All posts by pioneeramericanphotographers

Gilmore, William H.

1846                69 Arcade, Providence, Rhode Island.[1]

1849-1850       236 Main Street, Worcester, Massachusetts.

1851                Harrington Corner, Worcester, Massachusetts.

1852-1853       Rooms in Nichols’ Building, No. 7, Middlebury, Vermont.

1852-1853       Rooms over Barrett and Son’s Store, Rutland, Vermont.

1853                Rooms in Nichols’ Building, Nos. 6 and 7, Middlebury, Vermont.

1853                Address Unknown, Rutland, Vermont.

1854-1855       Rooms over Mr. R. L. Fullers Store, Middlebury, Vermont

1849 February 1.  Worcester Daily Spy.  (Worcester, Massachusetts.)  February 1, 1849, Vol. 4, No. 169, P. 3.

New Daguerreotype Gallery.  Gilmore & Albee, Having fitted up the large and commodious Room, 236 Main Street, (Paine’s Block,) over Horace Ayres’ Grocery Store, formerly occupied by Miss Allen as a School Room, would respectfully inform the public that they are prepared to take Daguerreotype Miniatures, of the different sizes, and of superior appearance, tone and finish on the most reasonable terms.  With German Instruments of the first quality, and very superior light, they warrant their Pictures to be equal, if not superior to any produced in this city or elsewhere; and having had extensive experience in the business, they are confident of giving satisfaction to those who may favor them with their patronage.

They wish it distinctly understood that no person is expected to take a Picture from their Room unless they are perfectly satisfied with its life-like appearance, as well as superior finish.            Wm. H. Gilmore, A. P. Albee.                                                                                   

Advertisement ran from February 1 to July 6, 1849.

1849 July 9.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 9, 1849, Vol. 5, No. 32, P. 3.

Copartnership Notice.  The copartnership hereto fore existing by the name of Gilmore & Albee is by Mutual consent, this day dissolved.  Wm. H. Gilmore, A. P. Albee, Worcester, June 19, 1849

N. B.   The Daguerreotype business will be continued at the old stand, 235 Main St., by the Subscriber.  Pictures taken at all times, without regard to weather.  Perfect satisfaction or no charge.  Please call and examine my Life Like, Pictures and Judge for yourselves.  Wm. H. Gilmore.  July 3.

Advertisement ran from July 9 to August 23, 1849.

1849 September 25.  Worcester Daily Spy.  (Worcester, Massachusetts.)  September 25, 1849, Vol. 5, No. 88, P. 3.

Daguerreotypes, The subscriber respectfully informs his old friends and customers, that he has returned to his old stand, 236 Main-street, where he would be pleased to wait upon all who may favor him with their patronage.  He invites all to call and examine his specimens, particularly those of the Hon. Judge Collamar, Post Master General to the United States, and Geo. Phelps, President of the Massachusetts Copper Mining Company, whose Daguerreotypes he has had the pleasure of taking during his visit to Vermont.

N. B. Pictures taken in less time and more life-like than any other room in the city.  Wm. H. Gilmore. Worcester.                                                                                    

Advertisement ran from September 25, 1849 to November 21, 1850.

1851 July 11.  Barre Patriot.  (Barree, Massachusetts.)  July 11, 1851, Vol. 7, No. 52, Whole No. 542, P. 3.

Great Daguerrian Palace In Worcester.  The citizens of Worcester and vicinity are respectfully informed that the City Daguerrian Company Have fitted up at great expense, one of the most magnificent Daguerrian Establishments in the United States.  A spacious and richly furnished Ante-Room will be open at all times for visitors who may desire to examine specimens, or who may wish Daguerreotypes, either for themselves, or their friends,  The establishment will be under the supervision of an Experienced And Skilful Artist who, in this branch of the Fine Arts, has no superior in the country.  One of the apartments is fitted with a glass roof which reflects a North Light, possessing, as every Artist knows, unrivalled advantages over every other description of light.  In the finishing of Daguerreotypes, and in other parts of the process of taking them, the proprietors have made improvements which are soon to be patented, and which are not in possession of any other establishment in the country.

Entire satisfaction will be guaranteed, and the patronage of the public is respectfully solicited.  Entrance to the Palace is on Harrington Corner.  W. H. Gilmore, Artist.

Advertisement ran from July 11 to November 14, 1851.

1852 January 7.  The Middlebury Register.  (Middlebury, Vermont.)  January 7, 1852, Vol. XVI, No. 37, P. 3.

Daguerreotypes.  Mr. W. H. Gilmore would respectfully inform the citizens of Middlebury and vicinity he has taken rooms in Nichols’ building (No. 7) where for a few days he will hold himself in readiness, at all hours, to furnish all who may so desire, with daguerreotypes of a style and finish not to be surpassed in the country.  Those who doubt the truth of this assurance are invited to call and try.  Perfect satisfaction warranted.

Advertisement ran from January 7 to March 3, 1852.

1852 March 10.  The Middlebury Register.  (Middlebury, Vermont.)  March 10, 1852, Vol. XVI, No. 46, P. 3.

Premium Daguerreotypes.  W. H. Gillmore Would respectfully announce to the public of Middlebury and vicinity, that he has taken Rooms in Nichols’ Building, west of the Bridge, which are to be fitted up permanently for his use, for the year to come.  His Daguerreotypes have been highly commended by the hundreds who have availed themselves of his services during his present visit to Middlebury, and he is determined that his work shall be Surpassed By No Other Artist.

Mr. G. will divide his time between this place and Rutland, spending six weeks alternately in each village.

Daguerreotypes will be put up in all styles, to suite customers, and on satisfactory terms.  The public are invited to call and examine specimens.         

Advertisement ran from March 10 to 17, 1852.

1852 May 12.  The Middlebury Register.  (Middlebury, Vermont.)  May 12, 1852, Vol. XVII, No. 3, P. 3.

Home Again.  Mr. W. H. Gillmore Would respectfully inform the citizens of Middlebury, that he will return to his old Rooms, No. 7, Nichols’ Building, on Monday May 17th, where he will spare neither pains nor skill in making Likenesses that are perfect representations of those who may call upon him at No. 7, Nichols’ Building, and in a style and finish unsurpassed by any traveling Daguerreotypist in the country, as hundreds in this town can and will testify.  Those who wish to procure a good natural likeness will do well to wait until he returns home, as he has been to the expense of fitting up his rooms in good style, for the comfort and convenience of his patrons.

P. S. I exhibit no pictures except those of my own taking, and am prepared to sell as good, or even better ones than I exhibit as specimens.  W. H. G.                               

Advertisement ran from May 10 to December 1, 1852.

1852 September 2.  The Rutland Herald.  (Rutland, Vermont.)  September 2, 1852, Vol. 59, No. 33, P. 3.

At Home Again!  Velutim Speculunm.  This valuable improvement in the Daguerreotype Art.  Commends itself to all wanting perfect and durable likenesses of themselves or friends.

The subscriber’s new method of taking beautiful crayon, Enameled Crayon, and colored miniatures must be admitted to be among the most remarkable of the recent discoveries in the optical science.

The subscribers has the pleasure to inform the Ladies and Gentleman of Rutland and vicinity that he has returned to his old room over Barrett and son’s Store, on West street where he will exhibit specimens of all the above named improvements in the Art and will execute for all who may desire durable miniatures of either variety with a degree of Perfection Satisfactory for the most critical examiner.  Call soon and improve the opportunity while there is a chance as he will remain in town but a few days.

Do not forget the place—Rooms over Barrett and Son’s Store.

P. S. Those wishing Likenesses will do well to examine my style of Pictures before procuring elsewhere and judge for yourselves of their style and finish.

Hours of operating from 8 o’clock to 5.  For children from ten to two.  Adults all hours.  Satisfaction given in all cases.  Pictures inserted in pins, rings lockets.  Wm. H. Gilmore.

Advertisement ran from September 2 to October 28, 1852.           

1852 October 13.  The Middlebury Register.  (Middlebury, Vermont.)  October 13, 1852, Vol. XVII, No. 25, P. 2.

Premiums Awarded at the Ninth Fair of the Addison County Agricultural Society, Oct. 6, 1852…

Daguerreotypes,

Wm. H. Gilmore, Middlebury and Rutland,  .50

1852 October 14.  The Rutland Herald.  (Rutland, Vermont.)  October 14, 1852, Vol. 59, No. 41, P. 2.

Premiums Awarded at the Seventh Annual Fair of the Rutland County Agricultural Society, Sept. 22d and 23d….

Fine Arts….

For the best Daguerreotype, a premium was awarded Mr. Gilmore of Rutland.

1853 February 9.  The Middlebury Register.  (Middlebury, Vermont.)  February 9, 1853, Vol. XVII, No. 42, P. 3.

Premium Daguerreotypes.  Mr. William H. Gillmore would respectfully announced to the people of Middlebury, that he can be found at his Old Rooms, No. 7 Nichols’ Building, ready to execute Daguerreotype Likenesses, in all the modern styles and improvements in the art.

All those that want a perfect Daguerreotype Likeness, will please call at No. 7, Nichols’ Building, and get one of Gillmore’s best.

P. S.  To those who think that I did not locate myself here permanently one year last December, I will just say, that such was the fact, and I intend to continue so if all creation of operators come and put in Sky-lights in every other house in town.  I have as good a light as I could wish, and up only one flight of stairs, and easy of access.  In short, I have a very pleasant suit of Rooms and well adapted to the Daguerrean business.  Those who contemplate sitting will avail themselves of the opportunity soon, as I have two other Rooms which I must visit soon.

W. H. Gillmore, Rutland, Brandon & Middlebury Daguerreotypist.                    

Advertisement ran from February 9 to 23, 1853.

1853 March 2.  The Middlebury Register.  (Middlebury, Vermont.)  March 2, 1853, Vol. XVII, No. 45, P. 3.

Improvement In Taking Daguerreotypes!  I would respectfully announce to the people of Middlebury and vicinity, that I have a new mode of preparing the Daguerreotype Plate, which surpasses all others now in use.  I can make double the number of pictures in the same length of time, that I could by the old way, and with a brilliancy of tone and finish unsurpassed by any other process.  I shall have it ready for operation by Monday next, March 7th.  Call and see, and know the wonders of science and art even in your own town, at Nos. 6 and 7 Nichol’s Building.

W. H. Gillmore.                     

Advertisement ran from March 2 to September 7, 1853.

1854 May 3.  The Middlebury Register.  (Middlebury, Vermont.)  May 3, 1854, Vol. XIX, No. 2, P. 3.

Premium Daguerreotypes.  W. H. Gillmore would respectfully inform the people of Middlebury and vicinity, that he has returned again to make a professional stop for a short time.  My place of business at present is over the Store of Mr. Fuller, in the room formerly occupied as a Daguerrean Room, and well adapted to the business.  All who have not availed themselves of previous opportunities, will do well to call soon and get one of my best pictures, and such as never were taken before in this town.  Having had many years experience in the business, I feel confident of giving perfect satisfaction to all who may favor me with their patronage.

N. B.  Feeling truly grateful for past patronage, I solicit a continuance of the same.  I can be found in my rooms at all hours of the day, ready and willing.  Do not forget the place—the brick building near the Railroad Bridge.  W. H. Gilmore, Daguerrean Artist.

Advertisement ran from May 3 to December 6, 1854.

1854 May 31.  The Middlebury Register.  (Middlebury, Vermont.)  May 31, 1854, Vol. XIX, No. 6, P. 2.

Daguerreotype of the Eclipse.—a daguerreotype of the great eclipse was taken by Mr. Gillmore, at the Addison House, showing the ring in its perfection, and accurately representing the surrounding sky and clouds.  Call at his rooms (in Stewart’s Building) and see it.

1854 October 11.  The Middlebury Register.  (Middlebury, Vermont.)  October 11, 1854, Vol. XIX, No. 25, P. 2.

The County Fair.  Our County Fair, on Wednesday and Thursday of last week,…

1st Premium on Daguerreotypes, W. W. Ormsbee.  Middlebury,                2.00

2nd Premium on Daguerreotypes, W. H. Gillmore.  do                                    1.00

1854 October 25.  The Middlebury Register.  (Middlebury, Vermont.)  October 25, 1854, Vol. XIX, No. 27, P. 3.

The Best Daguerreotypes.  At the late Fair at Middlebury, the committee on Paintings, &c., Mr. Battell, chairman, (the celebrated portrait painted, Mr. Mason, by invitation, advising) made the following Awards:

1st best Daguerreotypes, W. W. Ormsbee, $2

2d best (being but two exhibitors) Gillmore, 1.

