Tag Archives: Daguerreotypist

Gibbs, Peter E.

Ambrotypes, Daguerreotypes, Photographs, Stereotypes, , , , , , , , , , ,

1847                Nearly opposite the Franklin Hotel, Lynchburg, Virginia.

1847                Address Unknown, Richmond, Virginia.

1847-1848       Main Street, opposite Dr. Early’s Office, Lynchburg, Virginia.

1851                Main Street, Lynchburg, Virginia.

1854                Address Unknown, Petersburg, Virginia.

1854-1855       Next Door to the Virginia Bank, Lynchburg, Virginia.

1855-1859       Rooms at Corinthian Hall, Richmond, Virginia.

1847 April 5.  Lynchburg Virginian.  (Lynchburg, Virginia.)  April 5, 1847, Vol. XXV, No. 71, P. 3.

Daguerreotype Likenesses.  The subscriber would respectfully inform the citizens of Lynchburg and surrounding country, that he has taken the rooms nearly opposite the Franklin Hotel, formerly occupied by Mr. W. A. Retzer, and recently by Mr. J. H. Fitzgibbons, where he is prepared to execute Miniature Likenesses with all the latest and most important improvements.

Miniatures taken in any kind of weather, and all pictures warranted a fac-simile of the original.

Ladies and Gentlemen are invited to call and examine specimens of this beautiful art.

N. B.—Instruction given in the art on moderate terms.  P. E. Gibbs. 

Advertisement ran from April 5 to August 5, 1847.

1847 November 15.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 15, 1847, Vol. 7, No. [ ? ], P. 4.

Daguerreotyping.  The subscriber having taken the rooms recently occupied by Mr. Gibbs as a Daguerrean Gallery, is prepared to take Photographic miniatures upon a plan embracing all the latest improvement in this beautiful art.  Miniatures taken in clear or cloudy weather, and warranted a fac-simile of the original.  Ladies and Gentlemen are respectfully invited to call and examine specimens.  He will keep constantly on hand a supply of celebrated [Quick], and all other materials used in the art, which he will furnish to those wanting, on liberal terms.  Instructions given at reduced prices.  J. Ward.  August 12.

1848 November 13.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 13, 1848, Vol. 9, No. 43, P. 3.

Electro Daguerreotyping.  The subscriber would respectfully inform the citizens of Lynchburg and vicinity, that he has Just returned from Richmond where [ ? ] some time in the gallery of Mr. J. H. Whitehurst [ ? ] whose merit as an artist is well known [ ? ] [alon,)] for the purpose of improving him [ ? ]  Daguerreotyping and that he is now in possession of [all the] improvements of the art.

Mr. G. feels confident in saying that he can produce likenesses superior to any taken or exhibited in this community.  All that he asks is a call from those that may want a splendid picture of themselves or friends.  He invites particular attention to the brilliancy and life-like appearance of the eyes of his pictures. (which make one feel they are looking at the original and not the shadow,) as well as his new process of enameling.

Ladies and gentlemen are respectively invited to call and examine specimens at his gallery, opposite Dr. Early’s office, Main Street.  P. E. Gibbs.  Nov. 9.

1851 January 16.  Lynchburg Republican.  (Lynchburg, Virginia.)  January 16, 1851, Vol. 11, No. 68, P. 1.

The Latest Improvement.  Whitehurst’s Celebrated Daguerreian Galleries.  Highest premiums awarded at the late Fair of Maryland Institute for the latest improvements.

Main Street, Lynchburg, Bank Square, 77 Main St., Richmond, Sycamore St., Petersburg, Main St., Norfolk, 207½ Baltimore St., Baltimore, Pennsylvania Avenue, Washington, D. C., Broadway, New York.

The subscriber would respectfully inform the public generally, that he has recently returned from the North, where he has spent several days in each of the above Galleries.  Also, in [his other leading] Galleries in New York, Philadelphia and Baltimore, for the purpose of getting all the latest improvements in Daguerreotyping, and now having his Skylight arranged on the most improved and scientific plan, he is better prepared than ever to take likenesses, (equal to any) in all the latest styles, and in any kind of weather.

Feeling grateful for the liberal patronage heretofore received, he pledges himself to use all proper means to merit its continuance.  P. E. Gibbs, Ag’t for J. H. Whitehurst.

N.B.  Likenesses of every description copied, a large assortment of Lockets and medallions of superior beauty for Daguerreotypes always on hand.  P. E. Gibbs, Agt. Nov 4.

Advertisement was recorded on January 16 to July 21, 1851. 

1852 August 10.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 10, 1852, Vol. 1, No. 1, P. 1.

Free Exhibition.—The subscriber having obtained at considerable expense, from Mr. Whitehurst’s Washington Gallery, Daguerreotypes of the following distinguished characters, most respectfully invites the public to call and examine them, in connection with a large number of his own production, at the Whitehurst Gallery.

President Fillmore, Gen. Winfield Scott, Wm, A. Graham, Gen. Franklin Pierce, Wm. R. King, Gen. Lewis Cass, Judge Stephen A. Douglass.  P. E. Gibbs, Proprietor.

Advertisement ran from August 10, 1852 to March 21, 1853.

1852 November 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  November 16, 1852, Vol. 1, No. 85, P. 2.

Whitehurst Gallery.—Another Great Improvement—The subscriber being determined to keep pace with all the improvements in his business, has erected a new and powerful Sky-light, which is so constructed as to enable him to produce pictures in a few seconds, without the heavy shades and contracted features usually attending the common Daguerreotype thereby preserving the eye with all its beauty.  The light being soft, yet very strong, is beautifully adapted to taking groups and children.

Having spared neither pains nor expense in fitting up his Gallery, which is now elegantly furnished and beautifully arranged, it is one of the most attractive places in the city.

He respectfully ask a continuance of that patronage which has been so liberally bestowed upon him, for which he tenders his sincere thanks, and pledges himself to use all means in his power to please all that call on him, whether they want pictures or not.

Pictures taken in cloudy as well as clear weather, and perfect satisfaction guaranteed in all cases, or no charge.

Gallery next door to Virginia Bank.  P. E. Gibs, Proprietor.

N. B.—A fine assortment of Lockets and Pins always on hand, which will be filled with pictures very cheap.  P. E. G.

Advertisement ran from November 16 to December 24, 1852. 

1853 February 9.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 9, 1853, Vol. 1, No. 158, P. 3.

At a regular meeting of Virginia Encampment of Patriarchs, No. 8, I. O. O. F., held this evening Feb. 3, 1853, the following preamble and resolutions were unanimously adopted:

Whereas, in the death of our late brother E. H. Atkinson, our mystic circle has been deprived of a member, whose prospects for a long and useful life were apparently fairer than a majority of those with whom he was associated, therefore, by this and afflictive dispensation of providence, we are again forcibly reminded of the fact, “that in the midst of life we are in death.” And are solemnly admonished, to give heed to our way’s, that when the summons shall come to us, we also, may be ready.  In the death of Bro. Atkinson, our order has lost a firm and true friend, and a faithful and consistent member, therefore be it

Resolved, That we sincerely  sympathize with the widow and friends of our deceased brother, in their sad bereavement.  

Resolved, That as a token of respect for our deceased friend and brother, the emblems and furniture of this Encampment, be clothed in morning, for the space of thirty days.

Resolved, That the Scribe be directed to present the widow of our deceased brother, with the copy of the above preamble [ ? ? ? ?], and that he have them published in [ ? ? ?  ?] city.

[ ? ] E. H. Folkes, S. S.  P. E. Gibs, C. P.

1853 February 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 16, 1853, Vol. 1, No. 164, P. 3.

Lockets, Lockets, Pins &c.—The subscriber respectfully informs the public that he has just returned from the North with an unusually large stock of Daguerreotyping material, embracing Frames, Cases &c., of the latest styles and patterns.  Also a large stock of Lockets and Pins, some extra fine made to order, which will be filled with pictures in the best style of the art, at low prices, according to quality, at Whitehurst Gallery, next door to the Va. Bank.  P. E. Gibbs, Proprietor.

N. B.—Paintings and Pictures of all kinds accurately copied.

Stock furnished at the lowest cash prices.  P. E. G.

Advertisement ran from February 16 to August 1, 1853.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—We invite attention to the advertisement of Mr. Gibbs.  Mr. G. is a native Virginian, and as polite and gentlemanly in his attention to visitors, as he is skillful in the exercise of his pleasing and useful art.  His pictures are unsurpassed, we believe we may say unequalled, by any we have ever seen.  He has recently returned from the North with improved apparatus and materials and is now prepared not to satisfy merely, but to delight all who want a perfect and lifelike picture of themselves.  His rooms are in the immediate vicinity of the banks, and will be found open to all, and a pleasant place for whiling away an idle half-hour.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—The subscriber would respectfully say that he is now taking pictures of the same style and finish as those taken by Whitehurst, which took the premium at the late World’s Fair, London, and at the last several fairs of the Maryland Institute.  All wanting accurate Daguerreotypes of themselves or friends, can get them by calling at his gallery.  None of your doubtful shadows, but a living fac-simile of self.  P.E. Gibbs.  Gallery next the VA. Bank.

N. B.—Pictures of all kinds accurately copied.  A large supply of Lockets and Pins constantly on hand, which will be filled cheap.  P. E. G.

Compliment To Whitehurst The Daguerreotypist.—The President of the United States, Millard Fillmore, as Chairman of the Central Committee, has sent Mr. J. H. Whitehurst a communication, informing him of the award of a Medal, &c., for his beautiful Daguerreotypes, exhibited at the late World’s Fair at London.—The compliment is fully merited as we can testify by actual personal observation.  If you want to get a perfect life-like picture of yourself or your friends, go to Whitehurst, who will give them to you in such admirable style that you’ll hardly know yourself from the picture.—[Baltimore Argus.

1853 April 25.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  April 25, 1853, Vol. 1, No. 222, P. 2.

Stereoscopic or Solid Daguerreotypes.—The Public are respectfully invited to call and examine specimens of this new and beautiful style of Photography, together with a large collection of other specimens taken by “Gibbs.”

Truly a Southern Artist—a native Virginian.  Gallery next door to the Va. Bank.  Peter E. Gibbs, Proprietor. 

Advertisement ran from April 25to August 1, 1853.

1854 February 4.  The Greenbrier Era.  (Lewisburg, Virginia.)  February 4, 1854, Vol. 3, No. 24, P. 3.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

Advertisement was recorded sixteen times between February 4 and August 19, 1854.

1854 September 16.  Greenbrier Weekly Era.  (Lewisburg, Virginia.)  September 16, 1854, Vol. IV, No. [ ? ], P. 4.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

1854 October 26.  The Daily Dispatch.  (Richmond, Virginia.)  October 26, 1854, Vol. IV, No. 322, P. 4.

Petersburg Fair…Second Day…notes…P. E. Gibbes, Daguerreotypes from his establishments in both Petersburg and Lynchburg.

1854 October 28.  The Daily Dispatch.  (Richmond, Virginia.)  October 28, 1854, Vol. IV, No. 305, P. 3.

Petersburg Fair.  Fourth Day.  Petersburg, Oct. 27, 1854…List of Premiums Awarded at the Union Fair of Virginia and North Carolina…Discretionary Premiums.—….$2, to G. B. Jones & Co., Petersburg; for specimens of daguerreotyping, $5 each, To Messrs. P. E. Gibbes of Lynchburg and White of Petersburg;

1854 November 17.  The Daily Dispatch.  (Richmond, Virginia.)  November 17, 1854, Vol. IV, No. 322, P. 4.

List of Premiums Awarded At The Fair Of The Mechanics Institute.—Class No.  43—Daguerreotypes and Materials.

No. 4.  J. H. Whitehurst, for photographs and Stereoscopes:              silver medal.

No. 3.  M. P. Simons, for plain daguerreotypes:                                silver medal.

No. 2.  P. E. Gibbs, for lot of daguerreotypes:                                   1st class diploma.

1855 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1855, Vol. VIII, No. 90, P. 2.

To Mr. M. P. Simons—Sir: Unless you discontinue the use of the word Ambrotype to your card. [which is my property as applied to Glass Pictures.]  I shall proceed at once to require you to show cause why you infringe on my rights.  P. E. Gibbs.

A Card To The Public.—The Ambrotype is a patented picture, made by the use of two plates of glass hermetrically sealed together, sealed together, which patent belongs to the subscriber exclusively in this city, and can be made by no other person.  There will be [    ] on the public a picture on single glass in imitation the genuine, which is only necessary to compare to see its inferiority.

My Rooms, in Corinthian Hall, will be opened in a few days, where the genuine Ambrotype will be produced in its greatest perfection.  P. E. Gibbs.

We publish elsewhere the farewell card of Mr. P. E. Gibbs, who leaves this city for Richmond.  We can but express regret at the departure from us of so accomplished an artist and worthy citizen as Mr. G. [      ] congratulate the people of Richmond on his accession to that city.  As a daguerrean artist we regard Mr. Gibbs as without a superior anywhere.  He leaves the assurance that his place will be well filled in the person of his successor, Mr. Keagy.—Lynchburg Virginian, Oct. 12.                                                                                           

1855 October 29.  The Daily Dispatch.  (Richmond, Virginia.)  October 29, 1855, Vol. VIII, No. 102, P. 2.

Great Attraction At Corinthian Hall.—The subscriber respectfully informs the public at large, that he has fitted up rooms in the above Hall, for the purpose of conducting the Photographic Art in all its branches, and is now prepared to furnish pictures in every style of the art known in this country or Europe.  He calls especial attention to his new style Pictures, or Ambrotypes, on glass, far exceeding in beauty and durability any thing before made.  These Pictures are not reversed as Daguerreotypes are, and may be seen in any light.  They are imperishable, being hermetically sealed between glass plates, which sealing is secured by Letter’ Patent, in the United States and Europe, and owned in this place by Gibbs only.

These Ambrotypes are pronounced, by competent judges, to be the grandest achievement in the Photographic art, having a relief and clearness truly astonishing.  Made from the smallest to life size.

Ambrotype Stereoscopes must be seen to be appreciated, the relief being fully as perfect as life.

Also Mezographs or Pictures on Paper, from life.  These are equal to the finest engravings, and more accurate in detail.  Any number from a single sitting—from one to a thousand—either plain or colored, in water or oil.

Citizens and strangers are invited to call and examine specimens in the various branches, as they are assured of polite attention and superior Pictures.  P. E. Gibbs.

P. S.—In Ambrotypes the style of drapery or the color of the eye makes no difference, as all are equally well taken.  Daguerreotypes copied into Ambrotypes and made permanent.  P. E. G.   

Advertisement ran from October 29 to 30, 1855.

1855 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1855, Vol. VIII, No. 125, P. 2.

A Card.—The Subscriber respectfully informs the public that his Gallery is now open for visitors, in Corinthian Hall, where he is prepared to furnish the Ambrotype, Mezograph and Daguerreotypes in a style superior to anything of the kind yet offered in this place.

Having the exclusive right to make Ambrotypes in this city, I shall prosecute to the extent of the law all persons infringing the same.  P. E. Gibbs.      

Advertisement ran from November 24 to December 17, 1855.

1855 November 30.  The Daily Dispatch.  (Richmond, Virginia.)  November 30, 1855, Vol. VIII, No. 130, P. 1.

Infringing a Patent.—In the U. S. Circuit Court, for the eastern district of Virginia.  Judge Halyburton presiding, an application has been made by Mr. P. E. Gibbs for an injunction to restrain Mr. M. P. Simons from infringing a patent for making ambrotype pictures, of which Gibbs is assignee.—In consequence of the delay in receiving papers from the Patent Office in Washington, the case was adjourned until Thursday next, when it will be taken up and argued at length, by A. Judson Crane, Esq., for the complainant, and Messrs. August and Randolph for the respondent.

1855 December 7.  The Daily Dispatch.  (Richmond, Virginia.)  December 7, 1855, Vol. VIII, No. 136, P. 1.

U. S. Circuit Court, Judge Halburton presiding.  The case of Gibbs vs Simons, on an application for and injunction to prevent the respondent from making ambrotype pictures in violation of the plaintiff’s patent, and for a trial by jury to have the facts in the case decided upon, was argued yesterday by Mr. A. J. Crane for the plaintiff, and Messrs. August and Randolph for the defendant.  At the close of the argument the Judge took time to render his decision.

1855 December 12.  The Daily Dispatch.  (Richmond, Virginia.)  December 12, 1855, Vol. VIII, No. 140, P. 1.

In the U. S. Court, yesterday, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  Evening Star.  (Washington, District of Columbia.)  December 14, 1855, Vol. VI, No. 919, P. 2.

In the U. S. Court, at Richmond, on Tuesday last, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  The Daily Dispatch.  (Richmond, Virginia.)  December 14, 1855, Vol. VIII, No. 142, P. 2.

Strayed Or Stolen—From the subscriber’s door, in the last few days, several Ambrotypes, in fine gilt frames.  It is a fact worthy of remark, that Gibb’s Ambrotypes are perfect gems of art, but he had no idea that they were so much of life as to leave without his consent.  Any one apprehending and returning them to me, will be rewarded.

The public are invited to call at Gibbs’ Ambrotype Gallery (Corinthian Hall) and secure one of his inimical Pictures, which are receiving the highest encomiums from the multitudes that daily throng his rooms.  Remember that this is the only place at which the genuine Ambrotype can be obtained.  None genuine without the patent stamp.  P. E. Gibbs.        

Advertisement ran from December 14 to 17, 1854.

1855 December 21.  The Daily Dispatch.  (Richmond, Virginia.)  December 21, 1855, Vol. VIII, No. 148, P. 2.

A Humbug, Verily—One that pretends to have what he has not.  But not so with Gibbs and his Ambrotypes, as evidenced by the many beautiful specimens with which his Gallery abounds, and with which he is daily furnishing his customers.  He challenges comparison of his Ambrotypes with Flesh tint or any other types, produced in this or any city in the Union.  He guarantees entire satisfaction in every instance, or the money refunded even after the pictures are taken home.

P. E. Gibbs, Ambrotypist, Corinthian Hall, between 9th and 10th sts.

Advertisement ran from December 21 to 31, 1855.

1855 December 31.  The Daily Dispatch.  (Richmond, Virginia.)  December 31, 1855, Vol. VIII, No. 142, P. 2.

Stop!  Mr. M. P. Simons, not quite so fast, but wait until a jury of your peers shall decide (which will soon take place) whether you can continue making your imitation Ambrotypes, before you bragg so high.

The public are informed that the genuine Ambrotype can only be obtained at my Gallery, where I guarantee to furnish better Ambrotypes than he that boast so much, in every instance, or no charge made.

Gallery Corinthian Hall.  P. E. Gibbs, Ambrotypist.                                    

