address Unknown, Zanesville, Ohio.                                                                                1853-1855     Rooms in Rogers Block, 3d story, Corner of Railroad & Second Streets,                                             Ironton,  Ohio.

Cole & Chamblin were recorded seven times in the Spirit of the Times (Ironton, Ohio), six advertisements and one announcement.   The announcement ran on November 8, 1853.  Daguerrean Artist.  Messrs. A. R. Cole & T. H. Chamblin from Zanesville are to occupy the upper rooms in the corner building in Rogers block, adjoining the Ironton house, Mr. Chamblin called on us one day last week, from whom we learn that they are to have the building fitted up expressly for the business, with sky-lights and other conveniences.  We wish them all the success their strictest attention and most persevering efforts may deserve.  The ornamental in life is only second to the useful.

The first advertisement ran from May 9 to June 27.             The Plastering Is Completed And the passage leading to the new Sky-light Daguerrian gallery is unobstructed.  These Rooms have been fitted up expressly for the purpose of practicing the Photographic Art, and persons calling can be assured of procuring pictures that are superior to any heretofore produced in this section of country.

Rooms in the 3d story of Rogers’ Block, corner of Railroad and Second Sts.  Entrance on Railroad St.

The second advertisement ran from July 4 to October 31, 1854.  No “Hoax,”—That As Good Daguerreotypes can be taken in Ironton, as elsewhere, is becoming generally known—let those who doubt call at the Sky-light Rooms in the third story of Rodgers’ Block, corner of Railroad and Second Sts., Entrance on Railroad Street—inside stairway.  As complete an assortment of plain and fancy cases kept constantly on hand, as can be found in any of the cities.—Also, Gold Lockets.

The third advertisement ran from November 7, 1854 to April 3, 1855.  The Daguerreian Gallery in Rogers’ Block, Corner of Railroad and Second Streets, is again open for the reception of visitors, and those wishing pictures can now be accommodated.

The fourth advertisement ran from April 17 to June 12, 1855.  Daguerreotypes are still taken in all kinds of weather, at the located Sky-light Gallery, third story Rodger’s block.  Entrance on Railroad street opposite depot.

The fifth advertisement ran from June 26 to July 10, 1855.  Cole & Chamblin’s Daguerreian Gallery will be closed from July 10th, until August 1st 1855.  Those wishing pictures would do well to avail themselves of the earliest opportunity.  Gallery, third story Rodger’s Block.  Entrance on Railroad street opposite the depot.

The sixth advertisement which ran from September 18, 1855 to January 29, 1856, shown a new proprietor.  Daguerrean Gallery.  The undersigned has fitted up the room recently occupied by Mr. Chamblin, and is now prepared to take Good Pictures, in all weather.  Paintings, Daguerreotypes and Statuary accurately copied.  Careful Instruction given in the art.  Mrs. Dauphin.

The partnership of Cole and Chamblin has not been recorded in other photographic directories.  A. R. Cole is recorded in Craig’s Daguerreian Registry in Zanesville, Ohio from 1850-1861; Ohio Photographers 1839-1900, list him from 1859-1865.  Chamblin is not recorded is either directory.  Craig does list a Thomas H. B. Chamblin in Kalamazoo, Michigan in 1860.  Ironton Mrs. Dauphin is also not recorded.  The last advertisement brings up some interesting questions.  “The undersigned has fitted up the room recently occupied by Mr. Chamblin.”  Was the partnership in name only?  Did Cole run the Zanesville operation and Chamblin the Ironton?

Jacob Cohen

Jacob Cohen was recorded in the June 10, 1850 issue of the New York Daily Tribune (New York, New York).  Destroying Daguerreotypes.—A young man named James H. Tucker, was taken into custody yesterday, charged with having, while intoxicated, entered the premises of Jacob Cohen, of 54 Canal –st. and maliciously destroying about $50 worth of daguerreotypes.  He was held to answer the charge.