The pictures exhibited by Ormsbee were his 2d best, as they were duplicates; persons sitting having taken their choice.  Several were likenesses of the last graduating class.  This class were at great pains to obtain the best, as they were to be multiplied and perpetuated by lithograph copies.  The reputation of Tapley attracted them to Brandon; but not quite satisfied, some of them set to Gilmore, but after full trial a majority sent to New York for lithographing were of those taken by Ormsbee, the rest were by Tapley.

Five only of the sixteen exhibited were taken with any reference to the Fair.  To judge of pictures, the difference in the eyes of Ormsbee’s and Gillmore picture could not fail to attract attention.  Ormsbee’s present a clear, well defined eye, Gillmore’s owing probably to his instrument, doubly refractory quality, besides giving an eye imperfectly defined, produces one or more extra white spots apparent in all the pictures on exhibition by Gillmore with one exception.

Ormsbee’s rooms are at the dwelling of Doct. Brockway, Dentist.

N. B.  Ormsbee’s Camera is one of the most modern and perfect furnished by the Present market.

Advertisement ran from October 25, 1854 to January 31, 1855.

1855 January 10.  The Middlebury Register.  (Middlebury, Vermont.)  January 10, 1855, Vol. XIX, No. 38, P. 3.

Premium Daguerreotypes William H. Gillmore, Would respectfully inform the people of Middlebury and vicinity, that he has newly fitted up his Rooms, in a neat and commodious style, both for convenience and comfort of his customers.  With many years’ practice in the Daguerrean Art, I feel quite competent to excel in all of its various branches, having made many improvements in the Art, and some of them of the greatest utility, both to the likeness and general outline of features, which is truly essential to a perfect likeness.  In many instances I have the decided advantage over all competitors.  In the first place I have a German camera, which is far superior to any homemade camera and cost three times as much; and then I have a wheel for polishing plates, which is far superior to the old method of polishing, not only for superiority of polish, but quickness—also, I can prepare four to one and with a surface ten times better than those of other folks.  To any one who may see fit to give me a call, I will prove to entire satisfaction all of the above statements.—And now,

Ye who would spare the burning tear

And leave a fond memento of a form beloved

Sacred to memory and affection dear

To parting friends in sadness proved,

Or would to others times transmit the look

That charmed a world and bid the eye

Of admiration kindle bright,

Trust to the sunbeam’s line of light.

A camera true will draw the picture right.

Hours of operation from * A. M. until 4 P. M.  Children from 11 until 2 in pleasant weather.  Adults without regard to weather.

Truly thankful for past favors, I solicit a continuance of the same.  Office over R. L. Fuller’s Store.  Wm. H. Gillmore, Dag Artist.

Advertisement ran from January 10 to February 14, 1855.


[1] Craig’s Daguerreian Registry.

Gilchrest, George C.

1845-1846       35 Merrimack Street, Lowell, Massachusetts.

1847                82 Merrimack Street, Lowell, Massachusetts.[1]

1849                92 Merrimack Street, Lowell, Massachusetts.1

1851                82 Merrimack Street, Lowell, Massachusetts.1

1852                92 Merrimack Street, Lowell, Massachusetts.

1853-1887       92 Merrimack Street, Lowell, Massachusetts.1

1857-1858       Address and location unknown, Maine.

1888                Address Unknown, Lowell, Massachusetts.1

1845 August 30.  Star of Bethlehem.  (Lowell, Massachusetts.)  August 30, 1845, Vol. V, No. 17, P. 3.

George C. Gilchrist, Portrait And Miniature Painter No. 35 Merrimac street, under Concert Hall, House, Belvidere.  Also Daguerreotype Miniatures colored and finished in the best manner.

Having procured a German instrument, C. G. can now take as correct likenesses can be taken in Boston, or elsewhere.

Prices from $2.50 to $3.00 in cases Lockets.  Please call and satisfy yourselves.

Advertisement ran from August 30, 1845 to May 2, 1846

1852 September 24.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  September 24, 1852, Vol. XVIII, No. 3880, P. 3.

Daguerreotypes.  No Connection With Any Other Rooms In The City.  Gilchrest’s New Daguerrean Rooms are now open for visitors, at No. 92 Merrimack street, where all his former patrons and the public generally are invited to call and examine the improvement in his Pictures taken under his new Sky-light.  Having had ten years’ practical experience in the art, he is confident that, with his new arrangement of light, he can make a better, more brilliant and pleasing Picture than he ever has at either of his old establishments—which, by the way, he [has] left, and positively has no connection with. 

The public will please remember that the only place in Lowell to get Miniatures executed by Gilchrest, is at No. 92 Merrimack street.

Particular attention paid to taking Likenesses of small children, sick and deceased persons. 

1853 April 19.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  April 19, 1853, Vol. XVIII, No. 4043, P. 2.

Stolen.  Gilchrest’s Daguerrean Rooms, No. 92 Merrimack street, were entered last night, by means of false keys, and robbed of about $100 worth of gold lockets and cases.  Gilchrest would like to take the rogue’s daguerreotype for hanging.

1857 February 28.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 28, 1857, Vol. VI, No. 259, P. 2.

Caution To The Public!  Whereas certain persons who are peddling Daguerreotype Cases in this City, are misrepresenting our prices for making Daguerreotypes to enhance the value of their Cases, we the undersigned, in order to expose the cheat and enlighten the public in regard to our prices, hereby affix our scale of prices for the Cases they are selling.

            Sise.                Filled.              Unfilled.

For      1-16                 $1.00               $1.19½

 “         1-9                   $1.00               $1.25

 “         1-6                   $1.25               $1.50

 “         1-4                   $1.75               $2.00

 “         1-2                   $2.50               $3.00

G. C. Gilchrest,  Chas. Wilkins,  A. J. Simpson,  E. J. Hastings,  G. K. Warren, A. J. Page,  M. Balley,  S. Shattuck. 

Advertisement was recorded from February 28 to March 7, 1857.

1857 February 28.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  February 28, 1857, Vol. XXII, No. 5216, P. 3.

Caution To The Public!  Whereas certain persons who are peddling Daguerreotype Cases in this City, are misrepresenting our prices for making Daguerreotypes to enhance the value of their Cases, we the undersigned, in order to expose the cheat and enlighten the public in regard to our prices, hereby affix our scale of prices for the Cases they are selling.

            Sise.                Filled.              Unfilled.

For      1-16                 $1.00               $1.19½

 “         1-9                   $1.00               $1.25

 “         1-6                   $1.25               $1.50

 “         1-4                   $1.75               $2.00

 “         1-2                   $2.50               $3.00

G. C. Gilchrest,  Chas. Wilkins,  A. J. Simpson,  E. J. Hastings,  G. K. Warren, A. J. Page,  M. Balley,  S. Shattuck. 

Advertisement was recorded from February 28 to May 8, 1857.

1857 December 29.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  December 29, 1857, Vol. VII, No. 512, P. 2.

Only $3.00 for large photograph likenesses, at Gilchrest’s, 92 Merrimack street—warranted as good as can be had in Lowell.  Also, large photographs copied from Daguerreotypes.

Advertisement ran from December 29, 1857 to February 1, 1858.

1858 January 16.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  January 16, 1858, Vol. VII, No. 528, P. 2.

At Home Again.  Gilchrest’s capital Daguerreotype operator, who has been spending some three months in the Pine Tree State, has returned to the city, and may be found at the Gallery No. 92 Merrimack street, ready to wait on his friends and customers who are in want of pictures.

Advertisement ran from January 16 to 20, 1858.

1860 April 19.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 19, 1860, Vol. IX, No. 1219, P. 2.

Alarm Of Fire.  Yesterday afternoon, about 2 o’clock, fire was discovered in the attic over S. Towle’s daguerreotype saloon, No. 88 Merrimack street, occupied by Mr. Gilchrest.  Its timely discovery prevented a serious conflagration.  It took in a lot of straw and empty boxes, it is supposed, from spontaneous combustion.  Damage trifling.  No general alarm was given, though most of the fire department were there.

1860 May 10.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 10, 1860, Vol. X, No. 1237, P. 2.

Photographs.  The Engineers of our fire department for last year are having their photographs taken.  They will be neatly framed, and placed in the engineers’ room.  Gilchrest, 98 Merrimack street, is taking the pictures.

1864 April 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 11, 1864, Vol. XIV, No. 2436, P. 2.

A. Card.  G. C. Gilchrest, the well known Photographist, having thoroughly refitted his suite of rooms, at No. 92 Merrimack street, has just re=opened the same and is fully prepared to give all who may visit him ample proof that he is able to produce as good a picture, in every respect, as can be made by the art.  The public are respectfully invited to call.

Advertisement ran from April 11 to 13, 1864.

1866 July 27.  Vox Populi.  (Lowell, Massachusetts.)  July 27, 1864, Vol. XXVI, No. 39, P. 4.

Incomes Of Lowell Men For 1865.  We give below the income of the citizens of Lowell for 1865, as returned to the United States Internal Revenue Assessors.  These incomes are clear of $600, which is by law exempt.  The income tax from the salaries of United States officials is deducted at Washington, and therefore the amount published against the names of such is from their private income.  The number of the names appearing in the list is 1159—a very large increase over that of last year.  It will be seen that during the last year the manufacturing of medicine has been the most profitable business in Lowell, the manufacturing of chemicals and dye-stuffs coming second, and the lumber business being third…

Gilchrest G. C.  $200.

1867 October 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 18, 1867, Vol. XVII, No. 3512, P. 2.

Premioms (sic.) At The Fair.  The publication of the list of premiums at the Mechanic Fair is concluded below… 

Class O.

Paintings, Statuary, Drawings, Engravings, Lithographs, Daguerreotypes, Photographs, &c…

Nathaniel C. Sanborn, Lowell, photographs, bronze medal.

Asa B. Eaton, Lowell, Photographs, bronze medal.

George C. Gilchrest, Lowell, photographs, bronze medal.

Andrew J. Simpson, Lowell, photographs, bronze medal.

Augustus Marshall, Boston, photographs, bronze medal.

J. S. Notman & Co., Boston, photographs, bronze medal.

1868 August 24.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  August 24, 1868, Vol. XVIII, No. 3773, P. 2.

List of Lowell Taxpayers.  We are under obligations to the board os Assessors for the following list of persons and corporations paying a tax of $100,or over, in this city, the present year.  The rate of taxation this year is $14.10 upon $1000. Last year’s rate was $14.80.

Gilchrest, George C.  103.09.

1869 August 18.  Vox Populi.  (Lowell, Massachusetts.)  August 18, 1869, Vol. 29, No. 47, P. 2.

Tax Payers in Lowell.  Below we give a list of the resident, non-resident, and corporation tax payers in Lowell, the present year, whose tax amounts to $100 and over.  The rate of taxation, as previously stated, is $16.80 upon $1000.  The whole number of polls, this year, is 3, 445, an increase of 293 over last year…

Gilchrest, George C.  126.32.

1870 March 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  March 11, 1870, Vol. XX, No. 4250, P. 2.

A Pleasant Time.  By invitation, a company of a hundred or more came together last evening at the rooms of George C. Gilchrest, 92 Merrimack street, when an enjoyable time was had…

1870 March 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  March 11, 1870, Vol. XX, No. 4250, P. 2.

The Dramatic Entertainment by the “N. N. Associates,” assisted by several young ladies, is to be given this evening in the photograph rooms of Messrs Gilchrest & Towle, 92 Merrimack street.  The drama entitled “The Last Loaf,” is to be presented.

1888 January 14.  Lowell Weekly Sun.  (Lowell, Massachusetts.)  January 14, 1888, Vol. X, No. 24, P. 8.

Mr. G. C. Gilchrist, one of the oldest photographers in Lowell, died Thursday at his home 170 Westford street, after a protracted illness.  His age was 76 years.  He was a native of Knox Me., but came to Lowell from Newmarket, N. H., 42 years ago.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Giers, Charles G.

ND                  Cedar Street, Nashville, Tennessee.

1855-1856       Corner of Deaderick Street and College streets, and the Square, Nashville,                              Tennessee.

1859-1863       Corner of Deaderick Street and the Square, Nashville, Tennessee.

1855 January 16.  Nashville Union and American.  (Nashville, Tennessee.)  January 16, 1855, Vol. XXVI, No. 116, P. 2.

Daguerreotypes!  Daguerreotypes!!  Charles C. Giers would respectfully inform his customers, and the ladies particularly, that he has removed from Cedar street to the corner of Deaderick and College streets, over Browne’s, where he will be glad to see all who are in want of fine and life like pictures.  He has gone to great expense in fitting up powerful side and sky lights, and his rooms are fitted up in elegant style.  He has engaged the services of experienced and polite operators, and is determined to make his Model Establishment of the South West, and feels assured that he will be able to give satisfaction.

He invites the public to call and examine his specimens, as also some fine Oil paintings, by the old masters, just received from Europe, which he offers for sale very low.