Advertisement ran from December 31, 1855 to January 11, 1856

1856 January 8.  The Daily Dispatch.  (Richmond, Virginia.)  January 8, 1856, Vol. IX, No. 7, P. 2.

Imitation Ambrotypes, as Mr. Gibbs calls them, are liked by all who see them much better than the genuine article.  Mr. Gibbs, however, is an exception to this rule.  He says that they are not so good.  We will now see whether he really believes what he says, by putting him to the test.  The test shall be a forfeit of $100, that he cannot make a superior Ambrotype of any subject that we can.  But we would like this to be understood, that if we beat him, he must not talk any more about infringements, but be satisfied with the opinion of the judge, that that there is no infringement.  To us it seems quite ridiculous in Mr. Gibbs to say that ours is only an imitation, and then to accuse us of an infringement.  M. P. Simons, Ambrotypist.                 

Advertisement ran from January 8 to 15, 1856.

1856 January 12.  The Daily Dispatch.  (Richmond, Virginia.)  January 12, 1856, Vol. IX, No. 11, P. 2.

A Card.—P. E. Gibbs, Esq.—Dear Sir:  At your request, I state that no judge has decided that Mr. Simons is not infringing your Ambrotype patent.  So far from that being correct, the case is still pending at the instance of Judge Halyburton himself, in order to have the question tried by a jury the judge not being acquainted with that sort of business, as he could not be expected to be; and this is the familiar practice in such cases.

A. Judson Crane, Richmond, Jan. 11, 1856.

Mr. P. E. Gibbs—Dear Sir:  As Mr. M. P. Simons seems to doubt the truthfulness of your statement made in the Dispatch of the 9th instant, I hereby certify that I handle your note of the 8th inst. To Mr. M. P. Simons.  He declined your proposition by saying that you knew he was not prepared, but insisted on the forfeit of one hundred dollars.  My reply to him was, that you were not a betting man, but that I would take the forfeit for you; which he declined, by saying that it was not convenient for him to put up one hundred dollars at that time.  To which I proposed to him to make a note at from one to six months, which he also declined, thereby backing out from his own challenge.

Yours respectfully, John W. Davies.  January 11, 1856.                                               

Advertisement ran from January 12 to February 1, 1856.

1856 January 26.  The Daily Dispatch.  (Richmond, Virginia.)  January 26, 1856, Vol. IX, No. 23, P. 2.

The Patent-Right Man and his Pet Card.—Our attention has frequently been called to a pet card of this man, which has appeared and reappeared so often in the Dispatch; and although it purports to have been written by his friend, it is too much like his former productions, to be attributed to another.  Its style and language is so natural to him, that to find fault with him for it, would be equivalent to finding fault with a hog for grunting, or an ass for baying.  It is natural for them, and we have no idea of condemning them for it.  M. P. Simons.                         

Advertisement ran from January 26 to 29, 1856.

1856 January 30.  The Daily Dispatch.  (Richmond, Virginia.)  January 30, 1856, Vol. IX, No. 26, P. 2.

Unparalleled Humbugging.—In Sept., 1855, I commenced making Ambrotypes.  It was not long after this, before a man—who was verdant enough to pay for a right to use two glasses—came to the city, and seeing that my pictures were superior to his, became quite uneasy, and was at a loss for a plan to prevent me making them.  At last he hit upon one, as he thought, and the public were surprised with a blustering card, threatening me with prosecution for using the word Ambrotype—humbug the first.—This fruitless attempt of his to frighten me off led me to an investigation of Cutting’s patent, by which I found that he had no more right to the exclusive use of two glasses than he had to the word Ambrotype.  I accordingly used two glasses whenever it suited my purpose better than one.  This gave the patent man still greater uneasiness; and he attempted again to frighten me, by asking for an injunction, in which he failed—humbug the second.  After finding that he could not monopolize the art to himself, he came out again in a card; telling the public that I still infringe upon his patent; but before he gets through he contradicts himself, by saying that I only imitate the genuine; a strange anomaly—humbug the third.  For if mine only imitated, and are so inferior to his, why object to my making them?  And if genuine, and an infringement of the patent, why not have it decided at once—whether it is a patent right or a patent wrong?  But no, he is not satisfied with humbugging himself, but must get his counsel to help him; who says in a standing card, that “the question will be tried by a Jury, the Judge not being acquainted with that sort of business”—Who ever heard before that a jury was more competent to decide a question of law than a Judge?  M. P. Simons.             

Advertisement ran from January 31 to February 4, 1856.

1856 January 31.  The Daily Dispatch.  (Richmond, Virginia.)  January 31, 1856, Vol. IX, No. 27, P. 1.

Spoiling Pictures.—We understand that Messrs. Simons and Gibbs, picture makers, came in collision on Eagle Square yesterday morning, and made an effort to disfigure each others profiles, but were prevented from doing so by the interposition of bystanders, who separated them.  These gentlemen have been pitching into each other, through the newspapers, for several weeks.  Which of the two has had the best of that fight, the public can decide.

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Messrs. Editors—Please allow me a small space in your columns for the purpose of bringing more fully before your numerous readers the new and beautiful Ambrotypes produced by Mr. P. E. Gibbs, at his gallery in Corinthian Hall, which is now admitted by all who visit it to be one of the most attractive places in the city, being handsomely fitted up, and the walls already hung with many familiar faces, which look more like things of life than any style of Photographs it has ever been my good fortune to behold.  Unlike the ordinary Daguerreotypes which can only be seen in a certain position, the Ambrotypes can be seen in any light—nor does it reverse the face, but makes it natural; and being put up on scientific principles, there is no question but it is, as the name indicates, imperishable.  I am not, Messrs. Editors, in the habit of puffing, nor do I regard this as such, but am only speaking of facts; for where true merit and genius are that article (puffing) is not necessary, especially when that genius has grown and been educated among us.  Mr. Gibbs is a Virginian in every sense of the word—raised in our midst, and that he possesses true genius, no one that is acquainted with, or examines the productions of his skill, can for a moment doubt.  All therefore who wish to have a fac simile of themselves or friends handed down to future generations, will do well to give Mr. Gibbs a call and be assured of a polite reception from himself and assistants.  An Admirer Of Genius.                             

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Gibbs’ Gallery.—The gallery of Mr. Gibbs in Corinthian hall, is one of the neatest in the city, and decidedly one of the most attractive, from the splendid specimens of Ambrotypes, the new and beautiful improvement in the Daguerreotyping art, there exhibited.  His long experience and skill in his profession render him peculiarly worthy of encouragement; while the air of elegance which distinguishes his establishment makes it more than ordinarily inviting.  If you wish to procure a true likeness, or examine those of others, call upon Mr. Gibbs.                 

Advertisement ran February 2 & 4, 1856.

1856 February 16.  The Daily Dispatch.  (Richmond, Virginia.)  February 16, 1856, Vol. IX, No. 41, P. 2.

Gibbs’ Gallery for patent Ambrotypes and Photographs, of Every Size And Description.—Daguerreotypes copied into Ambrotypes and made permanent, or if desired, to life size on paper, retaining the perfect likeness, and painted by first-class artists, making a most beautiful and desirable style of portraits.

Ambrotypes in lockets, pins, cases, and frames of all descriptions.   

P. E. Gibbs, Corinthian Hall, Main street, below 9th, Richmond.                 

Advertisement ran from February 16 to October 14, 1856.

1856 June 1.  Photographic and fine Arts Journal.  (New York, New York.)  June 1, 1856, Vol. IX, No. 6, P. 217.

In an article entitled the Photographic Galleries of America.  Number Three, Richmond. The author visited 7 Galleries in Richmond.

Gibbs.—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward. I would recommend him to study Qulian on positions. How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.

1856 June 28.  The Daily Dispatch.  (Richmond, Virginia.)  June 28, 1856, Vol. IX, No. 150, P. 2.

There have been many improvements made in the wonderful invention of Daguerre, since that ingenious Frenchman first discovered the property of light in making pictures.  The most pleasing and remarkable of them all is the Ambrotype, by which glass is substituted for silver as the tablet for receiving the impression.  We looked in, a day or two ago, at the rooms of Mr. Gibbs, in Corinthian Hall, on Main street, and were much struck with the exceeding beauty and delicacy of his specimens of the ambrotype there on exhibition.  Many of our prominent citizens, including some of the most eminent clergymen and members of the bar, with his Honor the Mayor, may be found in Fac Simile at Mr. Gibbs’ gallery, which our country friends will find a pleasing place to visit when in Richmond.—Rich. Whig.

1856 July.  Photographic And Fine Art Journal.  (New York, New York.)  July 1856, Vol. IX, No. 7, P. 217.

The Photographic Galleries Of America III.  Richmond, July 1, 1856…

Gibbs—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward.  I would recommend him to study Qulian on positions.  How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.     

1856 August 26.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 26, 1856, Vol. 5, No. 21, P. 4.

A Card.—Having sold my interest in the Daguerrean Gallery, in this place. To Mr. James Keagy, I would respectfully recommend to the favorable attention of the public as a skillful Artist, and a gentleman on whom they may rely.  Come, then, and secure one of his inimitable Ambrotypes, which can only be procured of him in this city.

In taking my leave, I would return thanks for the liberal patronage and kind attention received from a generous public, during a residence if over eight years.  P. E. Gibbs.  oc 12.

1856 September 18.  The Daily Dispatch.  (Richmond, Virginia.)  September 18, 1856, Vol. X, No. 69, P. 2.

A Card.—We, the undersigned, members of the Richmond Instrumental Musical Club,…

P. E. Gibbs, Violoncello.

1856 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1856, Vol. X, No. 102, P. 2.

Notice to the Public.—Do not put too much confidence in the self-puffing so common with Daguerreotypist, but rest assured  that any real (not imaginary) improvement in the beautiful art of Photography will be introduced by Gibbs as soon as it makes its appearance; but for the present, he confidently asserts that there is nothing in this city comparable for beauty or durability with the Ambrotype, (or—“Balsom Picture.,” as called by some,) as made by Gibbs, which fact is the reason of so many professed improvements which have appeared in sundry cards of late.  We can furnish any style Picture in the art.  all we ask is a call, and examine specimens, to convince any one of the truth of our assertion.  Gallery, Corinthian Hall, between 9th and 10th sts.  P. E. Gibbs.                                                                                   

Advertisement ran from October 15 to December 2, 1856.

1856 November 11.  The Daily Dispatch.  (Richmond, Virginia.)  November 11, 1856, Vol. X, No. 125, P. 1.

Awards Of The Mechanics’ Institute.  Made November 8, 1856….Class No. XLIII—Ambrotypes, Photographs, Daguerreotypes and Materials.

Ambrotypes, by Peter E. Gibbs, a silver medal.

Photographs, by J. H. Whitehurst, first class diploma.

Photographs, by D. Bendann, second class diploma.

1856 November 29.  The Daily Dispatch.  (Richmond, Virginia.)  November 29, 1856, Vol. X, No. 141, P. 2.

Remember The Fact that Gibbs was awarded the highest premium (a silver medal) at the last exhibition of the Mechanics’ Institute, for superiority of his Ambrotypes over all sun pictures on exhibition; but a still higher reward he is receiving from a daily increase of his business, which proves that his efforts to establish a first class Gallery, has met with the approbation of a generous public.

He respectfully announces that, in order to meet the demands of his business, he has increased his force.  Having now in his employ a superior Artist, he is prepared to furnish Photographs, from small to life size, colored in oil, water or pastel, which he warrants for accuracy and beauty of finish, equal to the best paintings in the country.  The public are respectfully invited to call and examine specimens.

Gallery, Corinthian Hall, between 9th and 10th, Main street, Richmond.  P. E. Gibbs, Proprietor.

P. S.  These Photographs can be enlarged from small Miniatures, Daguerreotypes or ambrotypes, to life-size.  P. E. G.                           

Advertisement ran from November 29 to January 3, 1857.

1856 December 19.  The Daily Dispatch.  (Richmond, Virginia.)  December 19, 1856, Vol. X, No. 158, P. 2.

Gibbs’ Gallery.—We visited the establishment of Mr. P. E. Gibbs, on Main street, yesterday, and examined the various specimens of the daguerrean art which decorate his reception saloon.  We will be sustained by all who have seen these evidences of Mr. G.’s artistic skill, in saying that his ambrotypes and colored photographs are the ne plus ultra of excellence.  The former, for their superior delicacy and fidelity to nature, especially excited our admiration.  The coloring artist of the establishment is Mr. Amen, who, though quite a young man, evinces a degree of professional skill which warrants the belief that he will yet attain a conspicuous position in the world of art.  The portraits of Mr. and Mrs. Gibbs, suspended in the gallery, were executed by him, and will compare favorably in smoothness of coloring and accuracy of likeness with the productions of more distinguished artists.  In taking these portraits, the camera is brought into requisition for tracing the outlines upon canvass, and then the artist has to rely upon his skill for retaining the likenesses, and imparting the natural expression.  They are furnished cheaper than the portraits taken in the ordinary mode, and look equally as well.              

1857 September16.  The Daily Dispatch.  (Richmond, Virginia.)  September 16, 1857, Vol. XII, No. 67, P. 2.

Look at This.—If you want a genuine Ambrotype, just call at Gibb’s Gallery, where he is now furnishing his customers, with the genuine double glass Ambrotype, (Warranted for beauty and durability, superior to any made,) at cheaper rates than any house in the city.

Our work is two well known to require any puffing from us.

Gallery, Corinthian Hall, between 9th and 10th, Main street.            P. E. Gibbs

Advertisement ran September 16 to December 7, 1857.

1857 December 8.  The Daily Dispatch.  (Richmond, Virginia.)  December 8, 1857, Vol. XII, No. 137, P. 3.

Where Shall We Get Our Likeness Taken!—At Gibbs’, of course, where ever one that wants a decent picture, and not a caricature, always go.  Besides, we have never been deceived by him with humbug advertisements.  As these are sentiments daily expressed and carried out by scores of persons, we take pleasure in saying that in addition to our inimitable Ambrotype, we are now executing Photographs, of a superior character, both plain and colored, which, for beauty of finish and accuracy of likeness, are equaled by few and surpassed by none.  Pictures of all kinds accurately copied and warranted to please, at moderate prices.—Ambrotypes at one dollar and upwards at Gibbs’ Temple of Art, Corinthian hall, Main street, between 9th and 10th.  P. E. Gibbs. 

Advertisement ran from December 8, 1857 to June 16, 1858.                                    

1858 January 7.  The Daily Dispatch.  (Richmond, Virginia.)  January 7, 1858, Vol. XIII, No. 6, P. 2.

$5 Reward.—Stolen from the door of my Gallery, within the last few days, several frames, containing Ambrotypes and Photographs—among them an Ambrotype of Miss Maggie Mitchell and Photograph of Mr. J. G. Wade, recollected.  The above reward will be given for the detection of the thief.  P. E. Gibbs. Corinthian Hall.                                                             

Advertisement ran on January 7 & 8, 1858.

1858 June 18.  The Daily Dispatch.  (Richmond, Virginia.)  June 18, 1858, Vol. XIII, No. 144, P. 2.

Life Size Photographs.—The subscriber takes pleasure in announcing to his numerous patrons and the public at large, that he is now prepared to furnish Photographs from miniature to Full Life Size, either plain or colored, which, for accuracy and finish, he warrants equal, if not superior to any produced in this city, at less than the usual price.  Old Pictures copied and enlarged to any size.

Citizens and strangers are invited to call and examine specimens at Gibbs’ Temple of Art, Corinthian Hall, Main street, between 9th and 10th.  P. E. Gibbs.

P. S.—If you want a genuine Ambrotype, this is the lace to get it, where you will neither be humbugged in price or work, Also melainotypes, or any other Picture in the Photographic Art.

P. E. G.                                                                                                                      

Advertisement ran from June 18, 1857 to April 5, 1859.

1859 April 13.  The Daily Dispatch.  (Richmond, Virginia.)  April 13, 1859, Vol. XV, No. 88, P. 2.

Ambrotypes And Photographs.  Having purchased the Fine Art Gallery in Corinthian Hall. recently occupied by P. E. Gibbs, I respectfully solicit a call from all who wish to obtain a good Likeness of themselves or friends, before purchasing elsewhere.  Having employed one of the best artist in America, I deem it unnecessary to say more than guarantee satisfaction, or no charge.  Respectfully, J. Thos. Smith                                                                                     

Advertisement ran from April 13 to 16, 1859.

Getchell, William H.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , ,

1854-1864       299 ½ Washington Street, Boston, Massachusetts.

1864                163 & 173 Washington Streety, Boston, Massachusetts.

1866-1872       375 Washington Street, Boston, Massachusetts.

1874-1900       Address Unknown, Boston, Massachusetts.

1853 August 4.  The Boston Daily Mail.  (Boston, Massachusetts.)  August 4, 1853, Vol. XIII, No. 183, P. 2.

Arrivals At The Principal Hotels Yesterday…

Quincy House…W. H. Getchell, Ogdensburg, N. Y.

1854 March 10.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 10, 1854, P. 2.

Gas Explosion on Washington Street—Two Persons Badly Injured.  Last evening, about 8½ o’clock, a dangerous accident occurred in the daguerreotype establishment of Messrs. Masury & Silsbee, 299½ Washington street, in the following manner: While in the process of forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use suddenly exploded, with so violent a concussion that the two persons who were standing upon it were thrown several feet distant and severely injured, while the entire glass of the large skylight and seven windows of the room was broken out, together with the sashes, and a rent made in the partition wall near where the bag laid, besides some other slight damage to the operating apparatus and fixtures of the room.

The explosion made a loud report, which was heard for a considerable distance, and the effect upon the six persons in the room was completely stunning; and it is quite remarkable that no more were injured, and that the destruction of property was not far greater.

The gas-bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding 70 gallons of hydrogen, with which it was about half filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gasses, as no fire came in contact.

Mr. Samuel Masury, one of the firm, and Mr. William H. Getchell, an operative in the establishment, who were standing on the bag, were thrown with great force, the one upwards to the ceiling, and the other across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  He was taken to his residence and is under the care of Dr. Bigelow, who sewed up his wounds, Mr. M. manifesting the greatest fortitude during the operation.  Mr. Getchell’s left ankle was fractured, and his right foot badly crushed.  He is under the care of Dr. Cabot.

Mrs. Masury and Mr. Silsbee were among the persons present in the room who escaped injury.  We learn that the accident will not occasion any interruption to the business of the enterprising firm, as their establishment embraces several other rooms.

1854 March 11.  The Boston Daily Atlas.  (Boston, Massachusetts.)  March 11, 1854, Vol. XXII, No. 215, P. 2.

The Gas Explosion.—It appears that the accident on Thursday evening at Messrs. Masury & Silsbee’s rooms, was caused by the burning of a large bag containing eighty gallons of Hydrogen gas, from the heavy pressure of weights, and of two gentlemen standing on it.  The experiment was to take daguerreotypes by means of the Drummond light, and the escaped gas instantly taking fire, exploded.  There were six persons in the room at the time, including Mrs. Masury. Mr. Silsbee was not injured, as stated yesterday, But Mr. Masury had one of his eyes actually blown from his head, while Mr. W. H. Getchell had besides many severe bruises, one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes, and were yesterday as comfortable as could be expected.