Jacob Cohen is not recorded in other photographic directories.  Jacob is not listed as a daguerreotypist in the 1850 New York City Directory, resident section.  John Craig list a James Cohen at 54 Canal Street, New York from 1849-1851.  The question, is Jacob a typo in the June 10, 1850 New York Daily Tribune’s issue or is he something else?

C. S. Cobb

1853                Rooms at Mr. H. Holland’s New Hotel, Woodsfield, Ohio.

C. S. Cobb was recorded in an advertisement that ran from June 8 to July 6, 1853 in The Spirit of Democracy (Woodsfield, Ohio). Daguerreotype Likenesses! For $1.50 Only.  C. S. Cobb would respectfully inform the citizens of Woodsfield, that he has taken rooms at Mr. H. Holland’s New Hotel, where he will be happy to see all who desire Correct Miniatures, of themselves or friends, according to the latest improvements in the Daguerrean art, in a style superior to any that have been taken in this place heretofore.  Also, particular attention will be given to taking copies of Portraits, Paintings, Pictures, &c.

“Secure the shadow ere the Substance fade,” and it will never change it rightly taken, but remain a true and faithful semblance of the original.

Any person sitting for a portrait, will not be expected to take it, unless they and their friends think it correct and satisfactory.  Call and see specimens.

On June 29, 1853 he was recorded in an announcement in The Spirit of Democracy (Woodsfield, Ohio).   Daguerreotypes.  Mr. C. S. Cobb is taking some splendid Daguerreotypes at the Holland House.  Those who are in want of good likenesses would do well to give him a call.  See his advertisement in another column.

C. S. Cobb is not recorded in any photographic directories that I have searched.

John R. Clemons

1856                522 North Second Street, Philadelphia, Pennsylvania.[1]

John R. Clemons was recorded on April 1, 1856 in an article entitled the Photographic Galleries of America, Number Two, Philadelphia.  In the Photographic and fine Arts Journal (New York, New York).  In the article the author visited 57 Galleries in Philadelphia, and wrote the following.

Clemons. — Some very good daguerreotypes. The ambrotypes not so superior. There were but few however in the gallery.

John R. Clemons is known to have operated a studio in Philadelphia.  Craig’s Daguerreian Registry list him from 1853 to 1860.  Directory of Pennsylvania Photographers 1839-1900 list him from 1855-1866.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

Lybrand Clayton

1856                168 South Second Street, Philadelphia, Pennsylvania.[1]

Lybrand Clayton was recorded in the Photographic and fine Arts Journal (New York, New York) on April 1, 1856.  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Clayton. — These specimens show a gradation from indifferent to very good, proving the artist capable of producing fair pictures. This artist has several stereoscopes in front of the door, which I noticed was the case with several establishments. This is undoubtedly          probono publico.

Listed as a daguerreotypist in Craig’s Daguerreian Registry, also recorded in Directory Of Pennsylvania Photographers 1839-1900.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

 

Clarkson

1851                Nearly Opposite the store of H. S. Smith, Huntington, New York.                  1851                Address unknown, Cold Spring, New York.                                                      1851                On the Common, Roslyn, New York.

The Partnership of Disbrow and Clarkson was recorded in three announcement and one advertisement.  The first announcement ran on April 18, 1851 in The Long Islander (Huntington, New York). Daguerreotypes.—It is an old saying, and none the less true than old “Something new comes every day.”  The last came, in this vicinity, we chronicle as the arrival of a portable Daguerrean Gallery which is now located nearly opposite the Store of H. S. Smith, where the Proprietors are prepared to see and wait upon our citizens, in all branches of the Daguerrean Art, and furnish them a likeness second to none and equal to the best, in any style and form desired.  The arrangement for light—a great essential in daguerreotyping, known to those who have the least knowledge of the art—will be found superior to that secured in an ordinary room.  Being invited to call and see, we went and see’d. The conveniences of the Rooms, neat and tasty—are equal to those of a parlor.  We advise those who want a good reflection of themselves, to embrace the present occasion to get a faithful one.