Call at the corner of Deaderick street and the Square.

N. B.—An experienced operator always ready for any out door work, such as taking buildings, deceased persons, &c.                                                                                               

Advertisement ran from January 16 to December 12, 1855.

1855 October 3.  Nashville Union and American.  (Nashville, Tennessee.)  October 3, 1855, Vol. XXVII, No. 112, P. 2.

Giers’ Side Sky-Light Daguerrean Gallery, Corner Of Deaderick Street And Square.  My Rooms are fitted up in a style inferior to none, with the best Side Sky-Light, in the city, fronting immediately on the Square.

Persons in want of a fine life-like and flesh colored Daguerreotype, will find it to their advantage to call and examine my Specimens, and I warrant to give satisfaction in every case or no charge made.  Call and judge for yourself.          Chas. C. Giers.                                   

Advertisement ran from October 3, 1855 to January 11, 1856.

1855 October 11.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 11, 1855, Vol. XIX, Whole No. 3466, P. 2.

The Mechanics Fair-Articles Exhibited, Premiums Awarded, &c.  The first Annual Fair of the Mechanics Institute closed on Saturday night, after having been the center of attraction to citizens and strangers for a week….

Of daguerreotypes, specimens were exhibited by Messrs. Hughes Bros. and C. C. Giers, and of photographs by the former gentlemen.  These were highly finished specimens, and such as may be procured at the establishments of the exhibitors….

1855 October 12.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 12, 1855, Vol. XIX, Whole No. 3467, P. 2.

Awards of the Premiums of the Mechanics Institute.  First Annual Exhibition—October 1855….Class No. 26—Daguerreotypes Photographs and Apparatus.

Hughes Bros., Daguerreotypes and Photographs, ……………………Diploma.

C. C. Giers, Daguerreotypes………………………………………….2nd Class Diploma.

R. McLain, Daguerreotypes………………………………………………Hon’l. Mention.

1859 April 9.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. XXIX, No. 357, P.3.

Tennessee Historical Society…Contributions, in the way of photographic pictures, were made by C. Giers, T. F. Saltzman and C. C. Hughes, of this city.

1859 December 4.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. 30, No. 214, P. 3.

Southern Photographic Temple Of Fine Arts.  Corner of Deaderick street and Public Square, over Browne’s.

If you want a fine and durable Ambrotype, a plain or colored Photograph, which are warranted not to fade, call at the Southern Photographic Temple of Fine Arts, corner of Deaderick street and the Square, over Browne’s.  The very best artists are employed in this Gallery, and being a permanent institution of this city, you will be sure of not being humbugged, as you certainly will be by those noisy and peddling picture makers.  Satisfaction given to every customer or no charge made.  Chas. C. Giers.                                              

Advertisement ran from December 4, 1859 to January 10, 1860.

1860 October 31.  Daily Union And American.  (Nashville, Tennessee.)  October 31, 1860, Vol. XXV, No. 172, P. 3.

Photographs Of Mr. Yancy.  The only true likeness of Mr. Yancy is on exhibition at Giers’ Gallery, being the only Gallery Mr. Yancy visited in this city.  Copies for sale.

Advertisement ran from October 31 to November 2, 1860.

1861 April 3.  Daily Nashville Patriot.  (Nashville, Tennessee.)  April 3, 1861, Vol. XXII, New Series No. 636, P. 2.

The Fine Arts Are about to assume a new attitude in this our goodly City of Rocks.  The Brass Jeweler and the Artist have doubled teams, and on the payment of a few paltry dollars the inexperienced individual, unto whom “ye elephant” is an entire stranger, is permitted to carry home to his anxious friends and family, not only a “magnificent” counterfeit presentiment of himself, but also a splendid set of—brass jewelry.  This is liberal, Cheap pictures amd brass jewelry. Alas, for the glory of the art.

It is a remarkable fact, that although Charley Giers is not making any presents of brass jewelry to his customers, his Gallery is nevertheless crowded daily with the beauty and fashion of the city; having made the fine arts his study, he has but little time left to attend to lottery humbuggery in order to increase his patronage, and is determined not to go into partnership with any Peter Funk’s establishment to try and break down those old respectable Jewelry Establishments in our city.  His pictures are executed in the highest style of the art, and at prices to suit the times.    

Upon the walls of his Gallery may be seen Photographs, Ambrotypes, &c., of many of the most distinguished men in Tennessee, and other States, to say nothing of innumerable beautiful and gifted women.  His establishment is the oldest in the city, and his pictures are second to none.

Call and see the many beautiful specimens on exhibition at corner Square and Deaderick street, over Browne’s.

Advertisement ran from April 3 to 18, 1861.

1863 October 7.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 7, 1863, Vol. II, No. 144, P. 3.

Military Gallery.  Our friend Mr. Giers, the skillful photographic artist of this city, has presented us with a collection of photographic cards of Generals in the Union army.  The pictures are faithful and very accurate.  Persons who desire to adorn their photographic Albums, with the faces of Grant, Meade, “Old Rosy,” Hooker and other chiefs, will do well to call on Mr. Giers.

1863 October 15.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 15, 1863, Vol. II, No. 151, P. 3.

Just received at Giers’ Gallery, corner of Union and College streets, a large lot of pictures for the Album, comprising most all our popular Generals, Statesmen, &c.  Call and see.

Ambrotype and Photograph material for sale cheap.

Advertisement ran from October 15 to 17, 1863.

1863 October 18.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 18, 1863, Vol. II, No. 154, P. 3.

Gallery of Fine Arts, Corner of Union And College Streets.  For fine life-like Ambrotypes, Photographs, from life size down to Carte de Visites, executed in the highest style of the art, either plain or colored, call at the above establishment, the largest and most extensive in the Southwest.  Albums, carte pictures of the Generals of both armies, in great variety, always on hand.  Call and see the finest and largest collection of pictures in the city.  Respectfully, T. F. Sallsman, Successor to C. C. Giers.

Gibbs, William

1851                Address Unknown, Syracuse, New York.[1]

1852                33 Hanover Arcade, Bastable Block, Syracuse, New York.

1853                98 Montgomery Street, Syracuse, New York.1

1852 August 5.  Religious Recorder.  (Syracuse, New York.)  August 5, 1852, Vol. IX, No. 14, Whole No. 431, P. 3.

Gibbs’, Daguerrean Gallery, No. 33, Hanover Arcade, Bastable Block.  Likenesses For 50 CTS.  May 13, 1852.


[1] Craig’s Daguerreian Registry.

Gibbs, Peter E.

1847                Nearly opposite the Franklin Hotel, Lynchburg, Virginia.

1847                Address Unknown, Richmond, Virginia.

1847-1848       Main Street, opposite Dr. Early’s Office, Lynchburg, Virginia.

1851                Main Street, Lynchburg, Virginia.

1854                Address Unknown, Petersburg, Virginia.

1854-1855       Next Door to the Virginia Bank, Lynchburg, Virginia.

1855-1859       Rooms at Corinthian Hall, Richmond, Virginia.

1847 April 5.  Lynchburg Virginian.  (Lynchburg, Virginia.)  April 5, 1847, Vol. XXV, No. 71, P. 3.

Daguerreotype Likenesses.  The subscriber would respectfully inform the citizens of Lynchburg and surrounding country, that he has taken the rooms nearly opposite the Franklin Hotel, formerly occupied by Mr. W. A. Retzer, and recently by Mr. J. H. Fitzgibbons, where he is prepared to execute Miniature Likenesses with all the latest and most important improvements.

Miniatures taken in any kind of weather, and all pictures warranted a fac-simile of the original.

Ladies and Gentlemen are invited to call and examine specimens of this beautiful art.

N. B.—Instruction given in the art on moderate terms.  P. E. Gibbs. 

Advertisement ran from April 5 to August 5, 1847.

1847 November 15.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 15, 1847, Vol. 7, No. [ ? ], P. 4.

Daguerreotyping.  The subscriber having taken the rooms recently occupied by Mr. Gibbs as a Daguerrean Gallery, is prepared to take Photographic miniatures upon a plan embracing all the latest improvement in this beautiful art.  Miniatures taken in clear or cloudy weather, and warranted a fac-simile of the original.  Ladies and Gentlemen are respectfully invited to call and examine specimens.  He will keep constantly on hand a supply of celebrated [Quick], and all other materials used in the art, which he will furnish to those wanting, on liberal terms.  Instructions given at reduced prices.  J. Ward.  August 12.

1848 November 13.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 13, 1848, Vol. 9, No. 43, P. 3.

Electro Daguerreotyping.  The subscriber would respectfully inform the citizens of Lynchburg and vicinity, that he has Just returned from Richmond where [ ? ] some time in the gallery of Mr. J. H. Whitehurst [ ? ] whose merit as an artist is well known [ ? ] [alon,)] for the purpose of improving him [ ? ]  Daguerreotyping and that he is now in possession of [all the] improvements of the art.

Mr. G. feels confident in saying that he can produce likenesses superior to any taken or exhibited in this community.  All that he asks is a call from those that may want a splendid picture of themselves or friends.  He invites particular attention to the brilliancy and life-like appearance of the eyes of his pictures. (which make one feel they are looking at the original and not the shadow,) as well as his new process of enameling.

Ladies and gentlemen are respectively invited to call and examine specimens at his gallery, opposite Dr. Early’s office, Main Street.  P. E. Gibbs.  Nov. 9.

1851 January 16.  Lynchburg Republican.  (Lynchburg, Virginia.)  January 16, 1851, Vol. 11, No. 68, P. 1.

The Latest Improvement.  Whitehurst’s Celebrated Daguerreian Galleries.  Highest premiums awarded at the late Fair of Maryland Institute for the latest improvements.

Main Street, Lynchburg, Bank Square, 77 Main St., Richmond, Sycamore St., Petersburg, Main St., Norfolk, 207½ Baltimore St., Baltimore, Pennsylvania Avenue, Washington, D. C., Broadway, New York.

The subscriber would respectfully inform the public generally, that he has recently returned from the North, where he has spent several days in each of the above Galleries.  Also, in [his other leading] Galleries in New York, Philadelphia and Baltimore, for the purpose of getting all the latest improvements in Daguerreotyping, and now having his Skylight arranged on the most improved and scientific plan, he is better prepared than ever to take likenesses, (equal to any) in all the latest styles, and in any kind of weather.

Feeling grateful for the liberal patronage heretofore received, he pledges himself to use all proper means to merit its continuance.  P. E. Gibbs, Ag’t for J. H. Whitehurst.

N.B.  Likenesses of every description copied, a large assortment of Lockets and medallions of superior beauty for Daguerreotypes always on hand.  P. E. Gibbs, Agt. Nov 4.

Advertisement was recorded on January 16 to July 21, 1851. 

Free Exhibition.—The subscriber having obtained at considerable expense, from Mr. Whitehurst’s Washington Gallery, Daguerreotypes of the following distinguished characters, most respectfully invites the public to call and examine them, in connection with a large number of his own production, at the Whitehurst Gallery.

President Fillmore, Gen. Winfield Scott, Wm, A. Graham, Gen. Franklin Pierce, Wm. R. King, Gen. Lewis Cass, Judge Stephen A. Douglass.  P. E. Gibbs, Proprietor.

Advertisement ran from August 10, 1852 to March 21, 1853.

1852 November 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  November 16, 1852, Vol. 1, No. 85, P. 2.

Whitehurst Gallery.—Another Great Improvement—The subscriber being determined to keep pace with all the improvements in his business, has erected a new and powerful Sky-light, which is so constructed as to enable him to produce pictures in a few seconds, without the heavy shades and contracted features usually attending the common Daguerreotype thereby preserving the eye with all its beauty.  The light being soft, yet very strong, is beautifully adapted to taking groups and children.

Having spared neither pains nor expense in fitting up his Gallery, which is now elegantly furnished and beautifully arranged, it is one of the most attractive places in the city.

He respectfully ask a continuance of that patronage which has been so liberally bestowed upon him, for which he tenders his sincere thanks, and pledges himself to use all means in his power to please all that call on him, whether they want pictures or not.

Pictures taken in cloudy as well as clear weather, and perfect satisfaction guaranteed in all cases, or no charge.

Gallery next door to Virginia Bank.  P. E. Gibs, Proprietor.

N. B.—A fine assortment of Lockets and Pins always on hand, which will be filled with pictures very cheap.  P. E. G.

Advertisement ran from November 16 to December 24, 1852. 