1854 March 11.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  March 11, 1854, Vol. CI, No. 7620, P. 2.

Local Matters.  [Report for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

1854 March 13.  Boston Semi-Weekly Courier.  (Boston, Massachusetts.)  March 13, 1854, Vol. XXX, No. 4028, P. 1.

The Gas Explosion.  We have already mentioned that a serious gas explosion took place at the “daguerrean gallery” of Messrs. Masury & Silsbee, No. 299½ Washington street, on Thursday evening.  It was Mr. William H. Getchell, and not Mr. Silsbee, that sustained a broken leg.  Mr. Silsbee, through present, escaped injury.  The accident occurred in this wise: While in the process forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use exploded with so violent a concussion that the two persons who were standing upon it—Messrs. Masury and Getchell—were thrown several feet.  Mr. Masury was thrown against the ceiling, and Mr. Getchell across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  Mr. Getchell’s left leg was fractured and his right foot badly bruised.  There six other persons, including Mrs. Masury, in the room at the time of the accident, but they escaped.  The Transcript states that “the gas bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding seventy gallons of Hydrogen, with which it was about filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gases, as no fire came in contact.”

1854 March 15.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 15, 1854, P. 2.

Recovering From Injuries.  Mr. Masury, the daguerreotype artist, is fast recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received severe bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

1854 March 15.  The Boston Herald.  (Boston, Massachusetts.)  March  15, 1854, No. 9572, P. 4.

Recovering From Injuries.  Mr. Masury, The daguerrean artist, is fact recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received several bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

1854 March 15.  Boston Weekly Messenger.  (Boston, Massachusetts.)  March  15, 1854, Vol. XLII, No. 40, P. 4.

[Reported for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

1857 March 14..  The Flag Of Our Union.  (Boston, Massachusetts.)  March 14, 1857, Vol. XII, No. 11, P. 5.

Marriages…By Rev Dr. Stow, Mr. William H. Getchell to Miss Sarah Hartwell.

1857 November 12.  Boston Daily Ledger.  (Boston, Massachusetts.)  November 12, 1857, No. 269, P. 2.

Notice.—The copartnership heretofore existing under the firm name of Masury, Silsbee & Case, is by mutual consent this day dissolved.  The business of the firm will be settled at the usual place, 299½ Washington street, by Jno. G. Case, who has sole authority to do so.  Masury, Silsbee & Case.  Boston November 10, 1857.

Notice.—The undersigned have this day formed a copartnership to carry on the Photographic and Daguerreian business, which will hereafter be pursued under the firm, name and style of Silsbee, Case & Co.  Geo. M. Silsbee, Jno. G. Case, Wm. H. Getchell.  Boston November 10, 1857.

Advertisement was recorded on November 12 & 14, 1857.

1858 June 2.  Boston Daily Ledger.  (Boston, Massachusetts.)  June 2, 1858, No. 431, P. 2.

299½ Washington street, Boston, June 1, 1858.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are, as ever heretofore, ready to execute their orders in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.

Advertisement was recorded five times between June 2 to 11, 1858.

1858 July 1.  Boston City Directory.  (Boston, Massachusetts.)  July 1, 1858, P. 47.  Published by Adams, Sampson & Co. 1858.

Silsbee, Case & Co.,   The Attention of the Public is Called Particularly To A New Style of Portraits, which we are now taking, called Photographs, Which are Daguerreotypes on Paper, canvas, or Glass, and are taken of all sizes, from the smallest, to life size, and colored in Oil, Water, or India Ink, far excelling in point of likeness all other styles of portraiture.  We are also making beautiful Daguerreotypes, which for clearness, style and beauty of finish, cannot be excelled.  To this branch of our business we respectfully call your attention.   Another style of Miniature which is pleasing to many, and in some respects preferable, is the Hallotype, which we are always prepared to take; and in either of the above branches of our Art, we will always give satisfaction. 

Our Gallery Is At 299½ Washington Street, Boston, And Is Up But One Flight Of Stairs.

Wm. Getchell, John G. Chase , Geo. M. Silsbee.

1858 September 4.  Boston Shipping List.  (Boston, Massachusetts.)  September 4, 1858, Vol. XVII, No.2, P. 4.

Silsbee, Case & Co.  Photographs and Daguerreotypes.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are as ever heretofore ready to execute their order in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.  je16. Advertisement was recorded six times between September 4 to October 2, 1858.

1860 April 27.  Manuscript Letter from William H. Getchell to Andrew Patch (Chris Steele’s Collection)

As a member of Silsbee, Case & Co. Photograph And Daguerreotype Artists, 299½ Washington Street, Boston wrote to Mr. Andrew Patch Harvard, Mass.  Dear Sir.  I will make duplicate photographs from any of those that I made for you for $1.00 with out frames or 2.00 with such frames as you had on those of yours for the Lodge at anytime that they may be wanted,

Respty yours, Wm. H. Getchell.

P. S. I have all the Negatives so they have just to send me the name of the ones they want.

1862 December 8.  Boston Morning Journal.  (Boston, Massachusetts.)  December 8, 1862, Vol. XXX, No. 9194, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

Advertisement ran from December 8 to 13, 1862.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Changes in Business in Boston.  Since our last we have the following changes in business, &c., to record:—

Silsbee, Case & Co., Photographers; dissolved; G. M. Silsbee retired; now—Case & Getchell.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

1863.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1863 January 2.  The Boston Herald.  (Boston, Massachusetts.)  January 2, 1863, P. 2.

The Lilliputian Queen of Beauty.  Cartes de Visite of Miss. Lavinia Warren, the lady in miniature, to whom Barnum offered $100 per week and was refused, taken only by Case & Getchell, 299½ Washington street.

Advertisement ran three times between January 2 to 5, 1863.

1863 January 3.  Boston Morning Journal.  (Boston, Massachusetts.)  January 3, 1863, Vol. XXX, No. 9216, P. 2.

Worth her Weight in Gold.  The only Cartes de Visite taken in Boston of the charming little beauty, Miss Warren, who caused such a sensation at the Parker House, were taken in all her various elegant costumes by Case & Getchell, 299½ Washington street.

1863 February 5.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 5, 1863, Vol. XXXV, No. 10,059, P. 2.

Elegant Photographs.  In passing through Washington street every person should notice a superb photograph, of Imperial size, of J. Wilkes Booth, now on exhibition in the window of Thompkins’ druggist store, at the corner of Winter street.  It is an elegant specimen of the art, being remarkably smooth and clear in outline and feature, and well worthy of examination.  The picture is from the studio of Messrs. Case & Getchell, (late Silsbee, Case & Co.) who have gained a well earned reputation for superior photographs and cartes de visites.

1863 February 12.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 12, 1863, Vol. XXXV, No. 10,065, P. 2.

Lilliputian Wedding.  Cartes De Visite of Mr. & Mrs. Gen’l Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington st.

Advertisement ran five times between February 12 to 17, 1863.

1863 February 12.  The Boston Herald.  (Boston, Massachusetts.)  February 12, 1863, P. 2.

Lilliputian Wedding.  Carte de Visites of Mr. and Mrs. Gen Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington street.

Advertisement ran from February 12 to 16, 1863.

1863 April 4.  Boston Morning Journal.  (Boston, Massachusetts.)  April 4, 1863, Vol. XXX, No. 9293, P. 2.

Extensive Alterations.  The late fire, by which Messrs. Case & Getchell, the celebrated photographers at 299½ Washington street, were so seriously inconvenienced, is after all to be productive of considerable good.  With characteristic centerpiece those gentlemen have improved the opportunity to completely refit, somewhat enlarge, and make more attractive than ever their popular rooms.  For several years past they have done a very large business, and step by step were obliged to enlarge the sphere of their operations.  An additional room on the right of their reception gallery was first taken, then a large building at the rear was wholly occupied, and more recently another apartment, for the accommodation of a second operator, was opened.  These are the natural results of unusual capacity, as well as of marked loyalty to their own obligations and the wants and tastes of customers alike.  Their rooms, as they look now—enlarged, recarpeted, newly decorated, and richly embellished—could hardly be recognized by a person formerly frequenting them, and we think must be an object of considerable interest for some weeks to come.  If any one has a doubt of the remarkable popularity of this establishment, let him just step in at the first convenient moment and take a look at Messrs. Case & Getchelle’s “Engagement Book.”  

1863 November 30.  Boston Herald.  (Boston, Massachusetts.)  November 30, 1863, P. 5.

Buckley’s Serenaders.  New Minstrel Hall.  Corner of Summer and Chauncy streets.  Change of Time.  Evening at 7½; Saturday at 2¼ .

Laughing Song—Polka D’Afric—Lisping Song—The Happy Octogenarian—Gold vs. Postage Stamps—Billy Paterson—The Much Abused Trovatore.

Opera Week.  Case & Getchell.

Doors open at 6 in the evening; Saturday afternoon at 1.  Ticket office open from 10 A. M. to 1 P. M.  Tickets 25 cts.  Reserved Seats 50 cts.

1864.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1864 February 8.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 8, 1864, Vol. XXXVI, No. 10,368, P. 3.

Major General Burnside and McDowell have visited the Photographic Galleries of Messrs. Case & Getchell, and J. W. Black, the last week, where several fine portraits in cabinet and card size have been taken.  The cabinet size of both are excellent.  That taken by Mr. Black can be seen at the store of Messrs. J. E. Tilton & Co., and the other at Messrs. Case & Getchell’s.  The card pictures of both artists are also very fine.

1864 March 2.  Boston, Daily Advertiser.  (Boston, Massachusetts.)  March 2, 1864, Vol. 103, No. 52, Whole No. 15,450, P. 1.

Fire.—The alarm about 1 o’clock yesterday afternoon was caused by fire in the photograph rooms of Messrs. Case & Getchell, No. 299½ Washington street.  A bottle of collodion was accidentally dropped in the chemical room, and the fumes instantly ignited from the gas, filling the apartment at once with flame.  Messrs. W. H. Getchell, Asa B. Eaton and Edwin Gossam were burned in the hands and face, the first two quite seriously.  The damage to the establishment is slight.  

1864 March 2.  Boston Herald.  (Boston, Massachusetts.)  March 2, 1864, P. 4.

Explosion And Accident In A Photographic Saloon.  The alarm of fire at twenty-five minutes before one o’clock, this afternoon, proceeded from a slight fire in the photograph rooms of Case & Getchell, No. 299½ Washington street.  The fire was caused by an explosion of chemicals in the “dark room” of the establishment, and we regret to say that several persons were injured thereby.  Mr. A. B. Eaton, one of the operators was badly burned about the face and hands, being in the room at the time.  Mr. Wm. H. Getchell, of the firm of Case & Getchell, had his hands badly burned and his hair scorched, and a young m,an named Edwin Gossam also had his hands burned.  Several other persons, one of whom was Mr. R. Bishop Buckley, of Buckley’s Minstrels, who chanced to be in the operating rooms, narrowly escaped serious injury.  The fire was put out with a few buckets of water, and the damage to the building was comparatively small.

1864 March 2.  Boston Morning Journal.  (Boston, Massachusetts.)  March 2, 1864, No. 9577, P. 4.

Fire And Accident.  An alarm about half-past 12 o’clock yesterday afternoon, came from the photograph saloon of Messrs. Case & Getchell, 299½ Washington street, and was caused by the accidental ignition of some chemicals, in a room in which were several persons at the time.  The fire was extinguished with but little damage to the building or stock, but Messrs. Wm. H. Getchell, Asa B. Eaton and Edwin Gossin (sic.) were burned about their faces and hands, the two first named quite severely.   

1864 June 15.  Boston Herald.  (Boston, Massachusetts.)  June 15, 1864, P. 3.

Notice.  All persons having unsettled accounts with the firm of Case & Getchell, Photographers, 299½ Washington street, are requested to make immediate payment, as our business must be closed by July 1st, 1864, on account of the removal of the building.

1864 July 1.  Boston Evening Transcript.  (Boston, Massachusetts.)  July 1, 1864, Vol. XXXVI, No. 10,490, P. 2.

Photographic Partnership.  It will be seen by reference to an advertisement in another column, that the firm of Case & Getchell has been dissolved and that a new copartnership has been formed between J. W. Black and J. G. Case, under the title of Black & Case.  The Combination, in one firm, of two such eminent photographers, cannot but have a marked effect in attracting business to their establishment.

1864 July 1.  Boston Evening Transcript.  (Boston, Massachusetts.)  July 1, 1864, Vol. XXXVI, No. 10,490, P. 3.

Dissolution Of Copartnership.  The Copartnership heretofore existing between the subscribers, under the the style of Case & Getchell, is this day dissolved by mutual consent.

Either party is authorized to settle the partnership business and may be found at 163 and 173 Washington street, at the establishment of Black & Case.

All persons indebted to said late firm of Case & Getchell are requested to make immediate payment as above.  J. G. Case, W. H. Getchell.

1864 July 2.  Boston, Daily Advertiser.  (Boston, Massachusetts.)  July 2, 1864, Vol. 104, No. 2, Whole No. 15,559, P. 1.

Business Changes,  In Boston…

Case & Getchell, Photographists, dissolved.  J. W. Black and J. G. Case for a new firm under the style of Black & Case.

1864 July 2.  Boston Morning Journal.  (Boston, Massachusetts.)  July 2, 1864, No. 9,682, P. 3.

Important Notice.  We beg to announce that we have purchased the entire Stock of Photographs published by the late firm of Case & Getchell, and we have also completed arrangements with the well known and justly celebrated Artists, Black & Case, (J. W. Black)  (Case & Getchell) for the Exclusive Sale of their large collection of Photographs.  In addition to our already Extensive Catalogue, this will make the Largest Photograph List In The United States.  Trade and Agents supplied at lowest market prices.  John H. Bufford & Sons, Printsellers, Publishers & Lithographers, [213] Washington st., Boston, Ma.

1864 July 16.  Commercial Bulletin.  (Boston, Massachusetts.)  July 16, 1864, VI, No. 288, P. 2.

–The interests of two of the largest and most popular firms engaged in the photograph business in Boston, have recently been united.  The form of Case & Getchell having been dissolved and a new firm formed by Mr. John G. Case and J. W. Black, under the style of Black and Case, Mr. Getchell assuming superintendence of an important speciality (sic.) in the new firm.  Both of these parties have attained a high reputation in the photographic art, and a stronger combination of skill, latest improvements and experience cannot be imagined.  All negatives, &c, of Case & Getchell, can be found at the establishment of the new firm, No. 000 Washington street.

1865 September 16.  Commercial Bulletin.  (Boston, Massachusetts.)  September 16, 1865, VII, No. 349, P. 2.

Changes In Business In Boston…

Getchell & Brownell, Photographers; new firm—W. B. Getchell & A. C. Brownell.

Brownell & Cahill, Photographers; dissolved.

1865 September 20.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXXVII, No. 10,864, P. 2.

Opening Of The Mechanic Fair.  This exhibition of the mechanic arts begun at noon today, with every indication of its being a thorough success.,,

Six tables have been placed on the floor of the hall, the sides of which have been divided into twelve alcoves.  Alcove 8 to 12 inclusive, on the north side, are devoted to specimens of the skill of our photographic artists, as follows:

No. 8—Messrs. Black & Case;

No. 9—Augustus Marshall;

No. 10—E. L. Allen;

No. 11—J. A. Whipple;

No. 12—Getchell & Brownell.

1865 September 23.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  September 23, 1865, Vol. 125, No. 8824, P. 1.

Mechanics’ Fair Tenth Exhibition of the Massachusetts Charitable Mechanic Association…

Section Two…

The entire east side of the hall is occupied by the exhibition of photographs, embracing five (sic.) collections from Black & Case, Fuller & Smith, A. Sonrel, T. R. Burnham, E. S. Allen, J. A. Whipple, Getchell & Brownell, S. Masury, and John P. Soule.

1865 September 27.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 27, 1865, Vol. XXXVII, No. 10,870, P. 5.

Tenth Exhibition Of American Manufactures, New Inventions & Work Of Art, Under The Direction Of The Massachusetts Charitable Mechanics Association, At Faneuil And Quincy Halls…

Alcove No. Twelve.  Samuel Masury has several beautiful specimens of Painting on Porcelain which are worthy attention.  Messrs. Getchell & Brownell display Photographs of excellent finish—amongst them, views of the Old Mill at Newport, Niagara Falls, and Suspension Bridge; also a case of Card Photographs, one of which represents an open book,—the execution of the picture being so clear that the page can be read without the aid of glasses.  The book has a book-mark in it with the motto “Firm and True;” underneath are the Square, the Rule, and the Compass.

1866.  Boston Directory.  (Boston, Massachusetts.)  P. 634. 

W. H. Getchell, (Late firm Case & Getchell), Photographic Artist, 375 Washington Street, Boston, Next Door South Of Adams House.

Special attention given to taking pictures of Children, without extra charge.  Daguerreotypes and Ambrotypes copied and enlarged to any desirable size.

1866 January 25.  Boston Evening Transcript.  (Boston, Massachusetts.)  January 25, 1866, Vol. XXXVIII, No. 10,970, P. 3.

The Copartnership heretofore existing between W. H. Getchell and A. C. Brownell, Photographers, is this day dissolved by mutual consent.  All business of the late firm will be settled by W. H. Getchell, at his rooms, No. 375 Washington st.

1866 February 24.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 24, 1866, Vol. XXXVIII, No. 10,996, P. 3.

W. H. Getchell.  375 Washington Street.  Pictures taken in all styles of Photographic Art.  Photographs, Porcelainotypes, Cartes De Visites or Pictures In Imperial And Life Size. 

The best Artists employed in finishing Photographs.  Satisfaction guaranteed to all customers.

1868 May 12.  Boston Herald.  (Boston, Massachusetts.)  May 12, 1868, P. 4.

Affairs About Home.  Report of the Grand Jury for Suffolk County reported this morning 75 bills of indictment…

John Dillon, larceny of photographic pictures, the property of Edward L. Allen, Wm. H. Getchell and John A. Whipple; also a watch and chain and banknotes belonging to Sarah B. Thayer.

1869 August 26.  Boston Evening Transcript.  (Boston, Massachusetts.)  August 26, 1869, Vol. XLII, No. 12,078, P. 2.

Crawford’s Beethoven In Music Hall is regarded as one of the very finest works of modern art.  Thousands have studied it, as it stands, representing the thoughtful majesty of the great composer.  A remarkably excellent photograph of this statue has been taken by W. H. Getchell, 375 Washington street.  It is printed with clearness and makes a beautiful picture.  Copies are for sale by Mr. Alfred P. Peck, the owner of the copyright, at the ticket office of the hall.