They were next recorded in an advertisement that ran from April 18 to May 9, 1851 in The Long Islander (Huntington, New York). Rare Chance For The People!!  The subscribers would beg leave to call the attention of all the good people of Huntington and vicinity to the Traveling National Daguerrean Saloon, which is now located on Main st., in Huntington Village, where they will remain a short time, kindly soliciting the patronage of those persons in want of correct likenesses of themselves or friends.  The National has its commodious wings and superior sky lights, which combine its adaptation to perfect the Daguerrean Art. What is there of earthly treasures that we can more highly prize as a Keepsake, than a correct Likeness of some absent friend or relation?

N. B. Miniatures For Lockets, Pins, or Rings. Without further comment, please Call and satisfy yourselves. Correct Likeness, or no Charge.  Disbrow & Clarkson, Huntington, April 16, 1851.

The second announcement ran on May 23, 1851 in The Long Islander (Huntington, New York).  Daguerreotypes.—Messrs. Disbrow & Clarkson, with their Daguerrean Gallery, remain in this village only this week.  Those intending to visit them must do so immediately.  On Monday next they locate at Cold Spring for a short stay.

The third announcement ran on November 7, 1851 in The Plaindealer (Roslyn, New York).  The Daguerrian Saloon.  Some of our readers in passing through our beautiful village, have no doubt noticed a strange looking object on the common, which the matter of fact may have deemed a bathing machine, drawn up for the season, whilst the more imaginative may have pictured it a miniature Noah’s Ark; or at least, one of Barnum’s Fejee caravans.  Had they noticed closer, they would have perceived that it was neither of these, but a perambulating Daguerrian Saloon, attended by two of the genus-homo.—The one a methodistical looking man, who (see hand-bill) addresses the world at large, as “dear friends”; the other, a good-natured looking young man, in appearance and manners somewhat different from his senior.  These two are the proprietors who philanthropically travel around the country, giving, for the price of twelve shillings; and, contraywise, painting men, horses, houses, monkeys, or anything else in nature, with fidelity, skill and dispatch.  Now, ye good people, who have an idea that ye are good looking, or would like to leave a memorial of yourselves with a friend, now is your chance.  Twelve shillings for immortality!  Cheap enough, in all conscience.  A purse is being raised by our enthusiastic subscribers, which, when filled, is to be devoted to the patriotic purpose of having our portraits taken.—These portraits will, no doubt, be in great request; and the world at large had better call at once on Messrs. Disbrow & Clarkson, and secure an impression.  These are the times when true greatness is held up to light, and fears not the sun’s rays.—Whosoever would be great, must first secure twelve shillings, and then, hey for a Daguerreotype.

Disbrow & Clarkson are not listed in partnership in any of the photographic directories that I have access too.  John Craig list three Clarkson’s in Craig’s Daguerreian Registry, an F. K. Clarkson is listed in Amesbury, Massachusetts in 1860; Theodore F. Clarkson is listed in Waukegan, Illinois; and Clarkson (no first name is on Long Island in 1853). Without more information it is only speculation that they are the same person.  Disbrow, only one listing in Craig’s was found for a Charles Disbrow in 1849-1850 in New Haven, Connecticut.  Again it possible they are the same person, but at this time its only speculation.

Peter G. Clark

1850                Address Unknown, [Boston], Massachusetts.[1]                                                1851                247 Washington Street, Boston, Massachusetts.[2]                                                      1851-1852     36 Washington Street, Boston, Massachusetts.[3]                                                      1852-1854      in San Francisco, California.[4]                                                                          1853                Address Unknown, Boston, Massachusetts.[1]                                                  1854                103 Washington Street, Boston, Massachusetts.[3]                                                    1854-1856      in New York City.[4]                                                                                                1855                158 Bowery, New York, New York.[5]                                                                      1857                Lower Great George Street, Charlottetown, Prince Edward Island, Canada.[4]  1859-1862      in San Francisco, California.[4]

Peter G. Clark first appeared in the Massachusetts Charitable Mechanic Association Report for September 1850.  He exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association, no award was given.