1853 February 9.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 9, 1853, Vol. 1, No. 158, P. 3.

At a regular meeting of Virginia Encampment of Patriarchs, No. 8, I. O. O. F., held this evening Feb. 3, 1853, the following preamble and resolutions were unanimously adopted:

Whereas, in the death of our late brother E. H. Atkinson, our mystic circle has been deprived of a member, whose prospects for a long and useful life were apparently fairer than a majority of those with whom he was associated, therefore, by this and afflictive dispensation of providence, we are again forcibly reminded of the fact, “that in the midst of life we are in death.” And are solemnly admonished, to give heed to our way’s, that when the summons shall come to us, we also, may be ready.  In the death of Bro. Atkinson, our order has lost a firm and true friend, and a faithful and consistent member, therefore be it

Resolved, That we sincerely  sympathize with the widow and friends of our deceased brother, in their sad bereavement.  

Resolved, That as a token of respect for our deceased friend and brother, the emblems and furniture of this Encampment, be clothed in morning, for the space of thirty days.

Resolved, That the Scribe be directed to present the widow of our deceased brother, with the copy of the above preamble [ ? ? ? ?], and that he have them published in [ ? ? ?  ?] city.

[ ? ] E. H. Folkes, S. S.  P. E. Gibs, C. P.

1853 February 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 16, 1853, Vol. 1, No. 164, P. 3.

Lockets, Lockets, Pins &c.—The subscriber respectfully informs the public that he has just returned from the North with an unusually large stock of Daguerreotyping material, embracing Frames, Cases &c., of the latest styles and patterns.  Also a large stock of Lockets and Pins, some extra fine made to order, which will be filled with pictures in the best style of the art, at low prices, according to quality, at Whitehurst Gallery, next door to the Va. Bank.  P. E. Gibbs, Proprietor.

N. B.—Paintings and Pictures of all kinds accurately copied.

Stock furnished at the lowest cash prices.  P. E. G.

Advertisement ran from February 16 to August 1, 1853.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—We invite attention to the advertisement of Mr. Gibbs.  Mr. G. is a native Virginian, and as polite and gentlemanly in his attention to visitors, as he is skillful in the exercise of his pleasing and useful art.  His pictures are unsurpassed, we believe we may say unequalled, by any we have ever seen.  He has recently returned from the North with improved apparatus and materials and is now prepared not to satisfy merely, but to delight all who want a perfect and lifelike picture of themselves.  His rooms are in the immediate vicinity of the banks, and will be found open to all, and a pleasant place for whiling away an idle half-hour.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—The subscriber would respectfully say that he is now taking pictures of the same style and finish as those taken by Whitehurst, which took the premium at the late World’s Fair, London, and at the last several fairs of the Maryland Institute.  All wanting accurate Daguerreotypes of themselves or friends, can get them by calling at his gallery.  None of your doubtful shadows, but a living fac-simile of self.  P.E. Gibbs.  Gallery next the VA. Bank.

N. B.—Pictures of all kinds accurately copied.  A large supply of Lockets and Pins constantly on hand, which will be filled cheap.  P. E. G.

Compliment To Whitehurst The Daguerreotypist.—The President of the United States, Millard Fillmore, as Chairman of the Central Committee, has sent Mr. J. H. Whitehurst a communication, informing him of the award of a Medal, &c., for his beautiful Daguerreotypes, exhibited at the late World’s Fair at London.—The compliment is fully merited as we can testify by actual personal observation.  If you want to get a perfect life-like picture of yourself or your friends, go to Whitehurst, who will give them to you in such admirable style that you’ll hardly know yourself from the picture.—[Baltimore Argus.

1853 April 25.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  April 25, 1853, Vol. 1, No. 222, P. 2.

Stereoscopic or Solid Daguerreotypes.—The Public are respectfully invited to call and examine specimens of this new and beautiful style of Photography, together with a large collection of other specimens taken by “Gibbs.”

Truly a Southern Artist—a native Virginian.  Gallery next door to the Va. Bank.  Peter E. Gibbs, Proprietor. 

Advertisement ran from April 25to August 1, 1853.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

Advertisement was recorded sixteen times between February 4 and August 19, 1854.

1854 September 16.  Greenbrier Weekly Era.  (Lewisburg, Virginia.)  September 16, 1854, Vol. IV, No. [ ? ], P. 4.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

1854 October 26.  The Daily Dispatch.  (Richmond, Virginia.)  October 26, 1854, Vol. IV, No. 322, P. 4.

Petersburg Fair…Second Day…notes…P. E. Gibbes, Daguerreotypes from his establishments in both Petersburg and Lynchburg.

1854 October 28.  The Daily Dispatch.  (Richmond, Virginia.)  October 28, 1854, Vol. IV, No. 305, P. 3.

Petersburg Fair.  Fourth Day.  Petersburg, Oct. 27, 1854…List of Premiums Awarded at the Union Fair of Virginia and North Carolina…Discretionary Premiums.—….$2, to G. B. Jones & Co., Petersburg; for specimens of daguerreotyping, $5 each, To Messrs. P. E. Gibbes of Lynchburg and White of Petersburg;

1854 November 17.  The Daily Dispatch.  (Richmond, Virginia.)  November 17, 1854, Vol. IV, No. 322, P. 4.

List of Premiums Awarded At The Fair Of The Mechanics Institute.—Class No.  43—Daguerreotypes and Materials.

No. 4.  J. H. Whitehurst, for photographs and Stereoscopes:              silver medal.

No. 3.  M. P. Simons, for plain daguerreotypes:                                silver medal.

No. 2.  P. E. Gibbs, for lot of daguerreotypes:                                   1st class diploma.

1855 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1855, Vol. VIII, No. 90, P. 2.

To Mr. M. P. Simons—Sir: Unless you discontinue the use of the word Ambrotype to your card. [which is my property as applied to Glass Pictures.]  I shall proceed at once to require you to show cause why you infringe on my rights.  P. E. Gibbs.

A Card To The Public.—The Ambrotype is a patented picture, made by the use of two plates of glass hermetrically sealed together, sealed together, which patent belongs to the subscriber exclusively in this city, and can be made by no other person.  There will be [    ] on the public a picture on single glass in imitation the genuine, which is only necessary to compare to see its inferiority.

My Rooms, in Corinthian Hall, will be opened in a few days, where the genuine Ambrotype will be produced in its greatest perfection.  P. E. Gibbs.

We publish elsewhere the farewell card of Mr. P. E. Gibbs, who leaves this city for Richmond.  We can but express regret at the departure from us of so accomplished an artist and worthy citizen as Mr. G. [      ] congratulate the people of Richmond on his accession to that city.  As a daguerrean artist we regard Mr. Gibbs as without a superior anywhere.  He leaves the assurance that his place will be well filled in the person of his successor, Mr. Keagy.—Lynchburg Virginian, Oct. 12.                                                                                           

1855 October 29.  The Daily Dispatch.  (Richmond, Virginia.)  October 29, 1855, Vol. VIII, No. 102, P. 2.

Great Attraction At Corinthian Hall.—The subscriber respectfully informs the public at large, that he has fitted up rooms in the above Hall, for the purpose of conducting the Photographic Art in all its branches, and is now prepared to furnish pictures in every style of the art known in this country or Europe.  He calls especial attention to his new style Pictures, or Ambrotypes, on glass, far exceeding in beauty and durability any thing before made.  These Pictures are not reversed as Daguerreotypes are, and may be seen in any light.  They are imperishable, being hermetically sealed between glass plates, which sealing is secured by Letter’ Patent, in the United States and Europe, and owned in this place by Gibbs only.

These Ambrotypes are pronounced, by competent judges, to be the grandest achievement in the Photographic art, having a relief and clearness truly astonishing.  Made from the smallest to life size.

Ambrotype Stereoscopes must be seen to be appreciated, the relief being fully as perfect as life.

Also Mezographs or Pictures on Paper, from life.  These are equal to the finest engravings, and more accurate in detail.  Any number from a single sitting—from one to a thousand—either plain or colored, in water or oil.

Citizens and strangers are invited to call and examine specimens in the various branches, as they are assured of polite attention and superior Pictures.  P. E. Gibbs.

P. S.—In Ambrotypes the style of drapery or the color of the eye makes no difference, as all are equally well taken.  Daguerreotypes copied into Ambrotypes and made permanent.  P. E. G.   

Advertisement ran from October 29 to 30, 1855.

1855 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1855, Vol. VIII, No. 125, P. 2.

A Card.—The Subscriber respectfully informs the public that his Gallery is now open for visitors, in Corinthian Hall, where he is prepared to furnish the Ambrotype, Mezograph and Daguerreotypes in a style superior to anything of the kind yet offered in this place.

Having the exclusive right to make Ambrotypes in this city, I shall prosecute to the extent of the law all persons infringing the same.  P. E. Gibbs.      

Advertisement ran from November 24 to December 17, 1855.

1855 November 30.  The Daily Dispatch.  (Richmond, Virginia.)  November 30, 1855, Vol. VIII, No. 130, P. 1.

Infringing a Patent.—In the U. S. Circuit Court, for the eastern district of Virginia.  Judge Halyburton presiding, an application has been made by Mr. P. E. Gibbs for an injunction to restrain Mr. M. P. Simons from infringing a patent for making ambrotype pictures, of which Gibbs is assignee.—In consequence of the delay in receiving papers from the Patent Office in Washington, the case was adjourned until Thursday next, when it will be taken up and argued at length, by A. Judson Crane, Esq., for the complainant, and Messrs. August and Randolph for the respondent.

1855 December 7.  The Daily Dispatch.  (Richmond, Virginia.)  December 7, 1855, Vol. VIII, No. 136, P. 1.

U. S. Circuit Court, Judge Halburton presiding.  The case of Gibbs vs Simons, on an application for and injunction to prevent the respondent from making ambrotype pictures in violation of the plaintiff’s patent, and for a trial by jury to have the facts in the case decided upon, was argued yesterday by Mr. A. J. Crane for the plaintiff, and Messrs. August and Randolph for the defendant.  At the close of the argument the Judge took time to render his decision.

1855 December 12.  The Daily Dispatch.  (Richmond, Virginia.)  December 12, 1855, Vol. VIII, No. 140, P. 1.

In the U. S. Court, yesterday, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  Evening Star.  (Washington, District of Columbia.)  December 14, 1855, Vol. VI, No. 919, P. 2.

In the U. S. Court, at Richmond, on Tuesday last, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  The Daily Dispatch.  (Richmond, Virginia.)  December 14, 1855, Vol. VIII, No. 142, P. 2.

Strayed Or Stolen—From the subscriber’s door, in the last few days, several Ambrotypes, in fine gilt frames.  It is a fact worthy of remark, that Gibb’s Ambrotypes are perfect gems of art, but he had no idea that they were so much of life as to leave without his consent.  Any one apprehending and returning them to me, will be rewarded.

The public are invited to call at Gibbs’ Ambrotype Gallery (Corinthian Hall) and secure one of his inimical Pictures, which are receiving the highest encomiums from the multitudes that daily throng his rooms.  Remember that this is the only place at which the genuine Ambrotype can be obtained.  None genuine without the patent stamp.  P. E. Gibbs.        

Advertisement ran from December 14 to 17, 1854.

1855 December 21.  The Daily Dispatch.  (Richmond, Virginia.)  December 21, 1855, Vol. VIII, No. 148, P. 2.

A Humbug, Verily—One that pretends to have what he has not.  But not so with Gibbs and his Ambrotypes, as evidenced by the many beautiful specimens with which his Gallery abounds, and with which he is daily furnishing his customers.  He challenges comparison of his Ambrotypes with Flesh tint or any other types, produced in this or any city in the Union.  He guarantees entire satisfaction in every instance, or the money refunded even after the pictures are taken home.

P. E. Gibbs, Ambrotypist, Corinthian Hall, between 9th and 10th sts.

Advertisement ran from December 21 to 31, 1855.

1855 December 31.  The Daily Dispatch.  (Richmond, Virginia.)  December 31, 1855, Vol. VIII, No. 142, P. 2.

Stop!  Mr. M. P. Simons, not quite so fast, but wait until a jury of your peers shall decide (which will soon take place) whether you can continue making your imitation Ambrotypes, before you bragg so high.

The public are informed that the genuine Ambrotype can only be obtained at my Gallery, where I guarantee to furnish better Ambrotypes than he that boast so much, in every instance, or no charge made.

Gallery Corinthian Hall.  P. E. Gibbs, Ambrotypist.                                    

Advertisement ran from December 31, 1855 to January 11, 1856

1856 January 8.  The Daily Dispatch.  (Richmond, Virginia.)  January 8, 1856, Vol. IX, No. 7, P. 2.

Imitation Ambrotypes, as Mr. Gibbs calls them, are liked by all who see them much better than the genuine article.  Mr. Gibbs, however, is an exception to this rule.  He says that they are not so good.  We will now see whether he really believes what he says, by putting him to the test.  The test shall be a forfeit of $100, that he cannot make a superior Ambrotype of any subject that we can.  But we would like this to be understood, that if we beat him, he must not talk any more about infringements, but be satisfied with the opinion of the judge, that that there is no infringement.  To us it seems quite ridiculous in Mr. Gibbs to say that ours is only an imitation, and then to accuse us of an infringement.  M. P. Simons, Ambrotypist.                 