1872 July 30.  Boston Herald.  (Boston, Massachusetts.)  July 30, 1872, P.1.

By Albert Howe, Auctioneer.  Fixtures and Furniture of a Photograph Room at Auction, 375 Washington st.  Will be sold at public auction This Day, July 30, 1872, at 10 o’clock A. M., all the articles contained in the photograph rooms of Wm. H. Getchell, consisting of Brussels carpet, 2 sofas, easy and other chairs, 1 bookcase, 1 counter, 1 silver show case, 1 centre table, lot drawers and shelves, lot of picture frames, 500 lights of glass, lot of painted carpet, curtains, lot iron stair treads, 1 large Magee stove and funnel, 1 desk.  All to be sold and taken away on the day of the sale.

1910 August 16.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 16, 1910, Vol. 81, No. 190, P. 3.

Recent Deaths: Boston Oldest Photographer.  Old-time maker of daguerreotypes took earliest pictures of Charles Sumner and Adelina Patti.

William H. Getchell, considered as Boston’s oldest photographer, died at his home, 19 Nixon Street, Dorchester, yesterday afternoon aged eighty-one years.  In the Getchell home is a remarkable collection of pictures of Boston’s most famous citizens and visitors of more then fifty years ago.  Among the pictures is the first photograph ever taken of Charles Sumner as well as the first of Adelina Patti.

Born in Hallowell, ME. And reared in Bangor, ME. Getchell was left an orphan at an early age and was adopted by a family which moved to Washington, Ill. At the age of eleven Mr. Getchell came to Boston and learned the trade of daguerreotype-making from Masury & Silsbee, whom he later succeeded as a member of the firm of Case & Getchell.  His studio was located at what was then on Washington Street, at a point where Temple Place later was extended to that Street.  Mr. Getchell always declared that the old-fashioned daguerreotype was the only faithful reproduction of the human features ever devised other forms of photography he contened, excelled in concealment of expression.

Gerrish

Daguerreotypes, , ,

1851                Address and Location Unknown, Maine.

1851 November 4.  Portland Weekly Advertiser.  (Portland, Maine.)  November 4, 1851, Vol. LIII, No. 44, P. 1 & 2.

Cumberland County Agricultural And Horticultural Society.  Agreeably to notice, the Fair and Cattle Show commenced on Wednesday, October 15, 1851 in Portland.

The Cattle Show was held in the pasture, corner of Green and Portland streets, the exhibition of produce, Manufactured articles, &c., at the City Hall…

Daguerreotypes:—There were numerous specimens of Daguerreotypes, from Geo. M. Howe, Messrs. Stevens & Gerrish and Mr. Samuel Carlton.  The committee could see but slight difference between those of Howe, and Stevens & Gerrish, both were believed to be as near perfection, as the daguerreotype process will allow, but on the whole the evidence of artistical skill in those of Messrs. Stevens & Gerrish, inclined the committee to give theirs the preference, and they awarded them a premium, 2.00.  To those of Mr. Howe they awarded a diploma.

Mr. Carlton has many admirers in his line, and deservedly so.

Gerrish, Horatio N.

Daguerreotypes, , , , ,

1853                Street’s Building, 155 Chapel Street, New Haven, Connecticut.

1854                243 Grand, New York, New York.

1855                144 Chapel Street, New Haven, Connecticut.

1853 June 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 28, 1853, Vol. VIII, No. 151, P. 2.

A Card.  I hope the gentleman who wrote poetry on those splendid Views, will be careful the next time and not make a mistake as to the place at which he saw them.  H. N. Gerrish.

Executor of Views, Houses, Landscapes, &c.  Office, Street’s Building, 155 Chapel st. next door below Skinner & Sperry’s.

Advertisement ran on June 28 & 29, 1853.

1854.  New York City Directory.  (New York, New York.) 1854/1855, Published by John Fowler Trow.

Daguerreian 243 Grand, h-108 Bowery.[1]

1855 January 15.  Columbian Register.  (New Haven, Connecticut.)  January 15, 1855, Vol. X, P. 2.

Jackass For Sale!  Will be sold at public auction, on the 31st day of February next, precisely at 12 o’clock, a bill due H. N. Gerrish, for sundry articles, against an individual  know as H. J. Rodgers.  Said bill against said Rodgers will be sold to the highest bidder, from the spout of the Town Pump, on said day, and previous notice of the sale will be given by Booth’s crier, who will pass through the streets braying like a Jackass.  No cash is expected of the bidder of said bill, until the time said Rogers pays all bills.  And as the day of judgement by law will be a busy day with him, it is not expected that he will pay said bill until the day after.  The public are invited to call and see said bill at Gerrish and Jones Daguerreotype Gallery, 144 Chapel st. next door below Gerrish’s old stand.

1855 January 16.  Columbian Register.  (New Haven, Connecticut.)  January 16, 1855, Vol. X, P. 2.

We noticed considerable in circulation in our city concerning Mr. Hopper’s instantaneous process for Daguerreotyping Children, which process consists of nothing more than in applying a little sweet oil to the plate previous to the chemical process—as this process was first introduced into this city by Mr. Gerrish who showed Mr. H. the process, not thinking it a secret worth keeping, as pictures cannot stand taken this way, as the oil on the plate, mingled with the coating, will soon cause it to corrode.  But he has another process, by which Daguerreotypes can be taken as instantaneous, with better finish and durability—which process he is now ready to practice, at his new establishment, 144 Chapel st. next door below his old stand.  Take notice—Mothers wishing good and durable Daguerreotypes of their little children, will do well to call and examine daguerreotypes taken by this process, previous to procuring them elsewhere.  Perfect satisfaction will be given, or no charge, at Gerrish & Jones’ Daguerrean Gallery, 144 Chapel st.  formerly occupied by W. A. Judson.

Advertisement was recorded nineteen times between January 16 to February 15, 1855.

[1] Not listed in the 1853 or 1855 city directories.

Gerrish, August

Daguerreotypes, , , ,

1852-1853       142 Chapel Street, New Haven, Connecticut.

1852 October 1.  Columbian Register.  (New Haven, Connecticut.)  October 1, 1852, Vol. XLI, No. 2132, P. 3.

Horticultural.—The opening of the Fair, at the State House, last Thursday…

The mechanical department is not as well represented as usual…Gerrish & Rogers a collection of their well-executed Daguerreotypes…

1853 January 16.  Morning Journal and Courier.  (New Haven, Connecticut.)  January 16, 1853, Vol. VIII, No. 141, P. 2

Daguerreotypes.  There is no branch of the fine arts that has been more wonderfully  improved than the Daguerrean process. And no where has it been bro’t to more perfection than in N. Haven.  The picture galleries of our artists are really worth looking at.  Besides the various specimens of work which they display to the eye of the beholder, their internal arrangements are fitted up in the most attractive manner and at an expense which would seem hardly warrantable.  We stepped into the rooms of our neighbors Gerrish & Rogers, (sic.) a few days since, and were surprised as well as pleased with their process of Daguerreotyping.  The short time which is now required to transfer one’s likeness to the plate, and the very life-like manner in which it is performed, are truly astonishing.  Without any disparagement to other artists, whose specimens of work speak so approvingly of their skill and workmanship, we must say in justice to these gentlemen, that they are deserving both commendation and patronage, for the very high state of perfection to which by study and experience they have been able to bring this branch of the fine arts.

1853 April 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  April 28, 1853, Vol. VIII, No. 98, P. 3.

We Advise those who desire to obtain a Superior Daguerreotype To Call On Gerrish & Rogers.  They execute likenesses n\by an entire New Process.  Rooms, No. 142 Chapel street, Opposite Lyon Building.

Advertisement ran from April 28 to 30, 1853.

1853 May 4.  Morning Journal and Courier.  (New Haven, Connecticut.)  May 4, 1853, Vol. VIII, No. 103, P. 2.

We Advise those who desire to obtain a Superior Daguerreotype To Call On Gerrish & Rogers.  They execute likenesses n\by an entire New Process.  Rooms, No. 142 Chapel street, Opposite Lyon Building.

Advertisement ran from May 4 to 7, 1853.

1853 June 3.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 3, 1853, Vol. VIII, No. 130, P. 2.

Adieu! Sweet Spring.

Farewell! Sweet Spring, with all thy flowers,

And ever welcome, pleasant hours;

Thy balmy zephyr floating still,

O’er lovely dale and rugged hill.

But summer’s here, and brings the rose

In all its glorious beauty ripe;

What’s sweeter, fairer, far than those!

Gerrish & Rogers’ Daguerreotype.

1853 June 14.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 14, 1853, Vol. VIII, No. 139, P. 2.

The Maiden’s Soliloquy.

Oh! beautious (sic.) eve, in this sweet grove,

I turn to thee ‘mid thoughts of love

That cling to me by night and day,

To tell of one far, far away.

Here in my heart his image lies,

Link’s with my \dearest memories.

And this Daguerreotype [I] view,

This faultless, and to nature true.

Gerrish & Rogers wrought for me.

Brings back my love from far o’er sea;

Whate’er though life meets on our way,

My blessing shall be theirs for aye.

1853 June 16.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 16, 1853, Vol. VIII, No. 139, P. 2.

Daguerreotypes.  There is no branch of the fine arts that has been more wonderfully improved than the Daguerrean process, and no where has it been bro’t more perfection than N. Haven.  The picture galleries of our artists are really worth looking at.  Besides the various specimens of work which they display to the eye of the beholder, their internal arrangements are fitted up in a most attractive manner and at an expense which would seem hardly warrantable.  We stepped into the rooms of our neighbors Gerrish & Rodgers, a few days since, and were surprised as well as pleased with their process of Daguerreotyping.  The short time which is now required to transfer one’s likeness to the plate, and the very life-like manner in which it is performed, are truly astonishing.  Without any disparagement to other artists, whose specimens of work speak so approvingly of their skill and workmanship, we must say in justice to these gentlemen, that they are deserving both commendation and patronage, for the very high state of perfection to which by study and experience they have been able to bring this branch of the fine arts.

1853 June 27.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 27, 1853, Vol. VIII, No. 150, P. 2.

A Reverie, whilst looking at one of Messrs. Gerrish & Rodgers’ beautiful Daguerrean Views, lately executed in a true, happy, artistic style:

The world has passed through changes, since the flood

Deluged the earth, or Eve with Adam stood

In that primeval garden, Eden named.

Where he, the Lord of all, dominion claimed;

Oh, such a spot, could painter’s magic hand

Transfer to canvas, all its beauties grand,

Or sketch with vivid thought, each fancy free,

Each living form, each plant, each rock, each tree.

Oh, had old time but left one remnant, then

We could have dwelt upon its glories, when

The first of human kind, the God-created pair,

Sought the sweet sylvan shade, or the wild lion’s ;air;

But hoary age has left not e’en a single part,

Where Gerrish, excelsior of daguerrean art,

Or Rodgers could, midst grand artistic fire,

With the sun’s rays, a poet’s soul inspire,

To sing in glowing verse his them, that garden, where

The first formed couple roamed, a cheerful pair.

1853 July 4.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 4, 1853, Vol. VIII, No. 157, P. 2.

We hail the Glorious Fourth.

Hail, glorious Fourth, Mid stains so free,

That proudly swell o’er land and sea,

To tell of Freedom’s dawn of power!

Gladly we welcome thee, this hour.

Filled with the glowing thoughts that rise,

I turn where yon fair city lies.

Oh, ere the sun mounts up the sky,

To its enchanting shades will hie,

This beauteous morn, my maid and I,

There through the gladsome hours we’ll rove

In shaded streets and pleasant grove;

The artists then must claim our thoughts,

Who have with years of effort wrought,

Their process to perfection brought;

And while we pause to view their rare

Array of portraits, gathered there,

They will prepare with art so free

My maid’s Daguerreotype for me;

Then Grateful thoughts I will count o’er

To Gerrish & Rodgers evermore.

Rooms 142 Chapel street, opposite Lyon Building.

1853 July 8.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 8, 1853, Vol. VIII, No. 160, P. 2.

The Lover’s Reverie,

While gazing on a miniature of his intended, prepared by Messrs. Gerrish & Rodgers.

Oh ‘tis thy very self!  thy form—thy face!

Thy love lit eyes upon me, sweetly smiling;

I feel thy presence here, life’s crowning grace,

Of weary care thy passing hours beguiling.

Yes. ‘tis thy living self, its place is near my heart,

With deep devotion, will I always cherish

This glorious triumph of Daguerrean art,

Achieved by Rodgers, and his partner Gerrish.

Those wishing pictures of the finest order, have but to present themselves, plainly dressed in dark clothing, in clear or cloudy weather, and trust, without dictation, to the management of the artists.  Rooms No. 142 Chapel st. opposite Lyon Building.

1853 July 12.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 12, 1853, Vol. VIII, No. 163, P. 2.

My Country. 

I love my country’s green clad hills—

Her bright unnumbered murmuring rills,

Her sunshine and her storm;

Her rough and rugged rocks, that rear

Their hoary heads high in the air,

In wild fantastic form.

I love her rivers, deep and wide,

Those bright streams that seaward glide,

To seek the ocean’s breast;

The links of iron that bind each State,

Which firm united makes them great,

And in God’s blessing blest.

I love to hear of Rodgers’ skill,

And Gerrish’s power to use at will

The glorious orb of day—

To draw each make and varied line

Of the human form divine,

From his light passing ray.

Shakespoke.

1853 July 13.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 13, 1853, Vol. VIII, No. 164, P. 2.

Come, tell me what shall be in Twenty years.

“In twenty years!” thy smooth young brow

Shall cease to be so fair;

Time shall have intermixed with white,

Thy dark and lustrous hair.

“In twenty years!” care shall have ploughed

Deep furrows on thy face;

Thy form shall then be bent and bowed—

Thy limbs forget their grace.

“In twenty years!” nay, do not start,

Ere twenty years have fled,

The light shall from thine eye depart—

Thou’lt slumber with the dead.

Oh, then, ere yet thy beauty fades,

[unreadable line,]

A picture by Gerrish & Rodgers made,

Shall e’er secure it from decay,

As fresh, as fair, as bright as in its proudest day.

Senex.

1853 September 29.  Morning Journal and Courier.  (New Haven, Connecticut.)  September 29, 1853, Vol. VIII, No. 231, P. 2

The Horticultural Fair.  To-day is the last of the exhibitors at the State House, and all who take pleasure in seeing fruits and flowers and vegetables in their perfection, ought not to lose the present opportunity.  Only the mechanical department is poorly filled,…Messrs. Gerrish & Rogers’ (sic.) daguerreotypes,…

1853 December 12.  Morning Journal and Courier.  (New Haven, Connecticut.)  December 12, 1853, Vol. VIII, No. 293, P. 3.

Dissolution.  The subscribers, under the name of the firm of Gerrish and Rodgers, have this day dissolved copartnership, by mutual consent.  A. Gerrish, H. J. Rodgers.

Card.  Mr. Gerrish, in bidding adieu to his friends, the inhabitants of New Haven and its vicinity, tenders to them his heart felt thanks alike for their liberal patronage and never-failing kindness, and also wishes to say that, being now on the eve of his departure for a foreign land, he has the greatest pleasure in recommending his partner to the patronage of the generous public, feeling confidently assured that Mr. Rodgers, combining, as he does, the highest practical knowledge of his business with the artist’s love of his art, the poet’s perception of its beauties, and the courtesy of the perfect gentleman, which, during all his connection with him he has always found him possessed of, will not fail to please his patrons, while he sustains a high reputation as the perfecter of an entirely new chemical process, of which he is in part the inventor and now the sole proprietor in America.  A. Gerrish.

[Original.]

Then Fare Thee Well,—Gerrish!

Thou brother of my heart—farewell!—

Go forth where fortune leads thee:

She points to Eastern climes;—tis well,—

Th’ celestial Empire needs thee!

Go forth;—and when, in coming days,

The sons of China weeping

In grief sublime, shall seek the place

Where all they’ve loved are sleeping,

No more in their despair they’ll prove

How vain is each endeavor

To recall the look of those they loved,

Now lost to them forever;—

Thou’lt be to them a household God

Whom in their hearts they’ll cherish—

Heaven’s “last, best gift” on them bestowed

Shall bear the name of—Gerrish!

Soft be the winds which waft thee hence,

Fair be the skies above thee—

Swift-winged the messenger from thence

Which brings to those who love thee

Tidings of thine arrival there.

Go forth where fortune leads thee—

Ten thousand hearts—the brave and fair—

Are breathing now—“God speed thee!”  Rodgers.

1853 December 17.  Columbian Register.  (New Haven, Connecticut.)  February 17, 1853, Vol. XLI, No. 2143, P. 3.

Dissolution.  The subscribers, under the name of the firm of Gerrish and Rodgers, have this day dissolved copartnership, by mutual consent.  A. Gerrish, A. J. Rodgers.

Notice.  Rodgers & Hopper (formerly Gerrish & Rodgers,) Elm City, Emporium Of Art, 142 Chapel st., New Haven.  Mr. H. J. Rodgers has associated with him Mr. H. Hopper, a celebrated daguerrean operator, and perfector of many of the fine arts—thus daguerreotypes executed by him and Rodgers, the perfector of an entire new chemical process, will need no comment here to recommend them.  No expense has been spared in procuring the best German Cameras that are manufactured, and as superior materials only are used, they are prepared to take likenesses that are unsurpassed for boldness, truthfulness, beauty of finish and durability.  Pictures taken equally well in fair and cloudy weather, and all are warranted to give entire satisfaction.  Our motto—“We will please.”  H. J. Rodgers, H. Hopper.

Card.—Mr. A. Gerrish, in bidding adieu to his friends, the inhabitants of New Haven and its vicinity, tenders to them his heart-felt thanks, alike for their liberal patronage and ever unfailing kindness, and also wishes to say that, being now on the eve of his departure for a foreign land, he has the greatest pleasure in recommending his partner to the patronage of the generous public, feeling confidently assured that Mr. Rodgers, combining as he does the highest practical knowledge of the mechanical part of his business—with the artist’s love of his art, the poet’s perception of its beauties, and the courtesy of a perfect gentleman, which during all his connection with him, he has always found him possessed of—will not fail to please his patrons, while he sustains the highest reputation as a perfector of an entire new chemical process, of which he is in part the inventor and now the sole proprietor in the United States.  A. Gerrish.

Original.

Then fare thee well, “Gerrish,”

Thou brother of my heart, farewell!

Go forth where fortune leads thee;

She points to eastern climes—‘tis well—

The celestial empire needs thee!

Go forth, and when in coming days

The sons of China, weeping

In grief sublime, shall seek the place

Where all they’ve loved are sleeping.

No more in despair, they’ll prove

How vain is each endeavor

To recall the look of those they loved,

But lost them forever,

Thou’lt be to them a household god,

Whom in their hearts they’ll cherish;

“Heaven’s last best gift” on them bestowed,

Shall bear the name of “Gerrish.”