Reported on December 20, 1851 in The Carpet Bag (Boston, Massachusetts). A Present.—We have received from the artist, Mr. P. G. Clark, No. 247 Washington street, an elegant and faithful likeness of Mrs. H. M. Stephens, of this city, and we take pleasure in exhibiting the treasure to our many visitors. [We have an adjourned promise of the transcript of another fair face from the East—“down east,”—when the “sometimes operator” shall get back.] Of course we are proud of it, and of course we thank the donor, and commend him to the notice of that public which always patronizes those who favor the printers.

Reported in the September 1853 report of the Massachusetts Charitable Mechanic Association.  Peter G. Clark exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association. Award a bronze medal for daguerreotype views of California.

Reported in an advertisement on December 22, 1855 in the New York Daily Tribune (New York, New York). Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits.  Highest prize $1,000.  For particulars see circulars at the Museum.  Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway; Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

Peter G. Clark is known see the following publications for more information Pioneer Photographers of the Far West, A Biographical Dictionary 1840-1865,  Craig’s Daguerreian Registry, A Directory of Massachusetts Photographers 1839-1900.

The new Information, is the fact that he showed at the Massachusetts Charitable Mechanic Association in 1850 and in 1853, the advertisement in the Carpet Bag newspaper with the 247 Washington Street address, and the December 22, 1855 New York Daily Tribune advertisement with address of 156 Bowery, New York.

[1] Massachusetts Charitable Mechanic Association records, 1850 & 1853.                                        [2] The Carpet Bag (newspaper).                                                                                                                        [3] Directory of Massachusetts Photographers 1839-1900.                                                                          [4] Pioneer Photographers of the Far West.                                                                                                        [5] New York Daily Tribune (newspaper).

Mr. Clark

1855                3 Hathaway Building, Lansingburgh, New York.

Mr. Clark was recorded in an announcement on November 15, 1855 in the Lansingburgh Democrat (Lansingburgh, New York).  The Daguerrian Saloon formerly occupied by Mr. Judd, has passed into the possession of Mr. Clark, who is ready at all times to secure “the shadow, ere the substance perish,” for all those who wish it.—We noticed an Ambrotype of one of our active citizens hanging at his door a few days since—and if we can form an opinion from that, we judge that Prof. Judd’s mantle has fallen upon no unworthy successor.

After checking the photographic directories the only possible identification for Mr. Clark is Charles R. Clark, who was listed in Troy, New York in 1856 to 1861.  The distance between the two towns is only sixteen to seventeen miles away.  But as always this is only speculation on my part.

 

Mr. Clark

1851                26 Foot’s Building, Springfield, Massachusetts.

Mr. Clark was recorded in an advertisement that ran from December 9, 1851 to January 22, 1852 in the Daily Republican (Springfield, Massachusetts).  Kossuth Has Come!  And while this illustrious exile is being received with distinguished honor and shouts of welcome, let Cooley’s Daguerrian Gallery not be forgotten.  While the countenance is lighted up by the soul-inspiring eloquence of this great man step into Cooley’s, and in a few moments he will give you one of those superb Daguerreotype Likenesses for which his Gallery is famed, the world over.—His Sky-light needs no puffing—it can’t be beat—and those who have any eyes at all may be sure of obtaining a good picture.

The Professor may be found at his old station, and with our gentlemanly Operator, Mr. Clark, will be ready to wait upon visitors and sitters, and will give entire satisfaction to all.

Lockets, Keys, Rings, Pins, and every style of Case may be obtained at his Establishment, at the lowest prices; also, all kinds of material used in the business.  Call at Cooley’s, No. 26 Foot’s Building, and he will try to suit you.         O. H. Cooley.

Mr. Clark was not recorded in A Directory of Massachusetts Photographers, 1839-1900 or in other photographic directories.