Advertisement ran from January 8 to 15, 1856.

1856 January 12.  The Daily Dispatch.  (Richmond, Virginia.)  January 12, 1856, Vol. IX, No. 11, P. 2.

A Card.—P. E. Gibbs, Esq.—Dear Sir:  At your request, I state that no judge has decided that Mr. Simons is not infringing your Ambrotype patent.  So far from that being correct, the case is still pending at the instance of Judge Halyburton himself, in order to have the question tried by a jury the judge not being acquainted with that sort of business, as he could not be expected to be; and this is the familiar practice in such cases.

A. Judson Crane, Richmond, Jan. 11, 1856.

Mr. P. E. Gibbs—Dear Sir:  As Mr. M. P. Simons seems to doubt the truthfulness of your statement made in the Dispatch of the 9th instant, I hereby certify that I handle your note of the 8th inst. To Mr. M. P. Simons.  He declined your proposition by saying that you knew he was not prepared, but insisted on the forfeit of one hundred dollars.  My reply to him was, that you were not a betting man, but that I would take the forfeit for you; which he declined, by saying that it was not convenient for him to put up one hundred dollars at that time.  To which I proposed to him to make a note at from one to six months, which he also declined, thereby backing out from his own challenge.

Yours respectfully, John W. Davies.  January 11, 1856.                                               

Advertisement ran from January 12 to February 1, 1856.

1856 January 26.  The Daily Dispatch.  (Richmond, Virginia.)  January 26, 1856, Vol. IX, No. 23, P. 2.

The Patent-Right Man and his Pet Card.—Our attention has frequently been called to a pet card of this man, which has appeared and reappeared so often in the Dispatch; and although it purports to have been written by his friend, it is too much like his former productions, to be attributed to another.  Its style and language is so natural to him, that to find fault with him for it, would be equivalent to finding fault with a hog for grunting, or an ass for baying.  It is natural for them, and we have no idea of condemning them for it.  M. P. Simons.                         

Advertisement ran from January 26 to 29, 1856.

1856 January 30.  The Daily Dispatch.  (Richmond, Virginia.)  January 30, 1856, Vol. IX, No. 26, P. 2.

Unparalleled Humbugging.—In Sept., 1855, I commenced making Ambrotypes.  It was not long after this, before a man—who was verdant enough to pay for a right to use two glasses—came to the city, and seeing that my pictures were superior to his, became quite uneasy, and was at a loss for a plan to prevent me making them.  At last he hit upon one, as he thought, and the public were surprised with a blustering card, threatening me with prosecution for using the word Ambrotype—humbug the first.—This fruitless attempt of his to frighten me off led me to an investigation of Cutting’s patent, by which I found that he had no more right to the exclusive use of two glasses than he had to the word Ambrotype.  I accordingly used two glasses whenever it suited my purpose better than one.  This gave the patent man still greater uneasiness; and he attempted again to frighten me, by asking for an injunction, in which he failed—humbug the second.  After finding that he could not monopolize the art to himself, he came out again in a card; telling the public that I still infringe upon his patent; but before he gets through he contradicts himself, by saying that I only imitate the genuine; a strange anomaly—humbug the third.  For if mine only imitated, and are so inferior to his, why object to my making them?  And if genuine, and an infringement of the patent, why not have it decided at once—whether it is a patent right or a patent wrong?  But no, he is not satisfied with humbugging himself, but must get his counsel to help him; who says in a standing card, that “the question will be tried by a Jury, the Judge not being acquainted with that sort of business”—Who ever heard before that a jury was more competent to decide a question of law than a Judge?  M. P. Simons.             

Advertisement ran from January 31 to February 4, 1856.

1856 January 31.  The Daily Dispatch.  (Richmond, Virginia.)  January 31, 1856, Vol. IX, No. 27, P. 1.

Spoiling Pictures.—We understand that Messrs. Simons and Gibbs, picture makers, came in collision on Eagle Square yesterday morning, and made an effort to disfigure each others profiles, but were prevented from doing so by the interposition of bystanders, who separated them.  These gentlemen have been pitching into each other, through the newspapers, for several weeks.  Which of the two has had the best of that fight, the public can decide.

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Messrs. Editors—Please allow me a small space in your columns for the purpose of bringing more fully before your numerous readers the new and beautiful Ambrotypes produced by Mr. P. E. Gibbs, at his gallery in Corinthian Hall, which is now admitted by all who visit it to be one of the most attractive places in the city, being handsomely fitted up, and the walls already hung with many familiar faces, which look more like things of life than any style of Photographs it has ever been my good fortune to behold.  Unlike the ordinary Daguerreotypes which can only be seen in a certain position, the Ambrotypes can be seen in any light—nor does it reverse the face, but makes it natural; and being put up on scientific principles, there is no question but it is, as the name indicates, imperishable.  I am not, Messrs. Editors, in the habit of puffing, nor do I regard this as such, but am only speaking of facts; for where true merit and genius are that article (puffing) is not necessary, especially when that genius has grown and been educated among us.  Mr. Gibbs is a Virginian in every sense of the word—raised in our midst, and that he possesses true genius, no one that is acquainted with, or examines the productions of his skill, can for a moment doubt.  All therefore who wish to have a fac simile of themselves or friends handed down to future generations, will do well to give Mr. Gibbs a call and be assured of a polite reception from himself and assistants.  An Admirer Of Genius.                             

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Gibbs’ Gallery.—The gallery of Mr. Gibbs in Corinthian hall, is one of the neatest in the city, and decidedly one of the most attractive, from the splendid specimens of Ambrotypes, the new and beautiful improvement in the Daguerreotyping art, there exhibited.  His long experience and skill in his profession render him peculiarly worthy of encouragement; while the air of elegance which distinguishes his establishment makes it more than ordinarily inviting.  If you wish to procure a true likeness, or examine those of others, call upon Mr. Gibbs.                 

Advertisement ran February 2 & 4, 1856.

1856 February 16.  The Daily Dispatch.  (Richmond, Virginia.)  February 16, 1856, Vol. IX, No. 41, P. 2.

Gibbs’ Gallery for patent Ambrotypes and Photographs, of Every Size And Description.—Daguerreotypes copied into Ambrotypes and made permanent, or if desired, to life size on paper, retaining the perfect likeness, and painted by first-class artists, making a most beautiful and desirable style of portraits.

Ambrotypes in lockets, pins, cases, and frames of all descriptions.   

P. E. Gibbs, Corinthian Hall, Main street, below 9th, Richmond.                 

Advertisement ran from February 16 to October 14, 1856.

1856 June 1.  Photographic and fine Arts Journal.  (New York, New York.)  June 1, 1856, Vol. IX, No. 6, P. 217.

In an article entitled the Photographic Galleries of America.  Number Three, Richmond. The author visited 7 Galleries in Richmond.

Gibbs.—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward. I would recommend him to study Qulian on positions. How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.

1856 June 28.  The Daily Dispatch.  (Richmond, Virginia.)  June 28, 1856, Vol. IX, No. 150, P. 2.

There have been many improvements made in the wonderful invention of Daguerre, since that ingenious Frenchman first discovered the property of light in making pictures.  The most pleasing and remarkable of them all is the Ambrotype, by which glass is substituted for silver as the tablet for receiving the impression.  We looked in, a day or two ago, at the rooms of Mr. Gibbs, in Corinthian Hall, on Main street, and were much struck with the exceeding beauty and delicacy of his specimens of the ambrotype there on exhibition.  Many of our prominent citizens, including some of the most eminent clergymen and members of the bar, with his Honor the Mayor, may be found in Fac Simile at Mr. Gibbs’ gallery, which our country friends will find a pleasing place to visit when in Richmond.—Rich. Whig.

1856 July.  Photographic And Fine Art Journal.  (New York, New York.)  July 1856, Vol. IX, No. 7, P. 217.

The Photographic Galleries Of America III.  Richmond, July 1, 1856…

Gibbs—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward.  I would recommend him to study Qulian on positions.  How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.     

1856 August 26.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 26, 1856, Vol. 5, No. 21, P. 4.

A Card.—Having sold my interest in the Daguerrean Gallery, in this place. To Mr. James Keagy, I would respectfully recommend to the favorable attention of the public as a skillful Artist, and a gentleman on whom they may rely.  Come, then, and secure one of his inimitable Ambrotypes, which can only be procured of him in this city.

In taking my leave, I would return thanks for the liberal patronage and kind attention received from a generous public, during a residence if over eight years.  P. E. Gibbs.  oc 12.

1856 September 18.  The Daily Dispatch.  (Richmond, Virginia.)  September 18, 1856, Vol. X, No. 69, P. 2.

A Card.—We, the undersigned, members of the Richmond Instrumental Musical Club,…

P. E. Gibbs, Violoncello.

1856 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1856, Vol. X, No. 102, P. 2.

Notice to the Public.—Do not put too much confidence in the self-puffing so common with Daguerreotypist, but rest assured  that any real (not imaginary) improvement in the beautiful art of Photography will be introduced by Gibbs as soon as it makes its appearance; but for the present, he confidently asserts that there is nothing in this city comparable for beauty or durability with the Ambrotype, (or—“Balsom Picture.,” as called by some,) as made by Gibbs, which fact is the reason of so many professed improvements which have appeared in sundry cards of late.  We can furnish any style Picture in the art.  all we ask is a call, and examine specimens, to convince any one of the truth of our assertion.  Gallery, Corinthian Hall, between 9th and 10th sts.  P. E. Gibbs.                                                                                   

Advertisement ran from October 15 to December 2, 1856.

1856 November 11.  The Daily Dispatch.  (Richmond, Virginia.)  November 11, 1856, Vol. X, No. 125, P. 1.

Awards Of The Mechanics’ Institute.  Made November 8, 1856….Class No. XLIII—Ambrotypes, Photographs, Daguerreotypes and Materials.

Ambrotypes, by Peter E. Gibbs, a silver medal.

Photographs, by J. H. Whitehurst, first class diploma.

Photographs, by D. Bendann, second class diploma.

1856 November 29.  The Daily Dispatch.  (Richmond, Virginia.)  November 29, 1856, Vol. X, No. 141, P. 2.

Remember The Fact that Gibbs was awarded the highest premium (a silver medal) at the last exhibition of the Mechanics’ Institute, for superiority of his Ambrotypes over all sun pictures on exhibition; but a still higher reward he is receiving from a daily increase of his business, which proves that his efforts to establish a first class Gallery, has met with the approbation of a generous public.

He respectfully announces that, in order to meet the demands of his business, he has increased his force.  Having now in his employ a superior Artist, he is prepared to furnish Photographs, from small to life size, colored in oil, water or pastel, which he warrants for accuracy and beauty of finish, equal to the best paintings in the country.  The public are respectfully invited to call and examine specimens.

Gallery, Corinthian Hall, between 9th and 10th, Main street, Richmond.  P. E. Gibbs, Proprietor.

P. S.  These Photographs can be enlarged from small Miniatures, Daguerreotypes or ambrotypes, to life-size.  P. E. G.                           

Advertisement ran from November 29 to January 3, 1857.

1856 December 19.  The Daily Dispatch.  (Richmond, Virginia.)  December 19, 1856, Vol. X, No. 158, P. 2.

Gibbs’ Gallery.—We visited the establishment of Mr. P. E. Gibbs, on Main street, yesterday, and examined the various specimens of the daguerrean art which decorate his reception saloon.  We will be sustained by all who have seen these evidences of Mr. G.’s artistic skill, in saying that his ambrotypes and colored photographs are the ne plus ultra of excellence.  The former, for their superior delicacy and fidelity to nature, especially excited our admiration.  The coloring artist of the establishment is Mr. Amen, who, though quite a young man, evinces a degree of professional skill which warrants the belief that he will yet attain a conspicuous position in the world of art.  The portraits of Mr. and Mrs. Gibbs, suspended in the gallery, were executed by him, and will compare favorably in smoothness of coloring and accuracy of likeness with the productions of more distinguished artists.  In taking these portraits, the camera is brought into requisition for tracing the outlines upon canvass, and then the artist has to rely upon his skill for retaining the likenesses, and imparting the natural expression.  They are furnished cheaper than the portraits taken in the ordinary mode, and look equally as well.              

1857 September16.  The Daily Dispatch.  (Richmond, Virginia.)  September 16, 1857, Vol. XII, No. 67, P. 2.

Look at This.—If you want a genuine Ambrotype, just call at Gibb’s Gallery, where he is now furnishing his customers, with the genuine double glass Ambrotype, (Warranted for beauty and durability, superior to any made,) at cheaper rates than any house in the city.