Soft be the winds which waft thee hence.

Fair be the skies above thee;

Swift winged the messenger from thence,

Which brings to those who love thee,

Tidings of your arrival there.

Go forth where fortune leads thee—

Ten thousand hearts, the brave and fair,

Are breathing now, “God speed thee.”

New Haven, Dec. 10, 1853.  Rodgers.

Gayford & Manington

Daguerreotypes, ,

1852                Rooms above Mr. Allen’s Book Store, Lewistown, Pennsylvania.

1852 April 8.  The True Democrat.  (Lewistown, Pennsylvania.)  April 8, 1852, Vol. 8, No. 10., P. 2.

A New Daguerrean gallery is opened—affording an opportunity for those desiring mementoes of friends to secure them.

1852 April 8.  The True Democrat.  (Lewistown, Pennsylvania.)  April 8, 1852, Vol. 8, No. 10., P. 2.

The Ladies and Gentlemen Of Lewistown and vicinity are respectfully informed that the National Daguerreotype Gallery is now open in rooms above Mr. Allen’s Book Store, where Gayford & Manington are prepared, with the latest and best style of stock, to execute orders in a manner not to be surpassed for style, execution or moderate price.

Likeness for $1.00, and Case Complete.

Old Pictures taken, 50 cents.

No picture need be paid for unless approved of.

Please call and examine specimens, & c.                  

Advertisement ran from April 8 to 22, 1852

1852 April 9.  Lewistown Gazette. (Lewistown, Pennsylvania.)  April 9, 1852, Vol. XXXVII, Whole No. 1972, New Series Vol. 6, No. 25, P. 2.

Gayford & Manington have opened a daguerrean establishment above Mr. Allen.

1852 April 9.  Lewistown Gazette. (Lewistown, Pennsylvania.)  April 9, 1852, Vol. XXXVII, Whole No. 1972, New Series Vol. 6, No. 25, P. 2.

The Ladies and Gentlemen Of Lewistown and vicinity are respectfully informed that the National Daguerreotype Gallery is now open in rooms above Mr. Allen’s Book Store, where Gayford & Manington are prepared, with the latest and best style of stock, to execute orders in a manner not to be surpassed for style, execution or moderate price.

Likeness for $1.00, and Case Complete.

Old Pictures taken, 50 cents.

No picture need be paid for unless approved of.

Please call and examine specimens, & c.                  

Advertisement ran from April 9 to 30, 1852

Gay, Charles H.

Daguerreotypes, Stereoviews, , , , , , , , , , ,

1844-1845       Hall of the Tremont House, Claremont, New Hampshire.

1845                Rooms in Whitney’s Hotel, Woodstock, Vermont

1845                Rooms In Spalding Building, Montpelier, Vermont

1845                Room, over Bancroft & Riker’s Store, Montpelier, Vermont 

1845-1846       Rooms in the Masonic Hall, Rutland, Vermont.

ND                  192 Broadway, New York, New York.

1847                Younglove’s Hall, Union Village, New York.

1848                Cady’s Hall, East Bennington, Vermont.

1848                Court House, Centre Bennington, Vermont.

1848-1849       Stark House, East Bennington, Vermont.

1849                No’s. 10 & 12 Washington Place, Union Village, New York.

1849                Hobron’s Building, under Ledyard Hall, New London, Connecticut.

1851-1857       46 Bank Street, New London, Connecticut.

1844 November 29.  National Eagle.  (Claremont, New Hampshire.)  November 29, 1844, Vol. X, No. 7, P. 3

Colored Daguerreotype Miniatures.  Charles H. Gay, from New York, would respectfully inform the citizens of Claremont and vicinity, that he has taken the Hall of the Tremont House, where he is prepared to execute Daguerreotype Miniatures in a superior manner, possessing all the colors of life as well aa very perfect likenesses.  Having Superior German Apparatus, he will take Portraits and Miniatures from the smallest to the largest size ever taken in this Country.

Groups of from 2 to 15 on the same plate.  A faithful likeness is in all cases warranted, and no charge unless perfect satisfaction is given.

His prices are low, placing these miniatures within the reach of all.

The citizens are invited to call and examine specimens of the art.

Advertisement ran from November 29, 1844 to February 14, 1845.

1844 December 20.  National Eagle.  (Claremont, New Hampshire.)  December 20, 1844, Vol. X, No. 10, P. 3

Daguerreotype Miniatures.  Mr. Gay, who has been in town two or three weeks with his

Daguerreotype apparatus, will remain but a short time longer.  If you want a correct, distinct

likeness, give him a call.  Hose we have seen are perfect, little if any inferior to paintings.  See

his advertisement.

1845 February 21.  National Eagle.  (Claremont, New Hampshire.)  February 21, 1845, Vol. X, No. 19, P. 3

Charles H. Gay, Would inform the citizens of Claremont that he will remain in town but a few

days longer.  Those persons desirous of obtaining Daguerreotype Miniatures taken in a superior

manner will please call.

Advertisement ran from February 21 to March 21, 1845.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 2.

We would call the attention of our readers to Mr. Gay’s Daguerreotype notice on the next page. We have examined some of his work and have no hesitation in pronouncing it the best ever exhibited here.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 3.

Daguerreotype.  Charles H. Gay, of New York; would respectfully inform the Citizens of Woodstock and Vicinity that he will opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel on Saturday Sept. 6, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute Portraits and miniatures in a style not surpassed by any ever taken.

He will be prepared to execute Portraits and Miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.  No picture is allowed to leave his rooms unless proper satisfaction is given.

The citizens are invited to call and examine specimens of Art brought to its highest state of perfection.

Advertisement ran from September 5 to 19, 1845

1845 September 18.  Spirit of the Age.  (Woodstock, Vermont.)  September 18, 1845, Vol. VI, No. 278, P. 3.

Daguerreotype.  Cha’s H. Gay, Of New York; Would respectfully inform the citizens of Woodstock and vicinity that he has opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute portraits and miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.       

Rooms open from 8 a. m. 6 p. m.  Sept. 10, 1845.

Advertisement ran from September 11 to October 9, 1845.

1845 October 9.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 9, 1845, Vol. XXXIX, No. 48, Whole No. 2034, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 9 to 30, 1845.

1845 October 16.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 16, 1845, Vol. II, No. 42, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 16 to November 6, 1845.

1845 October 23.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 23, 1845, Vol. II, No. 43, P. 2.

Something Worth Seeing.—All who are friends of the fine arts, and would like to see Daguerreotype likenesses, superior to any ever taken in the State, will do well to call at Charles H. Gay’s room, over Bancroft & Riker’s store.  His apparatus is of a superior kind and none can look upon his likenesses without being disposed to patronize him.  Here is a rare chance for those who may wish to procure a beautiful and perfect likeness.

1845 October 23.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 23, 1845, Vol. XXXIX, No. 50, Whole No. 2036, P. 2.

Montpelier In Miniature.—Mr. Gay has produced a beautiful daguerreotype view of part of our village, including a portion of the river, and the hills east.  A more beautiful picture we have seldom seen.  It is now at our book-store for examination. 

1845 December 4.  Rutland Herald.  (Rutland, Vermont.)  December 4, 1845, Vol. 51, No. 49, P. 3.

Daguerreotype.  Charles H. Gay, of New York, Daguerrean Artist, would respectfully inform the citizens of Rutland, that he has opened his Room in the Masonic Hall, opposite A. Dyer’s, where he will remain for a short time and will be prepared to execute the various sizes from the smallest to the largest ever taken either in this country or in Europe, and in a style which cannot be surpassed.

Groups of from 2 to 15 taken on a single plate.

Rooms open from 8 A. M. to ½ past 4 P. M.  Operations without regard to weather from 9 A. M. to 4 P. M.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.  Rutland, Dec. 4, 1845.

Advertisement ran from December 4, 1845 to February 12, 1846.

1847 May 27.  Washington County Journal.  (Union Village, New York.)  May 27, 1847, New Series—Vol. V, No. 33, Whole No. 242, P. 3.

Daguerreotypes.  Chas. H. Gay, formerly from 192 Broadway, N. Y., would respectfully announce to the citizens of Union Village and vicinity, that his Daguerrian Gallery is now open at Younglove’s Hall, where it will remain for a short time, and would invite the attention of the citizens to his unrivalled specimens of the Photographic Art.

He is prepared to execute all the various sizes, from the smallest locket size to the largest Cabinet size ever taken either in this country or in Europe.  Groups of from 2 to 20 taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  These Pictures are taken with a Speculum, and will not be reversed.  The style and finish of these Pictures shall excel in beauty and faithfulness, and possess all the colors of life.

The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection.

Operations from 8 A. M., to 5 P. M., without regard to weather.

Rooms open from 8 A. M., to 7 P. M.  May 24, 1847.

Advertisement ran from May 27 to August 26, 1847.

1848 May 3.  Vermont Gazette.  (Bennington, Vermont.)  May 3, 1848, Vol. LXIX, No. 4339, New Series—Vol. 2, No. 16, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 3 to 22, 1848.

1848 May 8.  The State Banner.  (Bennington, Vermont.)  May 8, 1848, Vol. 8, No. 8, Whole No. 372, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to 24, 1848.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 2.

Mr. Gay, Daguerreotype Artist, is in this village.  See his advertisement.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to July 1, 1848.

1848 June 7.  Vermont Gazette.  (Bennington, Vermont.)  June 7, 1848, Vol. LXIX, No. 4344, New Series—Vol. 2, No. 21, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from June 7 to 28, 1848.

1848 June 10.  The State Banner.  (Bennington, Vermont.)  June 10, 1848, Vol. 8, No. 13, Whole No. 377, P. 2.

Looking the other day at some specimens of Daguerreotype pictures in Mr. Gay’s room, we were surprised as well as delighted at their lifelike fidelity.  Several of our townsmen we recognized among them, and so far as we were able to judge are the very highest perfection of the art.

We marvel that these cheap and excellent pictures are not even more common than they are.  It would seem that when a trifling sum will procure a capital portrait, there should hardly be a family without them.  Who so unloved that he has not at least on friend who would gladly procure a portrait of him at so trifling a cost?  What mother would not gladly retain a faithful image of each child in its season of innocence and trust?  We would advise all those who wish a fine portrait of themselves or friends to call upon Mr. Gay, as an opportunity seldom offers for procuring perfect pictures.

1848 June 14.  Vermont Gazette.  (Bennington, Vermont.)  June 14, 1848, Vol. LXIX, No. 4345, New Series—Vol. 2, No. 22, P. 3.

We can most conscientiously advise our friends who may be desirous of portraits of themselves or friends  to call at the rooms of Mr. Chas. H. Gay, in this village, and examine his specimens.  In our judgement they are decidedly of the very highest order of merit, and far superior to the generality of Daguerreotype portraits; in truth we have never seen them surpassed.  Mr. Gay’s engagements are such that he can remain but a short time.

1848 August 15.  Vermont Gazette.  (Bennington, Vermont.)  August 15, 1848, Vol. LXIX, No. 4356, New Series—Vol. 19, No. 33, P. 3.

Daguerreotype Atelier.  Charles H. Gay (Formerly from 192 Broadway, N. Y.)  Would respectfully inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from August 15 to September 12, 1848.

1848 August 19.  The State Banner.  (Bennington, Vermont.)  August 19, 1848, Vol. 8, No. 23, Whole No. 387, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has opened rooms at the Court House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from August 19 to October 28, 1848.

1848 September 19.  Vermont Gazette.  (Bennington, Vermont.)  September 19, 1848, Vol. LXIX, No. 4361, New Series—Vol. 19, No. 38, P. 3.

Charles H. Gay, Daguerreotype Atelier, is ow at the Court House where he is prepared to execute Daguerreotype Portraits and Miniatures I the highest style of the art.

His specimens are beautiful.  Give him a call.

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXVIII, No. 4362, New Series—Vol. 19, No. 39, P. 2.

Gay is doing a flourishing business at the Court House.  He must be one of the first masters to execute good likenesses of such groups of superlative beauties as we saw, one day last week, in his Daguerreotype Gallery.  As an honest heart and conscience at repose are highly favorable to fine impressions, we would suggest that those desirous of superior portraits should before sitting, become thoroughly imbued in the Democratic principles!

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXIX, No. 4362, New Series—Vol. 19, No. 39, P. 3.

Daguerreotype Atelier.  Charles H. Gay, (Formerly from 192 Broadway, N. Y.)  Would re-pectfully (sic.)  inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from September 26 to October 10, 1848.

1848 October 10.  Vermont Gazette.  (Bennington, Vermont.)  October 10, 1848, Vol. LXVIII, No. 4364, New Series—Vol. 19, No. 41, P. 2.

Something Rare.  Mr. Charles H. Gay, the celebrated Daguerreotype artist, has executed within the past week, upon one plate, the likenesses of six individuals of this town, whose united ages amount to four hundred and ninety years.  One, the last surviving here of the battle of Bennington, with his gun by his side; another, supposed to be the first born in the State of Vermont: all of them born here in, and residents of Bennington at the time of the battle, August 16th, 1777.  Upon the same plate is Col. Baum’s sword, also a sword taken from a hessian soldier in single combat, by the late Joseph Rudd, Esq., of this town.  Taken together it is one pof the most interesting pictures ever produced by the art.

1848 November 11.  The State Banner.  (Bennington, Vermont.)  November 11, 1848, Vol. 8, No. 35, Whole No. 399, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has taken rooms at the Stark House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from November 11, 1848 to January 6, 1849.

1849 April 21.  The State Banner.  (Bennington, Vermont.)  April 21, 1849, Vol. IX, No. 6, Whole No.422, P. 2.

Daguerreotypes.—C. H. Gay, the inimitable daguerreotype artist, is now in our village; but will remain for a few days only, after which time he will be with us no more, as he isto locate, permanently, in Connecticut.

1849 May 10.  Washington County Journal.  (Union Village, New York.)  May 10, 1849, New Series—Vol. Seventh, No. 31, Whole No. 344, P. 3.

Daguerreotype Atelier.  Charles H. Gay would respectfully inform the citizens of Union Village and vicinity, that he has returned, and has opened his Daguerrian Gallery at Rooms No. 10 & 12, Washington Place, where he will remain a short time, and is prepared to execute Daguerreotypes Portraits & Miniatures in a style that cannot be surpassed.  He is prepared to execute all the various sizes (embracing seven distinct ones,) from the largest to smallest ever taken, either in this country or in Europe.  Groups of from two to twenty taken on a single plate.

From the long experience of the proprietor in the business, the superiority of his instruments having both German and American, he flatters himself he will be able to give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.—Those having pictures taken by the old process, can have them retaken at a small expense.

The public are respectfully invited to call and examine specimens of the art brought to its highest state of perfection.

Rooms open from 8 A. M. to 5 P. M. May 10, 1849.

Advertisement ran from May 10 to 31, 1849.

1849 October 27.  New London Daily Chronicle.  (New London, Connecticut.)  October 27, 1849, Vol. II, No. 152, P. 4.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens.  oct. 25.

1849 October 21.  New London Democrat.  (New London, Connecticut.)  October 21, 1849, Vol. V, No. 33, Whole No. 241, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 21, 1849 to September 28, 1850.

1849 October 31.  New London Weekly Chronicle.  (New London, Connecticut.)  October 31, 1849, Vol. II, No. 79, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 31, 1849 to October 30, 1850.

1850 November 4.  New London Daily Chronicle.  (New London, Connecticut.)  November 4, 1850, Vol. III, No. 163, P. 2

The New Map of the City is in the main a very creditable work, and we really wish our citizens would manifest their favorable opinion of the labors of the compiler by taking off his hands any number of copies he may happen to have after furnishing his subscribers.  To say nothing of its convenience to every citizen, it is worth all that is asked for it as an ornament to his hall.  The border is adorned with the following engravings, and all of them accurate, and some of them very beautiful in design…all of these engravings are fac similes taken by Mr. Gay, the Daguerreotypist, and of course literal representations of the several objects.

1851 June 2.  New London Daily Chronicle.  (New London, Connecticut.)  June 2, 1851, Vol. IV, No. 32, P. 3.

Sky Light Daguerreotypes.  The Most Approved and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various sizes of Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory.  

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

1851 July 10.  The New London Weekly Chronicle.  (New London, Connecticut.)  July 10, 1851, Vol. IV, No. 12, Whole No. 167, P. 3.

Sky Light Daguerreotypes.  The Most Approved, and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory. 

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

Advertisement ran from July 10, 1851 to March 31, 1853.

1852 December 2.  The New London Daily Chronicle.  (New London, Connecticut.)  December 2, 1852, Vol. V, No. 33, Whole No. 240, P. 2.

Stereoscopic of Solid Daguerreotypes.  The attention of the citizens of New London are invited to this new and beautiful discovery in Daguerreotyping.

Specimens of the style now ready for exhibition.  The public are respectfully invited to call and examine  these new are beautiful specimens of Art at Chas. H. Gay’s Daguerrean Gallery, No. 46 Bank-street.

1853 February 3.  The New London Daily Chronicle.  (New London, Connecticut.)  February 3, 1853, Vol. V, No. 42, Whole No. 249, P. 3.

Daguerreotypes.  The Subscriber would inform his friends and patrons in New London and vicinity that he has made such additions tohis stock as his increased patronage requires, and that his Sky Light Daguerreotypes are still unsurpassed by any in the country.  The once popular but erroneous opinion that a Picture was good in proportion to its paleness and want of shadow, has given way to the light of experience, and there are now but few so ignorant as not to be aware that in these Types of the :human face divine,” it is the shadows that give force to the expression and make them true to nature.  Any one that has ever been at all conversant with paintings of the most celebrated artists, ancient as well as modern, must have been struck with the fact that the depth and force of shadows was in proportion to the eminence of the Artist.  It is because there is no other way on a flat surface to make objects stand out.  Such an effect is produced by sky light, when skilfully managed, to a greater degree than any other.  Charles H. Gay, 46 Bank-street. New London.

Advertisement ran from February 3, 1853 to January 5, 1854.

1857 June 18.  The New London Daily Chronicle.  (New London, Connecticut.)  June 18, 1857, Vol. IX, No. 50, Whole No. 485, P. 3.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

1857 June 19.  New London Daily Chronicle.  (New London, Connecticut.)  June 19, 1857, Vol. X, No. 50, P. 2.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

Gavit, Daniel E.

Daguerreotypes, , , , , , ,

1845                15 Dow’s Building, Albany, New York.[1]

1845-1846       85 Genesee Street, Auburn, New York.

1848-1850       480 Broadway, Albany, New York.

1850-1852       247 Broadway, New York, New York.

1852                192 Broadway, corner John Street, New York, New York.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures.

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 2.

Gavit’s Daguerreotype Gallery.  Mr. Oliphant,—I last week visited the Daguerreotype Gallery of D. E. Gavit, late of Albany.  Although I Have had the pleasure of seeing many fine specimens of this beautiful art.  I never saw any, that for magnificence of execution, and faithfulness of representation would compare with those taken by Mr. Gavit.  His pictures unlike those taken by most other artist, present every feature as perfect as they exist in the person taken.  The eyes, the expression of the countenance, and the complexion, are all taken perfectly, which in my opinion render them equal, if not superior to the best Miniature Likenesses upon ivory.  And I sincerely hope Mr. Gavit may receive that patronage from the citizens of this village, which his talents and his superiority in his business deserve.  Auburn, Dec. 1, 1845.         G. L. F.

We insert the above with pleasure, conscious that by such course we are but doing an act of justice to Mr. G., whose beautiful specimens of the perfection to which this recently discovered art has been brought, deserve the highest praise.  The reader is referred also to his advertisement.

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 3.

Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

1845 December 10.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 10, 1845, Vol. 13, No. 32, P. 2.

Daguerreotype.—In consequence of the liberal patronage received from the citizens of Auburn, for which he begs leave to return his sincere thanks, and to accommodate those who wish to sit, the subscriber has determined to remain a few day longer.

Those who require his services are requested to call immediately, as he assures them his stay is limited.  D. E. Gavit, Galleries No. 85 Genesee-st., up stairs.

Advertisement ran from December 10, 1845 to January 7, 1846.

1845 December 24.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 24, 1845, Vol. 13, No. 34, P. 2.

Mr. Editor,—A correspondent in your last, in alluding to the Daguerreotype Gallery of Mr. Gavit, quotes the old saying, that a “new broom sweeps clean.”  I believe all who have seen Mr. G’s specimens in the art alluded to, up to the present time, will concur with me in the remark that his broom has so far the advantage of many others that have been known in this section, that it still retains its newness and freshness.

1848 September 11.  New York Herald.  (New York, New York.)  September 11, 1848, Whole No. 5213, P. 1.

Another Fire In Albany.  [From The Albany Atlas, September 9.]

About 2 o’clock this morning, a fire broke out in the the splendid block of buildings, Nos. 480 and 482 Broadway, a door or two north of the Mansion House, belonging to the estate of Samuel Fisk, Esq., and occupied by Mulford & Wendell, jewelers; R. W. Freeman, tailor; Samuel Stevens, law office; Mr. Delancey, and the Daguerrean room of Mr. D. Gavitt… 

1849 October.  Eighth Annual Report Of The American Institute, Of The City Of New York.  (Albany, New York.)  1850, P. 25 & 46.

List Of Premiums Awarded By The Managers Of The Twenty-Second Annual Fair Of The American Institute, October 1849…Daguerreotypes.

M. B. Brady, 205 Broadway, for the best daguerreotypes.  Gold Medal.

M. A. Root, Philadelphia, Penn., for the second best daguerreotypes.  Silver Medal.

D. E. Gavit, Albany, N. Y., for daguerreotypes.  Diploma.

1850 August 13.  New York Herald.  (New York, New York.)  August 13, 1850, Whole No. 5908, P. 5.

President Millard Fillmore.—Just published, an admirable portrait of the President of the United States, executed by Crehen, after a beautiful daguerreotype taken by Gavit.  Price of each copy $1.  Goupel, Vibert & Co., 289 Broadway.

Advertisement ran from August 13 to 16, 1850.

1850 September 13.  New York Semi-Weekly Tribune.  (New York, New York.)  September 13, 1850, Vol. IV, No. 32, Whole No. 344, P. 2.

Another Fire In Albany.—The Evening Journal says, James Kidd’s beautiful building, Nos. 480 and 482 Broadway, was destroyed by fire on Saturday morning.  The upper part of the building was occupied in part by S. Stephens, Esq. as a law Office, Gavitt & Co. Daguerreotypists, and several persons.  Nearly all the property in the building was insured.…

1850 September 13.  New York Daily Tribune.  (New York, New York.)  September 13, 1850, Vol. X, No. 2885, P. 4.

A Daguerreotype.—We were shown yesterday an exquisite specimen of the excellence to which Daguerreotyping has been brought.  It was the portrait of a young girl, by Mr. D. E. Gavit, of Albany, to whom the first premium of a silver medal has just been awarded at the late State Fair in Albany.  The great merit of this Daguerreotype lies in the general softness and harmony of the shadows, the unconstrained ease of the attitude, and the life-like animation of the face.  It may be seen for a few days at Mr. Anthony’s, 205 Broadway.  Mr. Gavit, we learn, intends shortly establishing himself in this city.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 September 15.  The New York Herald.  (New York, New York.)  September 15, 1850, Whole No. 5941, P. 3.

The State Fair.—We were shown, yesterday, a specimen of daguerreotypes from the gallery of Mr. D. E. Gavit, of Albany, and the one which won the first prize of a silver medal, at the late State fair.  It was a perfect specimen of the art, and shows the great perfection to which that branch has been brought.  Mr. G. also received a diploma for the best selection of pictures, all of which he has left at the store of Mr. Anthony, in Broadway, for public inspection.

1850 October.  Transactions Of The American Institute Of The City Of New York 1850. P.21 & 41.

List Of Premiums Awarded By The Managers Of The Twenty-Third Annual Fair Of The American Institute, October 1850…

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway

Meade Brothers, 233 Broadway,

Harrison & Holmes, 289 Broadway,

D. E. Gavit, 247 Broadway,

C. M. Cary, 187 Broadway

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

*C. M. Cary, New York,             do           do.

*possibly Preston M. Cary.

1850 November 5.  The Granite Farmer.  (Manchester, New Hampshire.)  November 5, 1850, Vol. I, No. 34, P. 5.

Fair of the American Institute…

Daguerreotypes.

Considerable space in the gallery is devoted to the exhibition of Daguerreotype pictures, as usual.  We have generally paid attention to the quality of the specimens, and, without wishing to disparage our city artists, we feel compelled to give the preference to Messrs. Roots’, of Philadelphia, and Mr. Gavitt’s, of Albany.  We last year paid a high compliment to the [skill] of Messrs. Roots, and we are pleased to notice, by a card, that they have opened a splendid gallery in this city, at No. 363 Broadway, corner of Franklin.  If any of our friends desire a perfect cemblance (sic.) of themselves, and a picture finished in the highest style of the art, we can assure them that they can obtain it at the above place.  Scientific American.

1850 November 14.  The New York Daily Tribune.  (New York, New York.)  November 14, 1850, Vol. X, No. 2989, P. 4.

Gavit’s Premium Daguerreotype, at the National Miniature Gallery, 247 Broadway, corner Murray, over Ball, Thompkins & Black’s.—The proprietor is pleased to announce, that after repeated requests from his friends in New York, he is now permanently located as above, where all who wish can procure his superior Photographs, which he will warrant to be equal in finish and artistical skill to any yet produced in this wonderful art.  The Gallery (which is formerly owned by Anthony, Clarke & Co.) is the most extensive in the world, and contains over one thousand portraits of the most eminent men of the age who are celebrated as statesmen, warriors, poets, artists, divines, heroes, etc., and is well worth a visit from all.  The proprietor will use his utmost endeavors to please all who honor him with their patronage, and no charge will be made without the utmost satisfaction is given. 

D. E. Gavit, successor to Langenheim & Co.

Having sold our Daguerreotype Establishment to Daniel E. Gavit, we beg leave to recommend our successor to our customers, being satisfied that he deserves the public patronage in the fullest degree.  Langenheim & Co.

1850 November 21.  The New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 4.

Daniel Webster.—A superior Portrait of this great statesman can be seen at the National Miniature Gallery.  Also Portraits just added of Washington Hunt and Horatio Seymour, the late rival candidates for Governor.  Come and see them at Gavit’s, late Anthony, Clarke & Co. 247 Broadway, corner Murray.

1850 November 21.  The New York Herald.  (New York, New York.)  November 21, 1850, Whole No. 6007, P. 2.

Gavit, whose portraits were so extensively admired at the late fair of the American Institute, is now permanently located at the National Miniature Gallery, 247 Broadway, where those who wish can procure a perfect Daguerreotype, at all hours of the day.  The first prize, of a silver medal, was awarded those pictures, at the State Fair at Albany, and at the American Institute.  Late Anthony, Clark & Co., 247 Broadway, corner of Murray street.

1850 December 3.  New York Daily Tribune.  (New York, New York.)  December 3, 1850, Vol. X, No. 3005, P. 4.

Andrew Jackson, Gen. Taylor, Jas. K. Polk, Chancellor Kent, Silas Wright.—Portraits of the above, taken from life, can be seen at Gavit’s National Miniature Gallery, 247 Broadway, over Ball Thompson & Black.

1850 December 3.  The New York Herald.  (New York, New York.)  December 3, 1850, Whole No. 6019, P. 2.

The two highest medals for 1850, for the best Daguerreotype exhibited at the two last Fairs, held at Castle Garden and the State Fair at Albany, were awarded to D. E. Gavit, of the National Miniature Gallery, 247 Broadway—come and see them together with the largest and most elegant collection in the world.  Remember 247 Broadway, over Ball, Thompson & Black.

1850 December 4.  The New York Herald.  (New York, New York.)  December 4, 1850, Whole No. 6020, P. 2.

Gavit’s Daguerreotype.—Don’t be deceived or humbugged by those who profess to be Napoleons, Kings, Lyons, &c., but go and examine for yourselves, and give your patronage to that establishment where you are convinced you can get the utmost perfection of the art.  Be sure to call at the National Miniature Gallery, 247 Broadway.  No charge without the utmost satisfaction.

16 December 1850.  The Evening Post.  (New York, New York.)  December 16, 1850, Vol. XLIX, P. 2.

Gavit’s National Miniature Gallery, 247 Broadway, cor. Murray st. (Formerly Anthony, Clarke & Co.)

This establishment, the largest and most celebrated in the country, is now conducted by the subscriber, who pledges himself that its former enviable reputation shall be fully sustained, and that every picture will combine all the requisite perfection that the advancement of this elegant art is capable of producing.

This gallery contains over 1,000 portraits of the most distinguished men of the age, who are celebrated as statesmen, poets, authors, divines, heroes, orators, &c. and is well worthy a visit from all.

Those who patronize this establishment, are assured that pictures are as represented, and that we don’t depend on the usual gasconade and humbug of the day for business; and if the utmost satisfaction is not given to each patron, no charge is made.  Just received, a few elegant styles of cases, etc., for holiday presents.  D. E. Gavit, Proprietor.

Advertisement ran from December 16, 1850 to January 4, 1851.

23 December 1850.  The Evening Post.  (New York, New York.)  December 23, 1850, Vol. XLIX, P. 2.

Holiday Articles….—Among the many pleasing articles which may be presented as Gifts for the Holidays, we know of none more pleasing or appropriate than daguerreotype likenesses.  A reference to our advertising columns will give the names of some of the best daguerreotypist in New York, where accurate likenesses may be obtained at a little more than a minutes sitting, and at a moderate cost.  Among these we may mention the following names:  Holmes, 259 Broadway, who receives an extensive public patronage; Gavit’s daguerrean gallery, where may be seen the portraits of several of the notabilities of this and other countries.  Accurate portraits may also be obtained at the daguerrean rooms over J. J. Cox’s store, 349, where every convenience and requisite necessary for the taking of perfect likenesses may be found.  In addition to the daguerreotypists above named, we would recommend Mr. Gurney’s gallery, 189 Broadway, which is the oldest establishment of the kind in the city.  Color types on Ivory, glass and paper, are also taken here at a short sitting.  The gallery, No. 363 Broadway, is well worthy of a visit from those desiring a superior article.  Here may be seen several portraits of Jenny Lind, and other celebrities of the day.  Mr. Root exhibits no less than six medals, as testimonials of his services in the art.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And

Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.  M. A. Root, daguerreotypes.

28.  W. & F. Langenheim, photographic slides.

31.  O. B. Evans, daguerreotypes.

35.  Meade & Brothers, daguerreotypes.

51.  D. E. Gavit, daguerreotypes.

63.  M. B. Brady, daguerreotypes.

77.  M. M. Lawrence, daguerreotypes.

1851 January 22.   The New York Herald.  (New York, New York.)  January 22, 1851, Whole No. 6066, P. 6.

Gavit’s National Miniature Gallery 247 Broadway, corner Murray street.—This establishment contains the largest collection on of the portraits of distinguished individuals ever brought together, and those daily taken there are specimens of the highest perfection of art.  The public are invited to call.

1851 February 1.  New York Daily Tribune.  (New York, New York.)  February 1, 1851, Vol. XI, No. 3056, P. 5.

Mr. D. E. Gavit, late of Albany, has opened a handsome suite of Daguerreotype rooms at the corner of Broadway and Murray-st. as successor to Langenheim & Co.  His pictures have frequently received premiums, and merit examination.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.  M. A. Root, Philadelphia, Pa., daguerreotypes.

62.  W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.  O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.  Meade & Brothers, New York, daguerreotype.

125.  D. E. Gavit, New York, daguerreotypes.

137.  M. B. Brady, New York, daguerreotypes.

151.  M. M. Lawrence, New York, daguerreotypes.

396.  J. W. Whitehurst, Baltimore, daguerreotypes.

1851 February 19.  New York Daily Tribune.  (New York, New York.)  February 19, 1851, Vol. XI, No. 3071, P. 5.

The Daguerreotype Art.—In this age of in the useful arts and in cheap luxuries, none who possess the means of subsistence can make the costliness of family portraits an excuse for being without them.  The art of Daguerreotyping, in this country, has reached a point of great perfection, and the artists of New-York are among the foremost in excellence of workmanship, beauty of finish, and a quick apprehension and application of a new discoveries.  The establishment of Mr. D. E. Gavit, corner of Broadway and Murray-st., to which we alluded a few days since, is one of the most extensive in this country, and combines a number of advantages, which give it a peculiar claim upon public attention.—Probably a larger or better selected Portrait Gallery of distinguished personages could not be found.  His rooms are decked with the speaking likenesses of Presidents, Governors, Congressmen, eminent Divines, Jurists, and other more or less distinguished—the careful gleanings of many years.  Joining to a large experience that spirit of enterprise that never fails to succeed, Mr. Gavit has been enabled, by his discoveries on new chemical compounds and combinations, to impart to his pictures a finish of remarkable beauty, which gives general satisfaction, and insures him frequent premiums.  In Albany, where his principal establishment was, until recently, located, he achieved a name which is a sure guarantee of success among us.  We commend his establishment, No. 247 Broadway, to the attention of the reader.

1851 March 13.   The New York Herald.  (New York, New York.)  March 13, 1851, Whole No. 6716, P. 2.

The Daguerreotype In Perfection, at the National Miniature Gallery, 247 Broadway, corner Murray. Over Ball, Tompkins & Black.  Portraits of all sizes, in variety of settings.  Daguerreotypes copied, equal to the original.  Gavit’s, late Anthony Clark & Co.

1851 March 28.   The New York Herald.  (New York, New York.)  March 28, 1851, Whole No. 6731, P. 2.

Fine Arts.—Beautiful Daguerreotypes on ivory paper, in oil and water, finished in the most elaborate style.  The public generally are requested to call, and examine specimens of this superior process, at the National Miniature Gallery, 247 Broadway, corner of Murray.  Artists furnished with Talbotypes on reasonable terms.  D. G. Gavit.

1851 April 1.   The New York Herald.  (New York, New York.)  April 1, 1851, Whole No. 6735, P. 4

Talbotypes and Daguerreotypes.—Those beautiful pictures are acknowledged to be the “ne plus ultra” of art.  Those who wish to examine specimens (of which this gallery contains the largest collection in the world) are requested to call at the National Miniature Gallery, No. 247 Broadway.  D. E. Gavit.

1851 July 10.  The New York Herald.  (New York, New York.)  July 10, 1851, Whole No. 6833, P. 1.

Final Passage Of The Canal Bill, Large Number Of Bills Acted On.  Items from All Sections of the Country.  New York Legislature.  Special Session….Senate.  Albany, July 9, 1851.  Daguerreotype Likenesses of Senators.  A petition was presented by J. E. Gavet, asking the Senate to purchase the daguerreotype likenesses of the Senators.  It was referred to the Committee on Retrenchment.

1851 July 12.  The New York Herald.  (New York, New York.)  July 12, 1851, Whole No. 6835, P. 1.

New York Legislature.  Special Session…. Senate.  Albany, July 11, 1851….

Daguerreotype Likenesses.  The Senate refused to purchase the Daguerreotypes of the Senators of the previous Senate.

1852 February 15.  The New York Herald.  (New York, New York.)  February 15, 1852, Whole No. 7046, P. 2.

Fire.—Yesterday, evening about half past six o’clock, a fire broke out in the fourth story of the large brick building on the corner of Broadway and Murray street, occupied by D. E. Gavitt as the National Daguerreotype gallery; the occupants of the building are as follows:–The first floor is occupied by Ball, Black, & Co., jewelers, and the basement by W. O. Stout, card and steal engraver.  The second story by M. Lafever, B. T. Smith, architects, and Thomas Jones, keeper of bookkeeping; the third by D. W. C. Boutel, artist, W. W. Niles, and a P. Begley; attorneys; Henry Reiley, Taylor & Van Skelien, manufacturer of artificial flowers; the fourth floor by D. E. Gavitt, daguerreotype gallery, by S. Ellis & H. Noland, sculptors.  The fire originated in the mercury room of Gavitt’s daguerreotype gallery; but from what caused he could not tell.  The flames spread with such rapidity that before the firemen could get fairly at work the rooms were completely burned out, and in consequence of the impossibility of getting the hose to operate with anything like effect, caused by the bursting of several of them, fears were, at one time, entertained that the whole building would fall a prey to the devouring element.  When, however, several powerful streams were ultimately brought to play on the flames, they were soon subdued, but not before the greater part of the fourth story was demolished.  D. E. Gavitt lost every thing, amounting to about $3,000 which was not insured.  This is the second time that he has had the misfortune of being burned out—the first time in Albany, some three or four years ago, and also without being insured…

1852 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1852, Vol. XI, No. 3379, P. 4.

Fires.—About 7 o’clock Saturday evening a fire broke out in the large four story brick building No. 247 Broadway, extending back over 150 feet on Murray-st, occupied by the following persons; Basement floor by Wm. C. Stout, card and seal engraver; first and second floors by Ball, Black & Co., jewelry and silverware manufacturers; third floor by W. W. Niles and S. Bagley, lawyers, Mr. Von Skelline, artificial flower maker, Henry Riley, tailor, Thomas Jones, teacher of penmanship, and M. Lafever and B. Smith, architects; fourth floor by D. E. Gavit, daguerreotypist, D. W. C. Boutelle, artist, and Horace Noland, sculptor.  The fire originated in Mr. Gavit’s daguerreotype establishment, and when first discovered could have been easily extinguished with a few pails of water.  Mr. G. was near by when the fire broke out, and discovering that it was in his premises ran quickly to the room, and had nearly succeeded in smothering the flames with his overcoat, when he was compelled to desist, being nearly suffocated by the dense smoke which had already filled the apartment.