Our work is two well known to require any puffing from us.

Gallery, Corinthian Hall, between 9th and 10th, Main street.            P. E. Gibbs

Advertisement ran September 16 to December 7, 1857.

1857 December 8.  The Daily Dispatch.  (Richmond, Virginia.)  December 8, 1857, Vol. XII, No. 137, P. 3.

Where Shall We Get Our Likeness Taken!—At Gibbs’, of course, where ever one that wants a decent picture, and not a caricature, always go.  Besides, we have never been deceived by him with humbug advertisements.  As these are sentiments daily expressed and carried out by scores of persons, we take pleasure in saying that in addition to our inimitable Ambrotype, we are now executing Photographs, of a superior character, both plain and colored, which, for beauty of finish and accuracy of likeness, are equaled by few and surpassed by none.  Pictures of all kinds accurately copied and warranted to please, at moderate prices.—Ambrotypes at one dollar and upwards at Gibbs’ Temple of Art, Corinthian hall, Main street, between 9th and 10th.  P. E. Gibbs. 

Advertisement ran from December 8, 1857 to June 16, 1858.                                    

1858 January 7.  The Daily Dispatch.  (Richmond, Virginia.)  January 7, 1858, Vol. XIII, No. 6, P. 2.

$5 Reward.—Stolen from the door of my Gallery, within the last few days, several frames, containing Ambrotypes and Photographs—among them an Ambrotype of Miss Maggie Mitchell and Photograph of Mr. J. G. Wade, recollected.  The above reward will be given for the detection of the thief.  P. E. Gibbs. Corinthian Hall.                                                             

Advertisement ran on January 7 & 8, 1858.

1858 June 18.  The Daily Dispatch.  (Richmond, Virginia.)  June 18, 1858, Vol. XIII, No. 144, P. 2.

Life Size Photographs.—The subscriber takes pleasure in announcing to his numerous patrons and the public at large, that he is now prepared to furnish Photographs from miniature to Full Life Size, either plain or colored, which, for accuracy and finish, he warrants equal, if not superior to any produced in this city, at less than the usual price.  Old Pictures copied and enlarged to any size.

Citizens and strangers are invited to call and examine specimens at Gibbs’ Temple of Art, Corinthian Hall, Main street, between 9th and 10th.  P. E. Gibbs.

P. S.—If you want a genuine Ambrotype, this is the lace to get it, where you will neither be humbugged in price or work, Also melainotypes, or any other Picture in the Photographic Art.

P. E. G.                                                                                                                      

Advertisement ran from June 18, 1857 to April 5, 1859.

1859 April 13.  The Daily Dispatch.  (Richmond, Virginia.)  April 13, 1859, Vol. XV, No. 88, P. 2.

Ambrotypes And Photographs.  Having purchased the Fine Art Gallery in Corinthian Hall. recently occupied by P. E. Gibbs, I respectfully solicit a call from all who wish to obtain a good Likeness of themselves or friends, before purchasing elsewhere.  Having employed one of the best artist in America, I deem it unnecessary to say more than guarantee satisfaction, or no charge.  Respectfully, J. Thos. Smith                                                                                     

Advertisement ran from April 13 to 16, 1859.

Getchell, William H.

1854-1864       299 ½ Washington Street, Boston, Massachusetts.

1864                163 & 173 Washington Streety, Boston, Massachusetts.

1866-1872       375 Washington Street, Boston, Massachusetts.

1874-1900       Address Unknown, Boston, Massachusetts.

1853 August 4.  The Boston Daily Mail.  (Boston, Massachusetts.)  August 4, 1853, Vol. XIII, No. 183, P. 2.

Arrivals At The Principal Hotels Yesterday…

Quincy House…W. H. Getchell, Ogdensburg, N. Y.

1854 March 10.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 10, 1854, P. 2.

Gas Explosion on Washington Street—Two Persons Badly Injured.  Last evening, about 8½ o’clock, a dangerous accident occurred in the daguerreotype establishment of Messrs. Masury & Silsbee, 299½ Washington street, in the following manner: While in the process of forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use suddenly exploded, with so violent a concussion that the two persons who were standing upon it were thrown several feet distant and severely injured, while the entire glass of the large skylight and seven windows of the room was broken out, together with the sashes, and a rent made in the partition wall near where the bag laid, besides some other slight damage to the operating apparatus and fixtures of the room.

The explosion made a loud report, which was heard for a considerable distance, and the effect upon the six persons in the room was completely stunning; and it is quite remarkable that no more were injured, and that the destruction of property was not far greater.

The gas-bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding 70 gallons of hydrogen, with which it was about half filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gasses, as no fire came in contact.

Mr. Samuel Masury, one of the firm, and Mr. William H. Getchell, an operative in the establishment, who were standing on the bag, were thrown with great force, the one upwards to the ceiling, and the other across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  He was taken to his residence and is under the care of Dr. Bigelow, who sewed up his wounds, Mr. M. manifesting the greatest fortitude during the operation.  Mr. Getchell’s left ankle was fractured, and his right foot badly crushed.  He is under the care of Dr. Cabot.

Mrs. Masury and Mr. Silsbee were among the persons present in the room who escaped injury.  We learn that the accident will not occasion any interruption to the business of the enterprising firm, as their establishment embraces several other rooms.

1854 March 11.  The Boston Daily Atlas.  (Boston, Massachusetts.)  March 11, 1854, Vol. XXII, No. 215, P. 2.

The Gas Explosion.—It appears that the accident on Thursday evening at Messrs. Masury & Silsbee’s rooms, was caused by the burning of a large bag containing eighty gallons of Hydrogen gas, from the heavy pressure of weights, and of two gentlemen standing on it.  The experiment was to take daguerreotypes by means of the Drummond light, and the escaped gas instantly taking fire, exploded.  There were six persons in the room at the time, including Mrs. Masury. Mr. Silsbee was not injured, as stated yesterday, But Mr. Masury had one of his eyes actually blown from his head, while Mr. W. H. Getchell had besides many severe bruises, one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes, and were yesterday as comfortable as could be expected.

1854 March 11.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  March 11, 1854, Vol. CI, No. 7620, P. 2.

Local Matters.  [Report for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

The Gas Explosion.  We have already mentioned that a serious gas explosion took place at the “daguerrean gallery” of Messrs. Masury & Silsbee, No. 299½ Washington street, on Thursday evening.  It was Mr. William H. Getchell, and not Mr. Silsbee, that sustained a broken leg.  Mr. Silsbee, through present, escaped injury.  The accident occurred in this wise: While in the process forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use exploded with so violent a concussion that the two persons who were standing upon it—Messrs. Masury and Getchell—were thrown several feet.  Mr. Masury was thrown against the ceiling, and Mr. Getchell across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  Mr. Getchell’s left leg was fractured and his right foot badly bruised.  There six other persons, including Mrs. Masury, in the room at the time of the accident, but they escaped.  The Transcript states that “the gas bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding seventy gallons of Hydrogen, with which it was about filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gases, as no fire came in contact.”

1854 March 15.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 15, 1854, P. 2.

Recovering From Injuries.  Mr. Masury, the daguerreotype artist, is fast recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received severe bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

1854 March 15.  The Boston Herald.  (Boston, Massachusetts.)  March  15, 1854, No. 9572, P. 4.

Recovering From Injuries.  Mr. Masury, The daguerrean artist, is fact recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received several bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

[Reported for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

1857 March 14..  The Flag Of Our Union.  (Boston, Massachusetts.)  March 14, 1857, Vol. XII, No. 11, P. 5.

Marriages…By Rev Dr. Stow, Mr. William H. Getchell to Miss Sarah Hartwell.

1857 November 12.  Boston Daily Ledger.  (Boston, Massachusetts.)  November 12, 1857, No. 269, P. 2.

Notice.—The copartnership heretofore existing under the firm name of Masury, Silsbee & Case, is by mutual consent this day dissolved.  The business of the firm will be settled at the usual place, 299½ Washington street, by Jno. G. Case, who has sole authority to do so.  Masury, Silsbee & Case.  Boston November 10, 1857.

Notice.—The undersigned have this day formed a copartnership to carry on the Photographic and Daguerreian business, which will hereafter be pursued under the firm, name and style of Silsbee, Case & Co.  Geo. M. Silsbee, Jno. G. Case, Wm. H. Getchell.  Boston November 10, 1857.

Advertisement was recorded on November 12 & 14, 1857.

1858 June 2.  Boston Daily Ledger.  (Boston, Massachusetts.)  June 2, 1858, No. 431, P. 2.

299½ Washington street, Boston, June 1, 1858.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are, as ever heretofore, ready to execute their orders in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.

Advertisement was recorded five times between June 2 to 11, 1858.

1858 July 1.  Boston City Directory.  (Boston, Massachusetts.)  July 1, 1858, P. 47.  Published by Adams, Sampson & Co. 1858.

Silsbee, Case & Co.,   The Attention of the Public is Called Particularly To A New Style of Portraits, which we are now taking, called Photographs, Which are Daguerreotypes on Paper, canvas, or Glass, and are taken of all sizes, from the smallest, to life size, and colored in Oil, Water, or India Ink, far excelling in point of likeness all other styles of portraiture.  We are also making beautiful Daguerreotypes, which for clearness, style and beauty of finish, cannot be excelled.  To this branch of our business we respectfully call your attention.   Another style of Miniature which is pleasing to many, and in some respects preferable, is the Hallotype, which we are always prepared to take; and in either of the above branches of our Art, we will always give satisfaction. 

Our Gallery Is At 299½ Washington Street, Boston, And Is Up But One Flight Of Stairs.

Wm. Getchell, John G. Chase , Geo. M. Silsbee.

1858 September 4.  Boston Shipping List.  (Boston, Massachusetts.)  September 4, 1858, Vol. XVII, No.2, P. 4.

Silsbee, Case & Co.  Photographs and Daguerreotypes.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are as ever heretofore ready to execute their order in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.  je16. Advertisement was recorded six times between September 4 to October 2, 1858.

1860 April 27.  Manuscript Letter from William H. Getchell to Andrew Patch (Chris Steele’s Collection)

As a member of Silsbee, Case & Co. Photograph And Daguerreotype Artists, 299½ Washington Street, Boston wrote to Mr. Andrew Patch Harvard, Mass.  Dear Sir.  I will make duplicate photographs from any of those that I made for you for $1.00 with out frames or 2.00 with such frames as you had on those of yours for the Lodge at anytime that they may be wanted,

Respty yours, Wm. H. Getchell.

P. S. I have all the Negatives so they have just to send me the name of the ones they want.

1862 December 8.  Boston Morning Journal.  (Boston, Massachusetts.)  December 8, 1862, Vol. XXX, No. 9194, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

Advertisement ran from December 8 to 13, 1862.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Changes in Business in Boston.  Since our last we have the following changes in business, &c., to record:—

Silsbee, Case & Co., Photographers; dissolved; G. M. Silsbee retired; now—Case & Getchell.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

1863.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1863 January 2.  The Boston Herald.  (Boston, Massachusetts.)  January 2, 1863, P. 2.

The Lilliputian Queen of Beauty.  Cartes de Visite of Miss. Lavinia Warren, the lady in miniature, to whom Barnum offered $100 per week and was refused, taken only by Case & Getchell, 299½ Washington street.

Advertisement ran three times between January 2 to 5, 1863.

1863 January 3.  Boston Morning Journal.  (Boston, Massachusetts.)  January 3, 1863, Vol. XXX, No. 9216, P. 2.

Worth her Weight in Gold.  The only Cartes de Visite taken in Boston of the charming little beauty, Miss Warren, who caused such a sensation at the Parker House, were taken in all her various elegant costumes by Case & Getchell, 299½ Washington street.

1863 February 5.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 5, 1863, Vol. XXXV, No. 10,059, P. 2.

Elegant Photographs.  In passing through Washington street every person should notice a superb photograph, of Imperial size, of J. Wilkes Booth, now on exhibition in the window of Thompkins’ druggist store, at the corner of Winter street.  It is an elegant specimen of the art, being remarkably smooth and clear in outline and feature, and well worthy of examination.  The picture is from the studio of Messrs. Case & Getchell, (late Silsbee, Case & Co.) who have gained a well earned reputation for superior photographs and cartes de visites.

1863 February 12.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 12, 1863, Vol. XXXV, No. 10,065, P. 2.

Lilliputian Wedding.  Cartes De Visite of Mr. & Mrs. Gen’l Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington st.

Advertisement ran five times between February 12 to 17, 1863.

1863 February 12.  The Boston Herald.  (Boston, Massachusetts.)  February 12, 1863, P. 2.

Lilliputian Wedding.  Carte de Visites of Mr. and Mrs. Gen Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington street.