The promptness with which the bell ringer gave the alarm, soon brought a large body of firemen upon the ground, who made their immediate action, succeeded in a short time completely subduing the devouring elements, which at first threatened the destruction of considerable property.

The rear portion of the fourth story occupied by Mr. Gavit, Horace Noland, and Boutelle the Artist, was entirely destroyed by fire, together with the property of the occupants, which is not insured.  The property of the occupants of the second and third story was damaged by water to the amount of several thousand dollars.

Mr. Gavit estimates his loss at about $3,000.  This loss falls heavily upon him, as the property destroyed was all he possessed, and he is not insured a dollar.  Some time since he met with a similar misfortune; his establishment in Albany having been destroyed, but there he was insured.  Mr. G. had a great number of pictures, of which about 600 were of distinguished Americans.  These were all destroyed, and as many of the originals are dead, they can never be replaced.  He saved only about a dozen pictures in all, besides two medals which had been awarded to him—one by the State Agricultural Society, and the other by the American Institute.  We trust to see Mr. G. at work again soon, when all his old friends should give him a lift….

1852 February 16.  Richmond Whig.  (Richmond, Virginia.)  February 16, 1852, Vol. 29, No. 14, P. 2.

New York, Feb. 15.—A fire broke out last night on the corner of Broadway and Murray street in a large building occupied by Messrs. Ball, Black & Co., Jewellers.—The upper story only was burnt which was occupied by D. Garritt, daguerreotypist, and by S. Cuss, whose damage was about $3000.  Much injury was done to Messrs. Ball, Black & Co., and the other occupants, by water, there was a large insurance, more than covering the loss.

1852 February 17.  New York Daily Tribune.  (New York, New York.)  February 17, 1852, Vol. XI, No. 3380, P. 5.

Help Proposed.—We understand that the Daguerreotype Artists of this City contemplate raising a fund for the benefit of Mr. Gavit, Whose establishment was totally destroyed by fire on Saturday evening last.  We trust the craft will do something handsome for Mr. G., as the fire swept everything away, leaving him nothing but his naked hands with which to support a large family.  His policy of insurance expired a few days before the fire, and unfortunately he had neglected to renew it.  He is a good artist, and an energetic man, and with a little timely assistance, which shall enable him to recommence business, he will soon be on his feet again.

1852 February 21.  New London Democrat.  (New London, Connecticut.)  February 21, 1852, Vol. VII, No. 50, Whole No. 362, P. 3.

Fire In New York, &c.  New York, Geb. 15—9 P. M.  The building corner of Broadway and Murray street was discovered on fire in the fourte (sic.) story last evening, and that portion occupied as the National Daguerreotype Gallery, was almost consumed.  The first story was occupied by Messrs Ball, Black & Co., who sustained considerable damage to their stock which is valued at $250,000, and is fully insured.

1852 April.  The Photographic Art Journal.  (New York, New York.)  April 1852, Vol. III, No. IV, P. 257.

The photographic art has had to pass through a fiery ordeal since our last, no less than four galleries have been wholly or partially destroyed by the devouring element.

The first was D. E. Gavit, 247 Broadway, which occurred early in March, destroying his whole stock.  The daguerrean art and the whole country suffered an irreparable loss by this occurrence, as Mr. Gavit’s gallery contained the largest, best and most valuable collection of daguerreotypes in the world.  Splendid portraits of some of our most remarkable men, and which can never be replaced, were consumed.  Mr. Gavit’s loss was total, as his policy of insurance expired only a day or two previous.

Mr. Gurney was the next to suffer—but we are happy to say received very little damage—and following close upon his disaster was that of Mr. Whitehurst, whose beautiful gallery in New York was nearly ruined by fire and water on Sunday morning March 28th.

The fourth and last case was that of Mr. Clark of Ithica, N. Y., who while in this city purchasing his spring stock received a telegraphic dispatch on the 29th ult. That his gallery had been burnt out.  The amount of this young but deserving artist’s loss we have not learned.

1852 April 18.  The New York Herald.  (New York, New York.)  April 18, 1852, Whole No. 7109, P. 2.

Daguerreotype.—Gavit’s National Miniature Gallery is re-opened at 192 Broadway, corner of John street, where the proprietor hopes to receive the patronage of his friends and the public generally.

1852 September 27.  New York Daily Tribune.  (New York, New York.)  September 27, 1852, Vol. XII, No. 3571, P. 1.

The Campaign Scott and Graham Songster—Second edition, enlarged and improved.  The largest, most beautiful, and best edition of spirited Whig Song extant.  Every section of the country should be supplied.  Committees and Booksellers’ orders, with cash, promptly supplied at $4 per 100 by the publisher, D. E. Gavit, No. 192 Broadway, N. Y.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Prize Medal Daguerreotypes.—The first medal ever awarded for Daguerreotypes in this country was given to D. E. Gavit, 192 Broadway, corner of John street, the excellence of whose pictures is universally acknowledged, and whose prices are lower than any other good artist’s in the city.  This utmost satisfaction given in all cases.

1856 December 25.  New York Daily Tribune.  (New York, New York.)  December 25, 1856, Vol. XVI, No. 4894, P. 3.

Republican General Committees For 1857.  Delegates to the Republican Central Committee and a Young Men’s Committee were chosen on Tuesday night by various Ward Associations.  In most of the wards only one ticket was got up.  Where there were more we have given the names said to be elected….Ward XX. Young Men’s Committee…D. E. Gavit.

[1] Address from Craig’s Daguerreian Registry.

Gates, P. Tenney

Ambrotypes, Daguerreotypes, Melainotypes, Photographs, , , , , ,

1850                3 Bridge Street, corner Margaret Street, Plattsburgh, New York.

1850-1859       M. K. Platt’s Block, Bridge Street, corner of Margaret, Plattsburgh, New York.

1859                Address Unknown, Champlain, New York

1860-1861       Address Unknown, Plattsburgh, New York.

1850 July 13.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 13, 1850, Vol. 41, No. 1, P. 3.

Prof. T. P. Gates, Daguerrean, No. 3, Bridge St., cor., of Margaret, Plattsburgh, N. Y. Would most cordially invite his friends , and the public generally, to call and examine his large collection of specimens, new style of cases, gold and plated lockets, gilt, Chinese, enameled and fancy, clasp books, of all sizes.  Also china, stone, stucco, gilt, and venered frames in which pictures will be inserted at reduced prices.  Having been at great expense in procuring an entire set of the best German Cameras, of all sizes, and all other instruments of the best quality, together with a new patent polishing apparatus, the only one in use in the State, which mares the plates finer and more sensitive, and thus give a clearer and more life-like expression to the miniature, than by the hand polishing of country operators.  In style of execution and picturesque effect, in boldness of character and beauty of expression, in variety of size, and delicacy of light and shadows, he will aim at the highest perfection possible.  Perfect likenesses taken of children When Awake.

His arrangements are such, that he takes miniatures of sick and deceased persons, at his rooms or elsewhere.  He makes great pains to have such pictures agreeable and satisfactory, please examine specimens of deceased persons in his collection.

Copies taken from portraits, miniatures, paintings and engravings, without reversing.  Instructions given in the art, and everything appertaining to the business, furnished at reasonable prices.  Pictures Taken Equally As Well In Cloudy And Stormy Weather.  Please Read.

The superiority of his likenesses is the result of much care in the arrangement throughout, and particularly in the attitude, lights and shade, he thus obtains a mild, delicate, pleasing eye, instead of a white blotch nearly or wholly covering the pupil, either giving it a wild unnatural glare, or destroying its lively appearance.  His pictures of children, being instantly taken, are invariably satisfactory, and generally pleasing.

P. S.  Prof. G. has the exclusive right of taking all the Improved Patent Daguerreotypes of the day.

His rooms will be open from 8 A. M. till 6 P. M.                 

Advertisement ran from July 13 to 27, 1850.

1850 August 3.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 3, 1850, Vol. 41, No. 4, P. 3.

Gates’ Patent Daguerrean Gallery, No. 3 Bridge Street, Plattsburgh, N. Y.  Is furnished with all the improved instruments and other apparatus suitable for taking small children and family groups superior to any in New York or elsewhere.

Also a large number of Clasp Books and Fancy cases, in which pictures will be inserted as cheap as the same quality can be obtained elsewhere.

New and splendid discovery! The Patent “Magic Back Ground.”  By this process the Back Ground is made to take all the most brilliant colors, giving great beauty to the picture and leaving the likeness in full bold relief.  The celebrated Crayon Daguerreotypes are more than equalled by this process.

Gates is prepared to take all the patent Daguerreotypes of the day, viz: “Magic Back Ground,” Crayons of five shades, Quinch process for taking children with or without the “Magic Back Ground,” or Crayons, in a style that cannot be excelled.  Other pictures taken a superior style, and warranted not to fade or corrode, as he uses A NO. 1 stock and chemicals.

Pictures Taken Equally As Well In Cloudy And Stormy Weather.

Instruction given in the Art on reasonable terms.  Rooms open from 8 A. M. till 6 P. M.

Advertisement ran from August 3 to October 5, 1850.

1850 August 3.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 3, 1850, Vol. 41, No. 4, P. 3.

This is to certify that I, C. J. Anthony, having given Prof. P. T. Gates the sole and exclusive right to use my new process in Daguerreotyping, in the town of Plattsburgh, State of New York, called my patent process, or “Magic back Ground,”  Any person or persons using said process in said town, (except in said Gates’ rooms) will lay themselves liable to the penalty of the law.    Dated July, 25, 1850.           C. J. Anthony, per F. W. Anthony, Agent.

Advertisement ran from August 3 to 24, 1850.

1850 October 12.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 12, 1850, Vol. 41, No. 11, P. 3.

Prof. Gates’ Daguerrean Gallery, No. 3 Bridge Street will be closed on Saturday, October 12th—all persons in want of pictures before the first of December must call immediately.  This is No Humbug.

1850 December 14.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 14, 1850, Vol. 41, No. 23, P. 3.

Gates’ Premium Sky-Light Daguerrean Gallery, (M. K. Platt’s Block, Bridge-st., cor. of Margaret,) Is now completed and in full operation.  This Gallery is one of the largest and best arranged in the United States, and has facilities for taking pictures that cannot be excelled, as it is furnished with a large sky-light and instruments of a superior quality, which enables the proprietor to complete with any thing; as he can take Groups even as many as twenty heads on the same plate with accuracy and dispatch.  Also by the same process he takes pictures equally as good in cloudy and stormy weather.  Having the experience of over six years, he can warrant every picture to be a perfect fac simile, and not to fade, or the plate to corrode, as good chemicals are used in all cases.

A large assortment of Book, Pearl, & Fancy Cases, suitable for Christmas and New Years’ Presents. 

Gallery open from 9 o’clock, A. M. till 4 P. M.

Calls are respectfully solicited by P. Tenny Gates, Artist and Proprietor.

Advertisement ran from December 21, 1850 to September 13, 1851.

1851 September 13.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 13, 1851, Vol. 42, No. 10, P. 3.

Going Off!!  Gates’ Daguerrean Gallery will be closed on the 20th; all persons in want of pictures will have to call immediately, as he has made arrangements to be absent until about the first of November.

Just received a choice assortment of Silk Velvet Books, Pearl Cases and fancy Frames of all sizes, which will be sold at Reduced Prices until the above time.  Ladies and Gents are solicited to call and examine.  P. Tenney Gates, Artist. 

1851 November 8.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 8, 1851, Vol. 42, No. 18, P. 3.

Re-Opened, Gates’ Premium Sky-Light Daguerrean Gallery, (M. K. Platt’s Block, Bridge-st., cor. of Margaret,) Has been re-fitted and is now open for the reception of visitors.  This Gallery is one of the largest and best arranged in the United States, and it is the intention of the proprietor to render in every part of his business, that attention which the public are entitled to for the liberal patronage he has received.  For Over Seven Years he has taken groups, copies, and pictures of all styles and sizes to the number of over 30,000 and that he is sure that he can suit even the most fastidious.

His arrangements are such that he takes pictures of Sick and Deceased persons at his Gallery or at private residences; also takes great pains to have such pictures agreeable and satisfactory and are often so natural as to seem even to artist, in a quiet and pleasant sleep.  Please examine specimens of deceased persons in his collection.

Particular attention paid to taking large pictures, family groups and children of all ages.

Instructions given in the art and stock and apparatus furnished at reasonable prices.

Pictures taken equally as well a in cloudy and stormy weather (except of children.)

No pictures re-taken after once declared satisfactory, without extra charge.

A large assortment of new style of Cases just received, which will be sold cheap.

Ladies and groups are respectfully solicited to call and examine for themselves.  Gallery open 9 A. M. till 4 P. M.   P. Tenney Gates, Artist & Proprietor.                       

Advertisement ran from November 8, 1851 to July 31, 1852.

1852 July 31.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 31, 1852, Vol. 43, No. 4, P. 3.

Closing Up!  Gates’ Gallery will be closed on the 20th of August.  All persons in want of some of his superb Daguerreotypes must call immediately, as my Gallery may not be open until January 1853.

Hours of operating, from 8½ A. M. till 5½ P. M.

N. B.  The daguerreotype of both the nominees for the next Presidency still remain on exhibition.

Calls respectfully solicited by P. Tenney Gates, Artist and Proprietor.      

Advertisement ran from July 31 to August 14, 1852.

1852 September 4.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 4, 1852, Vol. 43, No. 9, P. 3.

Daguerreotypes For $1.  Gates’ Gallery Not Closed Yet Having a large quantity of Stock on hand, I am determined use it up before closing.  Therefore I have reduced my price to $1.00 for one month only.  After which time my Gallery will positively be closed until the first of January, 1853.  Every picture taken at my Gallery is warranted not to fade or the plate corrode; for I use nothing but No. 1 chemicals, and harden all my pictures with pure Gold.

Now is your time to secure those mementos of Life, which, in the trying hour of the separation of friends, no price can purchase.

Pictures taken of invalids or deceased persons at private residences, either in the village or out of town.  I always take particular pains to have such pictures agreeable and satisfactory.

Particular attention paid to taking large pictures, Family Groups, and children of all ages, “when awake.”

Pictures taken equally in cloudy and stormy weather (except of small children.)

Just received from New York, a large assortment of elegant New Styles Cases, which will be sold at reduced prices.

All would do well to avail themselves of this opportunity, as the price is extremely low, and you little know what changes a few months may bring about.

Calls respectfully solicited, by P. Tenny Gates, Artist and Proprietor.  Plattsburgh, Sept. 1, 1852.

N. B.  My Gallery would have been closed on the 20th August if there had not been so much unfavorable weather.                                                                                              

Advertisement ran from September 4 to 25, 1852.

1852 October 16.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 16, 1852, Vol. 43, No. 15, P. 2.

The line of telegraph from Troy to Montreal, on the west side of Lake Champlain is going on rapidly.  There is already communication between Troy and Warrensburgh; and the wires from this village to Ausable Forks, via Keeseville, are already up.  We shall be in communication with our Troy neighbor before “lection.”  The post are all distributed on the line of our railroad, from here to Canghnawaga, where, we understand, the St. Lawrence is to be passed by a submarine telegraph, and thence to the city of Montreal.  P. T. Gates is operator in this village—office in his daguerrean gallery.

1852 December 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 11, 1852, Vol. 43, No. 23, P. 3.

Daguerreotypes For $1.  Re-Opened, Gates’ Premium Sky-Light Daguerrean Gallery Is now open for the reception of the public, and is supplied with a large and splendid assortment of new style Cases, suitable for Christmas and New Year’s presents, which will be sold cheap.  I am now taking a new and beautiful style of Crayon Daguerreotypes, of several shades, which for softness of tone and beauty of lights and shades, no other style can equal.

It will be seen, (as above stated,) that I have fixed prices as low as $1 for perfect pictures in good style cases.

Every picture taken at my Gallery is warranted not to fade or the plate corrode, for I harden all my pictures with pure gold.

Pictures taken of invalids or deceased persons at private residences, either in the village or out of town.  I always take particular pains to have such pictures agreeable and satisfactory.

Particular attention paid to taking large pictures, family groups, and children of all ages.  Pictures taken equally in cloudy and stormy weather (except of small children.)

No picture Re-taken after once declared satisfactory, without extra charge.

Instruction given in every branch of the business on the most reasonable terms.

Every one visiting my Gallery will have the pleasure of examining the Electro-Chemical Telegraph, as the office is in connection.

Ladies and gentlemen are cordially solicited to call and examine for themselves.

Operating hours from 9 A. M. till 4 P. M.

A Card.  I would like to take this opportunity to return my most sincere thanks to the citizens of Plattsburgh and the public generally, for the unlimited share of patronage I have received.  It is now over two years since my Gallery was open to the public, and I am happy to say that I think my many efforts have been duly appreciated; and I hope that by strict attention to business to merit a continuance of the same.  Respectfully Yours, P. Tenney Gates, Artist and Proprietor.           

Advertisement ran from December 11 to July 30, 1853.

1853 August 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 20, 1853, Vol. 44, No. 7, P. 3.

Daguerreotyping.  P. Tenney Gates, Proprietor of the Premium Sky-Light Daguerreian Gallery, Returns his most sincere thanks to the Ladies and his patrons generally, for the unlimited patronage they have bestowed upon him since he opened his Daguerreian Establishment, and I hope that by strict attention to this beautiful art, that he may retain all of his old patrons and add scores of new.  It is his intention to keep up with all the improvements of the day, so no one can have the privilege of saying “He is behind the times.”  But everything will be “O. K.”  Every one having work done at his establishment can rely upon its being satisfactory.  He will in no case resort to any of the cheap kind of materials.  Everything will be of the best quality, and all my Pictures Warranted Not To Fade, as all are taken on Pure Silver Plates, and hardened with Pure Gold.

There are many Daguerreotypes taken at the present day by transient Pretended Daguerreian, that are impositions on the public.  They are taken on the poorest quality of Plates, and (if hardened at all) hardened with some cheap Compound that will last until they get out of town, providing that their stay is very limited, and warranted by some to last thousands of years.  Such Artists are not uncommon now-a-days.—What is the warrantee of such Artists worth?—The Fifty Cents that they put into their pockets is all they think of.  Look Out For Such Impostors!  And have your Daguerreotyping done by skillful and experienced Stationary Artists, that can be referred to any future time.  Pictures taken equally as well in cloudy and stormy weather, except of children.

Hours For Taking Children & Groups, From 10 a. m. until 3 p. m.  Operating hours from 8 A. M. until 5 P. M.

Copying done in a scientific manner with chemicals made expressly for the purpose.