Advertisement ran from February 12 to 16, 1863.

1863 April 4.  Boston Morning Journal.  (Boston, Massachusetts.)  April 4, 1863, Vol. XXX, No. 9293, P. 2.

Extensive Alterations.  The late fire, by which Messrs. Case & Getchell, the celebrated photographers at 299½ Washington street, were so seriously inconvenienced, is after all to be productive of considerable good.  With characteristic centerpiece those gentlemen have improved the opportunity to completely refit, somewhat enlarge, and make more attractive than ever their popular rooms.  For several years past they have done a very large business, and step by step were obliged to enlarge the sphere of their operations.  An additional room on the right of their reception gallery was first taken, then a large building at the rear was wholly occupied, and more recently another apartment, for the accommodation of a second operator, was opened.  These are the natural results of unusual capacity, as well as of marked loyalty to their own obligations and the wants and tastes of customers alike.  Their rooms, as they look now—enlarged, recarpeted, newly decorated, and richly embellished—could hardly be recognized by a person formerly frequenting them, and we think must be an object of considerable interest for some weeks to come.  If any one has a doubt of the remarkable popularity of this establishment, let him just step in at the first convenient moment and take a look at Messrs. Case & Getchelle’s “Engagement Book.”  

Buckley’s Serenaders.  New Minstrel Hall.  Corner of Summer and Chauncy streets.  Change of Time.  Evening at 7½; Saturday at 2¼ .

Laughing Song—Polka D’Afric—Lisping Song—The Happy Octogenarian—Gold vs. Postage Stamps—Billy Paterson—The Much Abused Trovatore.

Opera Week.  Case & Getchell.

Doors open at 6 in the evening; Saturday afternoon at 1.  Ticket office open from 10 A. M. to 1 P. M.  Tickets 25 cts.  Reserved Seats 50 cts.

1864.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1864 February 8.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 8, 1864, Vol. XXXVI, No. 10,368, P. 3.

Major General Burnside and McDowell have visited the Photographic Galleries of Messrs. Case & Getchell, and J. W. Black, the last week, where several fine portraits in cabinet and card size have been taken.  The cabinet size of both are excellent.  That taken by Mr. Black can be seen at the store of Messrs. J. E. Tilton & Co., and the other at Messrs. Case & Getchell’s.  The card pictures of both artists are also very fine.

1864 March 2.  Boston, Daily Advertiser.  (Boston, Massachusetts.)  March 2, 1864, Vol. 103, No. 52, Whole No. 15,450, P. 1.

Fire.—The alarm about 1 o’clock yesterday afternoon was caused by fire in the photograph rooms of Messrs. Case & Getchell, No. 299½ Washington street.  A bottle of collodion was accidentally dropped in the chemical room, and the fumes instantly ignited from the gas, filling the apartment at once with flame.  Messrs. W. H. Getchell, Asa B. Eaton and Edwin Gossam were burned in the hands and face, the first two quite seriously.  The damage to the establishment is slight.  

1864 March 2.  Boston Herald.  (Boston, Massachusetts.)  March 2, 1864, P. 4.

Explosion And Accident In A Photographic Saloon.  The alarm of fire at twenty-five minutes before one o’clock, this afternoon, proceeded from a slight fire in the photograph rooms of Case & Getchell, No. 299½ Washington street.  The fire was caused by an explosion of chemicals in the “dark room” of the establishment, and we regret to say that several persons were injured thereby.  Mr. A. B. Eaton, one of the operators was badly burned about the face and hands, being in the room at the time.  Mr. Wm. H. Getchell, of the firm of Case & Getchell, had his hands badly burned and his hair scorched, and a young m,an named Edwin Gossam also had his hands burned.  Several other persons, one of whom was Mr. R. Bishop Buckley, of Buckley’s Minstrels, who chanced to be in the operating rooms, narrowly escaped serious injury.  The fire was put out with a few buckets of water, and the damage to the building was comparatively small.

1864 March 2.  Boston Morning Journal.  (Boston, Massachusetts.)  March 2, 1864, No. 9577, P. 4.

Fire And Accident.  An alarm about half-past 12 o’clock yesterday afternoon, came from the photograph saloon of Messrs. Case & Getchell, 299½ Washington street, and was caused by the accidental ignition of some chemicals, in a room in which were several persons at the time.  The fire was extinguished with but little damage to the building or stock, but Messrs. Wm. H. Getchell, Asa B. Eaton and Edwin Gossin (sic.) were burned about their faces and hands, the two first named quite severely.   

1864 June 15.  Boston Herald.  (Boston, Massachusetts.)  June 15, 1864, P. 3.

Notice.  All persons having unsettled accounts with the firm of Case & Getchell, Photographers, 299½ Washington street, are requested to make immediate payment, as our business must be closed by July 1st, 1864, on account of the removal of the building.

Photographic Partnership.  It will be seen by reference to an advertisement in another column, that the firm of Case & Getchell has been dissolved and that a new copartnership has been formed between J. W. Black and J. G. Case, under the title of Black & Case.  The Combination, in one firm, of two such eminent photographers, cannot but have a marked effect in attracting business to their establishment.

Dissolution Of Copartnership.  The Copartnership heretofore existing between the subscribers, under the the style of Case & Getchell, is this day dissolved by mutual consent.

Either party is authorized to settle the partnership business and may be found at 163 and 173 Washington street, at the establishment of Black & Case.

All persons indebted to said late firm of Case & Getchell are requested to make immediate payment as above.  J. G. Case, W. H. Getchell.

Business Changes,  In Boston…

Case & Getchell, Photographists, dissolved.  J. W. Black and J. G. Case for a new firm under the style of Black & Case.

Important Notice.  We beg to announce that we have purchased the entire Stock of Photographs published by the late firm of Case & Getchell, and we have also completed arrangements with the well known and justly celebrated Artists, Black & Case, (J. W. Black)  (Case & Getchell) for the Exclusive Sale of their large collection of Photographs.  In addition to our already Extensive Catalogue, this will make the Largest Photograph List In The United States.  Trade and Agents supplied at lowest market prices.  John H. Bufford & Sons, Printsellers, Publishers & Lithographers, [213] Washington st., Boston, Ma.

–The interests of two of the largest and most popular firms engaged in the photograph business in Boston, have recently been united.  The form of Case & Getchell having been dissolved and a new firm formed by Mr. John G. Case and J. W. Black, under the style of Black and Case, Mr. Getchell assuming superintendence of an important speciality (sic.) in the new firm.  Both of these parties have attained a high reputation in the photographic art, and a stronger combination of skill, latest improvements and experience cannot be imagined.  All negatives, &c, of Case & Getchell, can be found at the establishment of the new firm, No. 000 Washington street.

1865 September 16.  Commercial Bulletin.  (Boston, Massachusetts.)  September 16, 1865, VII, No. 349, P. 2.

Changes In Business In Boston…

Getchell & Brownell, Photographers; new firm—W. B. Getchell & A. C. Brownell.

Brownell & Cahill, Photographers; dissolved.

1865 September 20.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXXVII, No. 10,864, P. 2.

Opening Of The Mechanic Fair.  This exhibition of the mechanic arts begun at noon today, with every indication of its being a thorough success.,,

Six tables have been placed on the floor of the hall, the sides of which have been divided into twelve alcoves.  Alcove 8 to 12 inclusive, on the north side, are devoted to specimens of the skill of our photographic artists, as follows:

No. 8—Messrs. Black & Case;

No. 9—Augustus Marshall;

No. 10—E. L. Allen;

No. 11—J. A. Whipple;

No. 12—Getchell & Brownell.

1865 September 23.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  September 23, 1865, Vol. 125, No. 8824, P. 1.

Mechanics’ Fair Tenth Exhibition of the Massachusetts Charitable Mechanic Association…

Section Two…

The entire east side of the hall is occupied by the exhibition of photographs, embracing five (sic.) collections from Black & Case, Fuller & Smith, A. Sonrel, T. R. Burnham, E. S. Allen, J. A. Whipple, Getchell & Brownell, S. Masury, and John P. Soule.

1865 September 27.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 27, 1865, Vol. XXXVII, No. 10,870, P. 5.

Tenth Exhibition Of American Manufactures, New Inventions & Work Of Art, Under The Direction Of The Massachusetts Charitable Mechanics Association, At Faneuil And Quincy Halls…

Alcove No. Twelve.  Samuel Masury has several beautiful specimens of Painting on Porcelain which are worthy attention.  Messrs. Getchell & Brownell display Photographs of excellent finish—amongst them, views of the Old Mill at Newport, Niagara Falls, and Suspension Bridge; also a case of Card Photographs, one of which represents an open book,—the execution of the picture being so clear that the page can be read without the aid of glasses.  The book has a book-mark in it with the motto “Firm and True;” underneath are the Square, the Rule, and the Compass.

1866.  Boston Directory.  (Boston, Massachusetts.)  P. 634. 

W. H. Getchell, (Late firm Case & Getchell), Photographic Artist, 375 Washington Street, Boston, Next Door South Of Adams House.

Special attention given to taking pictures of Children, without extra charge.  Daguerreotypes and Ambrotypes copied and enlarged to any desirable size.

1866 January 25.  Boston Evening Transcript.  (Boston, Massachusetts.)  January 25, 1866, Vol. XXXVIII, No. 10,970, P. 3.

The Copartnership heretofore existing between W. H. Getchell and A. C. Brownell, Photographers, is this day dissolved by mutual consent.  All business of the late firm will be settled by W. H. Getchell, at his rooms, No. 375 Washington st.

1866 February 24.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 24, 1866, Vol. XXXVIII, No. 10,996, P. 3.

W. H. Getchell.  375 Washington Street.  Pictures taken in all styles of Photographic Art.  Photographs, Porcelainotypes, Cartes De Visites or Pictures In Imperial And Life Size. 

The best Artists employed in finishing Photographs.  Satisfaction guaranteed to all customers.

1868 May 12.  Boston Herald.  (Boston, Massachusetts.)  May 12, 1868, P. 4.

Affairs About Home.  Report of the Grand Jury for Suffolk County reported this morning 75 bills of indictment…

John Dillon, larceny of photographic pictures, the property of Edward L. Allen, Wm. H. Getchell and John A. Whipple; also a watch and chain and banknotes belonging to Sarah B. Thayer.

1869 August 26.  Boston Evening Transcript.  (Boston, Massachusetts.)  August 26, 1869, Vol. XLII, No. 12,078, P. 2.

Crawford’s Beethoven In Music Hall is regarded as one of the very finest works of modern art.  Thousands have studied it, as it stands, representing the thoughtful majesty of the great composer.  A remarkably excellent photograph of this statue has been taken by W. H. Getchell, 375 Washington street.  It is printed with clearness and makes a beautiful picture.  Copies are for sale by Mr. Alfred P. Peck, the owner of the copyright, at the ticket office of the hall.

1872 July 30.  Boston Herald.  (Boston, Massachusetts.)  July 30, 1872, P.1.

By Albert Howe, Auctioneer.  Fixtures and Furniture of a Photograph Room at Auction, 375 Washington st.  Will be sold at public auction This Day, July 30, 1872, at 10 o’clock A. M., all the articles contained in the photograph rooms of Wm. H. Getchell, consisting of Brussels carpet, 2 sofas, easy and other chairs, 1 bookcase, 1 counter, 1 silver show case, 1 centre table, lot drawers and shelves, lot of picture frames, 500 lights of glass, lot of painted carpet, curtains, lot iron stair treads, 1 large Magee stove and funnel, 1 desk.  All to be sold and taken away on the day of the sale.

1910 August 16.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 16, 1910, Vol. 81, No. 190, P. 3.

Recent Deaths: Boston Oldest Photographer.  Old-time maker of daguerreotypes took earliest pictures of Charles Sumner and Adelina Patti.

William H. Getchell, considered as Boston’s oldest photographer, died at his home, 19 Nixon Street, Dorchester, yesterday afternoon aged eighty-one years.  In the Getchell home is a remarkable collection of pictures of Boston’s most famous citizens and visitors of more then fifty years ago.  Among the pictures is the first photograph ever taken of Charles Sumner as well as the first of Adelina Patti.

Born in Hallowell, ME. And reared in Bangor, ME. Getchell was left an orphan at an early age and was adopted by a family which moved to Washington, Ill. At the age of eleven Mr. Getchell came to Boston and learned the trade of daguerreotype-making from Masury & Silsbee, whom he later succeeded as a member of the firm of Case & Getchell.  His studio was located at what was then on Washington Street, at a point where Temple Place later was extended to that Street.  Mr. Getchell always declared that the old-fashioned daguerreotype was the only faithful reproduction of the human features ever devised other forms of photography he contened, excelled in concealment of expression.