All are cordially solicited to call and examine whether in want of pictures or not.  Prices as low as the same quality can be obtained at any other Respectable Establishment.

Advertisement ran from August 20, 1853 to April 28, 1855.

1855 August 18.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 18, 1855, Vol. 46, No. 7, P. 3.

Daguerreotyping.  P. Tenney Gates, Proprietor of the Premium Sky-Light Daguerreian Gallery, Returns his most sincere and cordial thanks to the Ladies and his patrons generally, for the unlimited patronage they have bestowed upon him since he opened his Daguerreian Establishment, and hopes that by strict attention to his beautiful Art, that he may retain all of his old patrons and add scores of new.  It is his intention to keep up with all the improvements of the day, and every one having work done at his establishment can rely upon its being done in a satisfactory manner.  His materials are of the best kind and all his pictures warranted not to fade, as all are taken on pure Silver Plates, and hardened with Pure Gold.

Pictures taken equally as well in cloudy and stormy weather, except of children.

Hours for taking Children & Groups, From 10 A. M. until 3 P. M.  Operating hours from 8 A. M. until 5 P. M.

Copying done in a scientific manner with chemicals made expressly for the purpose.

All are cordially solicited to call and examine whether in want of pictures or not.  Prices as low as the same quality can be obtained at any other Respectable Establishment.

Advertisement ran from August 18, to October 13, 1855.

1855 December 22.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 22, 1855, Vol. 46, No. 25, P. 3.

P. Tenney Gates Has the pleasure, at this early period, to offer to the public A New Style Of Picture, that far exceeds in Beauty and Durability, any thing ever before made.  The exceeding fineness, depth of light and shadows, richness of tone, boldness of character and beauty of expression, is wonderful.

They do not reverse the Subject, light that of a Daguerreotype, but represent everything in its true position: consequently Appear Perfectly Natural!

They are without the glare of a Daguerreotype, and hence may be seen in any view.  They will last for Ages Unchanged, and possess the same quality of Imperishability,

Being taken on plate glass, over which is placed a corresponding glass, the two being hermetically sealed together with an indestructible cement which soon hardens and the two glasses become in effect one, with the picture in the centre, as durable as glass itself.  This art is particularly adapted to every style of face and Complexion.

These pictures are pronounced by competent Judges to be the greatest achievements in the Photographic Art, having a Clearness and Relief that is Truly Astonishing.

The proprietor, by his improved facilities is enabled to produce Ambrotypes from the Smallest To Full Size with all the truth of nature, and the Permanency Of The Finest Plate Glass.

The long sought for end in Photographic Portraiture.  The Transparent Ambrotype must be seen to be appreciated.  The relief being full as perfect as life.

These picture offer inducements to those wishing to send them abroad as they are proof against the action of water, acids, climate or atmosphere, and may be laid in water for months, with perfect safety.

The public will please note, that the proprietor is thoroughly acquainted with the Art in all its branches.

Portraits, Miniatures, Daguerreotypes, &c., copied into Ambrotypes, and Rendered Permanent.  Small Children and Groups taken in a superior style.  The time required for taking the impression is from one to four seconds.  Prices about the same as of a good Daguerreotypes.

This beautiful Art is the production of a long series of chemical experiments by Prof. James A. Cutting, of Boston, by whom it is patented in the United States, Great Britain, and France.

P. Tenny Gates, is the exclusive proprietor of the patent and only maker of the pictures in Clinton and Essex Counties, N. Y. and Grand Isle Co., Vt.

Daguerreotyping still continued in all its branches, from the smallest locket to the full size.

The public are cordially invited to call and examine specimens.

Operating hours from 9 A. M., till 4 P. M.                            

Advertisement ran from December 22, 1855 to August 29, 1857 And October 6, 1857 to May 15, 1858.

1856 September 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 20, 1856, Vol. 47, No. 12, P. 2 & 3.

List of Premiums Awarded At The Fourteenth Annual Fair Of The Clinton Co. Agricultural Society Held at the U. S. Barracks, in Plattsburgh, September 16th and 17th, 1856…

Miscellaneous Manufacturers… Best Daguerreotypes and Ambrotypes,

P. T. Gates, Plattsburgh,                                 2.

1856 December 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 20, 1856, Vol. 47, No. 25, P. 2.

A suitable and very acceptable holiday gift for a friend, is an ambrotype.  Magnificent ones may be had at Gates’ Gallery in this village.  He has also for sale a variety of rich frames and cases to suit the taste of the purchasers.

1857 November 21.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 21, 1857, Vol. 48, No. 21, P. 2.

P. T. Gates makes thousands of Photographs and Ambrotypes that are greatly esteemed here.  His rooms are over Moore’s drug store—3d story.

1858 May 22.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 22, 1858, Vol. 48, No. 47, P. 3.

Improvements.  Pictures!!  Pictures!!  P. Tenny Gates, Has just returned from the Manufacturers with an entire new set of instruments and chemical apparatus, made expressly to his order, by the aid of which he is enabled to execute Large Groups, Life Size Portraits, and other styles of pictures at Reduced Prices.

He now has on hand a very large and splendid assortment of Gilt and Fancy Frames, and more than thirty different varieties of Cases—in which he will insert Ambrotypes, Photographs, Melaineotypes, Sphereotypes, Phototypes, and every other style of picture extant.  Phototypes are a new style particularly adapted for sending by mail, they weigh less than half an ounce.

Copying of all styles executed in the best manner with instruments expressly for the purpose.

All work executed equally as well in cloudy weather, (except of small children.)

Prices varying from 50 cents, to $50.00.

Operating hours from 9 A. M., till 6 P. M.                            

Advertisement ran from May 22 to July 24, 1858

1858 July 10.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 10, 1858, Vol. 49, No. 2, P. 2.

….O, hasten! While you have to-day, to Gates’s—suffer no delay; secure by Gate’ skill portrayed, a ‘shadow’ ere the substance fade!  Remember at Gates’ daguerrean gallery, over Wm. P. Mooers’ drug store, Plattsburgh……

1858 July 24.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 24, 1858, Vol. 49, No. 4, P. 3.

Pictures!  Pictures!!  New Arrangements!  Pictures to suit the Times!  Ambrotypes for 50 Cents For 60 Days At Gates’ Sky-Light Photographic Galleries.  Having a very large quantity of stock on hand, I am determined to reduce the same and therefore offer such flattering inducements.

Now is the time to get Perfect Likenesses at Low Prices!

Pictures taken and finished in ten minutes!

By the aid of my new improved instrument & Chemical apparatus, among which is an Instantaneous Working Camera which will take together with my Sky-Lights and other necessary arrangements, which are indispensable for the successful execution of good Likenesses or nice artistic pictures.

I now execute with perfect accuracy at a moments notice, Ambrotypes, Phototypes, Hillotypes, Sphereotypes, Micatypes, and every other style picture extant.  The Photographs are colored by an experienced Artist and done in style that cannot be surpassed, and put them up in Frames, Cases, Lockets, Bracelets, Pins, Rings, Envelopes for sending by mail, and every other desirable style.

Copying executed in a superior style.  Old Daguerreotypes or other Likenesses enlarged to life size Photographs with instruments made expressly for that purpose.  Having the experience of 13 years constant practice, feel confident that I can supply the public with as nice specimens of art as can be produced.

To Parents.  Now is the time for Children’s Pictures.  My Instantaneous Camera is particularly adapted to that purpose.  None but good pictures sold.—All work warranted not to fade.  Likenesses taken equally as well in cloudy weather, except of Small Children and Large Groups.

Come One Come All and judge for yourselves.

Operating hours from 8 A. M. until 6 P. M.                          

Yours most respectfully, P. Tenny Gates, Artist and Proprietor.

Dated Gates’ Photographic Gallery.

Advertisement ran from July 24 to November 6, 1858.

1858 September 18.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 18, 1858, Vol. 49, No. 12, P. 2 & 3.

List of Premiums Awarded at the Sixteenth Annual Fair of the Clinton County Agricultural Society Held at the U. S. barracks, in Plattsburgh, September 9th 10th & 11th, 1858.

…Best Colored Crayon Drawing:  1st Prize, Mrs. W. P. Malloy, Plattsburgh,   2.

…Best Pencil Sketch:  Mrs. W. P. Malloy, Discretionary.  This was very fine and worthy of especial notice.

Ambrotypes:               1st Prize, P. Tenny Gates, Plattsburgh,                 2.

Photographs:               1st prize, P. Tenny Gates, Plattsburgh,                 2.

Daguerreotypes:          1st prize, P. Tenny Gates, Plattsburgh,                 2.

Professor Gates did himself great credit, and exhibited his usual taste.

1858 October 16.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 16, 1858, Vol. 49, No. 16, P. 3.

Plattsburgh Piano-Forte Agency.  P. Tenney gates Has now on hand the largest and best selected assortment of Piano Fortes ever offered for sale in Northern New York, which will be sold, for cash, or approved credit on Time, as may suit purchasers, at prices that defy all competition.  Old instruments taken in exchange at fair prices.  His arrangements are such that he will furnish Pianos from the following celebrated manufacturers:

Boston—Chickering & Sons, Albert Ladd, A. W. Bailey & Co.’s., Lemuel Gilbert, T. Gilbert & Co., George Hews, C. A. Vinton.

Dunham & Co., New York, Boardman, Gray, & Co., Albany.

All instruments will be set up by an experienced pianist and kept in perfect tune for one year free of charge.

Every Piano Forte warranted to give satisfaction to the purchaser.  For further particulars please call and examine for yourselves at P. Tenney Gates, Photographic Palace of Art.  Plattsburgh, Sept. 25, 1858.

1858 November 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 20, 1858, Vol. 49, No. 21, P. 3.

Ambrotypes For 25 Cts. At Gates Palace of Art!  Until Nov. 28th.

Advertisement ran from November 20 to December 4, 1858.

1858 December 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 11, 1858, Vol. 49, No. 24, P. 3.

Excelsior!!!  5,892 Likenesses Sold Since the Reduction in Price!  Ambrotypes For 25 Cts.  Splendid Presents For The Holidays At gates Palace of Art!

Gates will take Ambrotypes For 25 Cts.  Until After The Holidays.

Holiday Gifts Gates has a splendid lot of Oval Gilt Frames which he will fill with Ambrotypes At Very Low Prices.

At Gates’ Palace of Art Just received a fine lot of those Splendid Union Cases At Very Low Prices.

If You Have Any Old Pictures Of Deceased Friends Take them at once to Gates Palace of Art, And have them Copied in a style that will not Fade.

Gates Will Have A Large Assortment Of Gold Lockets, Pins Seals, &c., For the Holidays, which he will sell at Manufacturer’s Prices.

If you want any style of Portrait, or Picture Frames, either Oval, Square or any other shape, you will find a large assortment of styles of frames and moulding at Gates’ Palace Of Art. 

Frames of all Styles made to order at low rates.  Call and Examine.

Gates Will Sell Piano-Fortes Cheaper and warrant them to be A Better Article Than can be bought in Northern New York of any other parties.  He is agent for the most celebrated Manufacturers in America.

Advertisement ran from December 11, 21858 to January 22, 1859.

1858 December 25.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 25, 1858, Vol. 49, No. 26, P. 2.

Ambrotypes and Photographs are among the most appropriate articles for presents.  They may be had at Gates’ Gallery or at Mrs. Molloy’s rooms, over the Republican Office.

1859 May 7.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 7, 1859, Vol. 49, No. 45, P. 2.

Call in at Gates’ Daguerrean Gallery, over Wm. P. Mooers’ and examine the numerous specimens of true artistic skill with which his rooms are decorated.  For accuracy of likeness and elegance of finish, they cannot be beat.  Copying executed in the very best manner.

1859 May 21.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 21, 1859, Vol. 49, No. 47, P. 3.

May 19TH Re-Opened!  Gates’ Photographic Palace Of Art.  Plattsburgh, N. Y.  Has undergone through repairs and Is Again Open For The Reception of Visitors.  And is doing business on the Low Price System!

The Proprietor has been to great expense and spared no pains in refurnishing with the best and Latest Improved Instruments, and apparatus of the day among which is a Double Camera.  (which takes two pictures at the same Instant!) also a Mammoth Camera.  (The only one that will be found out of the Large Cities,) which executes Life-Sized Portraits.

Portraits made in Oil Colors!

Portraits made in India Ink!

Portraits made in Water Colors!

Portraits made on Glass

Portraits made on Iron!

Portraits made on Paper!  and

Portraits made in all other Styles!

Operating hours from 8 A. M. till 6 P. M.

Work executed equally well in cloudy Weather (except Children.)

Calls Respectfully Solicited.  P. Tenney Gates, Proprietor.

Advertisement ran from May 21 to July 23, 1859.

1859 July 30.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 30, 1859, Vol. 50, No. 5, P. 3.

Attention!  Attention!  Attention!  Attention.  Gates Champlain Sky-Light Photographic Gallery will be opened Aug. 10 for 20 days.

P. Tenney Gates is now fitting up a Sky-Light Photographic Gallery, at Champlain, N. Y.

For the purpose of accommodating the citizens of that place and vicinity with the best of pictures of all the modern styles.

P articular attention will be given to taking Large Groups, Photographs, Ambrotypes, &c. &c.

No pains will be spared to make this one of the Best Operated Galleries.

It will be opened August 10TH, 1859, for 20 Days.

Operating hours from 8 A. M., till 5 P. M.  Work executed equally well in Cloudy Weather, except of very small children.  Come One, Come All.

Advertisement ran from July 30 to September 17, 1859.

1859 August 27.  The Plattsburgh Republican.  (Plattsburgh, New York.)  August 27, 1859, Vol. 50, No. 9, P. 1.

Re-Opened!  Gates’ Photographic Palace Of Art.  Plattsburgh, N. Y.  Has undergone through repairs and Is Again Open For The Reception of Visitors.  And is doing business on the Low Price System!

The Proprietor has been to great expense and spared no pains in refurnishing with the best and Latest Improved Instruments, and apparatus of the day among which is a Double Camera.  (which takes two pictures at the same Instant!) also a Mammoth Camera.  (The only one that will be found out of the Large Cities,) which executes Life-Sized Portraits.

Portraits made in Oil Colors!

Portraits made in India Ink!

Portraits made in Water Colors!

Portraits made on Glass

Portraits made on Iron!

Portraits made on Paper!  and

Portraits made in all other Styles!

Operating hours from 8 A. M. till 6 P. M.

Work executed equally well in cloudy Weather (except Children.)

Calls Respectfully Solicited.  P. Tenney Gates, Proprietor.

Advertisement ran from August 27, 1859 to July 7, 1860.

1859 December 10.  The Plattsburgh Republican.  (Plattsburgh, New York.)  December 10, 1859, Vol. 50, No. 24, P. 3.

Christmas And New Year’s Gifts.  Gates’ Sky-Light Photographic Gallery! Champlain.

Will be open on the 15th of December, and continue during the Holidays! Stocked with a splendid lot of Goods particularly adapted for Holiday Gifts!

Ambrotypes Put up in Cases for 50 Cents.  Be sure and not forget the time.  Operating hours from 8 a. m. till 4 p. m.  Call early in the day!

N. B.  This Gallery will not be open again until February 14th, 1860.

Advertisement ran from December 10 to 31, 1859.

1860 June 30.  The Plattsburgh Republican.  (Plattsburgh, New York.)  June 30, 1860, Vol. 51, No. 1, P. 3.

Gates is “at home” as usual, and crowds are visiting his gallery daily.  An unprecedented number were promptly served with likenesses on St. Johns Day, notwithstanding the interruotion of slight showers.  Go to the legitimate establishment for photographs, &c., instead of tinkering with catch-penny affairs.

1860 July 14.  The Plattsburgh Republican.  (Plattsburgh, New York.)  July 14, 1860, Vol. 51, No. 3, P. 3.

July 14th!  Splendid Decorated Ambrotypes!  Put Up In Frames For 25 Cts. At Gates’ Sky-Light Palace of Art Plattsburgh, N. Y. The greatest inducements ever offered in this vicinity are now open to the public.  Altho’ prices are extremely low, every picture will be of the best quality, and furnished equally as well as if sold for a higher price.  The Reputation of a stationary establishment stands alone on the merit of selling none but good and Never Fading Pictures.

All pictures warranted not to fade, and as my stay in town is not limited, I shall continue to take better pictures at the above rate that can be obtained of any other parties.

My Decorated Back-Ground is a splendid addition to the picture which gives it one and softness that cannot be otherwise obtained, for which there is no Extra Charge.  I have just received a large assortment of Cases and Frames which will be sold at proportionately low Prices.

Copying done in superior style with Instruments made expressly for the purpose.  Work executed equally as well in stormy weather.  Call early in the day.  Select your Cases on entering the reception room, and receive your number so as to avoid confusion.  Operating hours from 8 A. M. till 6 P. M.  The public will please call and examine specimens and prices before sitting for a picture elsewhere.  I shall myself, personally attend to the Operating Department, and having had constant experience in the art for many years I think I can suit all that are in want of Good Likenesses and Artistic Pictures.

Yours Respectfully, P. Tenney Gates.

Advertisement was recorded ten times between July 14 to October 29, 1860.   

1860 October 20.  The Plattsburgh Republican.  (Plattsburgh, New York.)  October 20, 1860, Vol. 51, No. 17, P. 4.

July 14th!  Splendid Decorated Ambrotypes!  At Gates’ Sky-Light Palace of Art Plattsburgh, N. Y. The greatest inducements ever offered in this vicinity are now open to the public.  Altho’ prices are extremely low, every picture will be of the best quality, and furnished equally as well as if sold for a higher price.  The Reputation of a stationary establishment stands alone on the merit of selling none but good and Never Fading Pictures.

All pictures warranted not to fade, and as my stay in town is not limited, I shall continue to take better pictures at the above rate that can be obtained of any other parties.

My Decorated Back-Ground is a splendid addition to the picture which gives it one and softness that cannot be otherwise obtained, for which there is no Extra Charge.  I have just received a large assortment of Cases and Frames which will be sold at proportionately low Prices.

Copying done in superior style with Instruments made expressly for the purpose.  Work executed equally as well in stormy weather.  Call early in the day.  Select your Cases on entering the reception room, and receive your number so as to avoid confusion.  Operating hours from 8 A. M. till 5 P. M.  The public will please call and examine specimens and prices before sitting for a picture elsewhere.  I shall myself, personally attend to the Operating Department, and having had constant experience in the art for many years I think I can suit all that are in want of Good Likenesses and Artistic Pictures.

Yours Respectfully, P. Tenney Gates.

Advertisement was recorded twenty six times between October 20, 1860 to June 22, 1861.  

1861 April 6.  The Plattsburgh Republican.  (Plattsburgh, New York.)  April 6, 1861, Vol. 51, No. 41, P. 2.

Gate’s is putting his Daguerrean Gallery in fine condition for business, by enlarging, “altering and amending,” re-painting, papering, &c…