Gerrish

1851                Address and Location Unknown, Maine.

1851 November 4.  Portland Weekly Advertiser.  (Portland, Maine.)  November 4, 1851, Vol. LIII, No. 44, P. 1 & 2.

Cumberland County Agricultural And Horticultural Society.  Agreeably to notice, the Fair and Cattle Show commenced on Wednesday, October 15, 1851 in Portland.

The Cattle Show was held in the pasture, corner of Green and Portland streets, the exhibition of produce, Manufactured articles, &c., at the City Hall…

Daguerreotypes:—There were numerous specimens of Daguerreotypes, from Geo. M. Howe, Messrs. Stevens & Gerrish and Mr. Samuel Carlton.  The committee could see but slight difference between those of Howe, and Stevens & Gerrish, both were believed to be as near perfection, as the daguerreotype process will allow, but on the whole the evidence of artistical skill in those of Messrs. Stevens & Gerrish, inclined the committee to give theirs the preference, and they awarded them a premium, 2.00.  To those of Mr. Howe they awarded a diploma.

Mr. Carlton has many admirers in his line, and deservedly so.

Gerrish, Horatio N.

1853                Street’s Building, 155 Chapel Street, New Haven, Connecticut.

1854                243 Grand, New York, New York.

1855                144 Chapel Street, New Haven, Connecticut.

1853 June 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 28, 1853, Vol. VIII, No. 151, P. 2.

A Card.  I hope the gentleman who wrote poetry on those splendid Views, will be careful the next time and not make a mistake as to the place at which he saw them.  H. N. Gerrish.

Executor of Views, Houses, Landscapes, &c.  Office, Street’s Building, 155 Chapel st. next door below Skinner & Sperry’s.

Advertisement ran on June 28 & 29, 1853.

1854.  New York City Directory.  (New York, New York.) 1854/1855, Published by John Fowler Trow.

Daguerreian 243 Grand, h-108 Bowery.[1]

1855 January 15.  Columbian Register.  (New Haven, Connecticut.)  January 15, 1855, Vol. X, P. 2.

Jackass For Sale!  Will be sold at public auction, on the 31st day of February next, precisely at 12 o’clock, a bill due H. N. Gerrish, for sundry articles, against an individual  know as H. J. Rodgers.  Said bill against said Rodgers will be sold to the highest bidder, from the spout of the Town Pump, on said day, and previous notice of the sale will be given by Booth’s crier, who will pass through the streets braying like a Jackass.  No cash is expected of the bidder of said bill, until the time said Rogers pays all bills.  And as the day of judgement by law will be a busy day with him, it is not expected that he will pay said bill until the day after.  The public are invited to call and see said bill at Gerrish and Jones Daguerreotype Gallery, 144 Chapel st. next door below Gerrish’s old stand.

1855 January 16.  Columbian Register.  (New Haven, Connecticut.)  January 16, 1855, Vol. X, P. 2.

We noticed considerable in circulation in our city concerning Mr. Hopper’s instantaneous process for Daguerreotyping Children, which process consists of nothing more than in applying a little sweet oil to the plate previous to the chemical process—as this process was first introduced into this city by Mr. Gerrish who showed Mr. H. the process, not thinking it a secret worth keeping, as pictures cannot stand taken this way, as the oil on the plate, mingled with the coating, will soon cause it to corrode.  But he has another process, by which Daguerreotypes can be taken as instantaneous, with better finish and durability—which process he is now ready to practice, at his new establishment, 144 Chapel st. next door below his old stand.  Take notice—Mothers wishing good and durable Daguerreotypes of their little children, will do well to call and examine daguerreotypes taken by this process, previous to procuring them elsewhere.  Perfect satisfaction will be given, or no charge, at Gerrish & Jones’ Daguerrean Gallery, 144 Chapel st.  formerly occupied by W. A. Judson.

Advertisement was recorded nineteen times between January 16 to February 15, 1855.


[1] Not listed in the 1853 or 1855 city directories.

Gerrish, August

1852-1853       142 Chapel Street, New Haven, Connecticut.

1852 October 1.  Columbian Register.  (New Haven, Connecticut.)  October 1, 1852, Vol. XLI, No. 2132, P. 3.

Horticultural.—The opening of the Fair, at the State House, last Thursday…

The mechanical department is not as well represented as usual…Gerrish & Rogers a collection of their well-executed Daguerreotypes…

1853 January 16.  Morning Journal and Courier.  (New Haven, Connecticut.)  January 16, 1853, Vol. VIII, No. 141, P. 2

Daguerreotypes.  There is no branch of the fine arts that has been more wonderfully  improved than the Daguerrean process. And no where has it been bro’t to more perfection than in N. Haven.  The picture galleries of our artists are really worth looking at.  Besides the various specimens of work which they display to the eye of the beholder, their internal arrangements are fitted up in the most attractive manner and at an expense which would seem hardly warrantable.  We stepped into the rooms of our neighbors Gerrish & Rogers, (sic.) a few days since, and were surprised as well as pleased with their process of Daguerreotyping.  The short time which is now required to transfer one’s likeness to the plate, and the very life-like manner in which it is performed, are truly astonishing.  Without any disparagement to other artists, whose specimens of work speak so approvingly of their skill and workmanship, we must say in justice to these gentlemen, that they are deserving both commendation and patronage, for the very high state of perfection to which by study and experience they have been able to bring this branch of the fine arts.

1853 April 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  April 28, 1853, Vol. VIII, No. 98, P. 3.

We Advise those who desire to obtain a Superior Daguerreotype To Call On Gerrish & Rogers.  They execute likenesses n\by an entire New Process.  Rooms, No. 142 Chapel street, Opposite Lyon Building.

Advertisement ran from April 28 to 30, 1853.

1853 May 4.  Morning Journal and Courier.  (New Haven, Connecticut.)  May 4, 1853, Vol. VIII, No. 103, P. 2.

We Advise those who desire to obtain a Superior Daguerreotype To Call On Gerrish & Rogers.  They execute likenesses n\by an entire New Process.  Rooms, No. 142 Chapel street, Opposite Lyon Building.

Advertisement ran from May 4 to 7, 1853.

1853 June 3.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 3, 1853, Vol. VIII, No. 130, P. 2.

Adieu! Sweet Spring.

Farewell! Sweet Spring, with all thy flowers,

And ever welcome, pleasant hours;

Thy balmy zephyr floating still,

O’er lovely dale and rugged hill.

But summer’s here, and brings the rose

In all its glorious beauty ripe;

What’s sweeter, fairer, far than those!

Gerrish & Rogers’ Daguerreotype.

1853 June 14.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 14, 1853, Vol. VIII, No. 139, P. 2.

The Maiden’s Soliloquy.

Oh! beautious (sic.) eve, in this sweet grove,

I turn to thee ‘mid thoughts of love

That cling to me by night and day,

To tell of one far, far away.

Here in my heart his image lies,

Link’s with my \dearest memories.

And this Daguerreotype [I] view,

This faultless, and to nature true.

Gerrish & Rogers wrought for me.

Brings back my love from far o’er sea;

Whate’er though life meets on our way,

My blessing shall be theirs for aye.

1853 June 16.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 16, 1853, Vol. VIII, No. 139, P. 2.

Daguerreotypes.  There is no branch of the fine arts that has been more wonderfully improved than the Daguerrean process, and no where has it been bro’t more perfection than N. Haven.  The picture galleries of our artists are really worth looking at.  Besides the various specimens of work which they display to the eye of the beholder, their internal arrangements are fitted up in a most attractive manner and at an expense which would seem hardly warrantable.  We stepped into the rooms of our neighbors Gerrish & Rodgers, a few days since, and were surprised as well as pleased with their process of Daguerreotyping.  The short time which is now required to transfer one’s likeness to the plate, and the very life-like manner in which it is performed, are truly astonishing.  Without any disparagement to other artists, whose specimens of work speak so approvingly of their skill and workmanship, we must say in justice to these gentlemen, that they are deserving both commendation and patronage, for the very high state of perfection to which by study and experience they have been able to bring this branch of the fine arts.

1853 June 27.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 27, 1853, Vol. VIII, No. 150, P. 2.

A Reverie, whilst looking at one of Messrs. Gerrish & Rodgers’ beautiful Daguerrean Views, lately executed in a true, happy, artistic style:

The world has passed through changes, since the flood

Deluged the earth, or Eve with Adam stood

In that primeval garden, Eden named.

Where he, the Lord of all, dominion claimed;

Oh, such a spot, could painter’s magic hand

Transfer to canvas, all its beauties grand,

Or sketch with vivid thought, each fancy free,

Each living form, each plant, each rock, each tree.

Oh, had old time but left one remnant, then

We could have dwelt upon its glories, when

The first of human kind, the God-created pair,

Sought the sweet sylvan shade, or the wild lion’s ;air;

But hoary age has left not e’en a single part,

Where Gerrish, excelsior of daguerrean art,

Or Rodgers could, midst grand artistic fire,

With the sun’s rays, a poet’s soul inspire,

To sing in glowing verse his them, that garden, where

The first formed couple roamed, a cheerful pair.

1853 July 4.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 4, 1853, Vol. VIII, No. 157, P. 2.

We hail the Glorious Fourth.

Hail, glorious Fourth, Mid stains so free,

That proudly swell o’er land and sea,

To tell of Freedom’s dawn of power!

Gladly we welcome thee, this hour.

Filled with the glowing thoughts that rise,

I turn where yon fair city lies.

Oh, ere the sun mounts up the sky,

To its enchanting shades will hie,

This beauteous morn, my maid and I,

There through the gladsome hours we’ll rove

In shaded streets and pleasant grove;

The artists then must claim our thoughts,

Who have with years of effort wrought,

Their process to perfection brought;

And while we pause to view their rare

Array of portraits, gathered there,

They will prepare with art so free

My maid’s Daguerreotype for me;

Then Grateful thoughts I will count o’er

To Gerrish & Rodgers evermore.

Rooms 142 Chapel street, opposite Lyon Building.

1853 July 8.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 8, 1853, Vol. VIII, No. 160, P. 2.

The Lover’s Reverie,

While gazing on a miniature of his intended, prepared by Messrs. Gerrish & Rodgers.

Oh ‘tis thy very self!  thy form—thy face!

Thy love lit eyes upon me, sweetly smiling;

I feel thy presence here, life’s crowning grace,

Of weary care thy passing hours beguiling.

Yes. ‘tis thy living self, its place is near my heart,

With deep devotion, will I always cherish

This glorious triumph of Daguerrean art,

Achieved by Rodgers, and his partner Gerrish.

Those wishing pictures of the finest order, have but to present themselves, plainly dressed in dark clothing, in clear or cloudy weather, and trust, without dictation, to the management of the artists.  Rooms No. 142 Chapel st. opposite Lyon Building.

1853 July 12.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 12, 1853, Vol. VIII, No. 163, P. 2.

My Country. 

I love my country’s green clad hills—

Her bright unnumbered murmuring rills,

Her sunshine and her storm;

Her rough and rugged rocks, that rear

Their hoary heads high in the air,

In wild fantastic form.

I love her rivers, deep and wide,

Those bright streams that seaward glide,

To seek the ocean’s breast;

The links of iron that bind each State,

Which firm united makes them great,

And in God’s blessing blest.

I love to hear of Rodgers’ skill,

And Gerrish’s power to use at will

The glorious orb of day—

To draw each make and varied line

Of the human form divine,

From his light passing ray.

Shakespoke.

1853 July 13.  Morning Journal and Courier.  (New Haven, Connecticut.)  July 13, 1853, Vol. VIII, No. 164, P. 2.

Come, tell me what shall be in Twenty years.

“In twenty years!” thy smooth young brow

Shall cease to be so fair;

Time shall have intermixed with white,

Thy dark and lustrous hair.

“In twenty years!” care shall have ploughed

Deep furrows on thy face;

Thy form shall then be bent and bowed—

Thy limbs forget their grace.

“In twenty years!” nay, do not start,

Ere twenty years have fled,

The light shall from thine eye depart—

Thou’lt slumber with the dead.

Oh, then, ere yet thy beauty fades,

[unreadable line,]

A picture by Gerrish & Rodgers made,

Shall e’er secure it from decay,

As fresh, as fair, as bright as in its proudest day.

Senex.

1853 September 29.  Morning Journal and Courier.  (New Haven, Connecticut.)  September 29, 1853, Vol. VIII, No. 231, P. 2

The Horticultural Fair.  To-day is the last of the exhibitors at the State House, and all who take pleasure in seeing fruits and flowers and vegetables in their perfection, ought not to lose the present opportunity.  Only the mechanical department is poorly filled,…Messrs. Gerrish & Rogers’ (sic.) daguerreotypes,…

1853 December 12.  Morning Journal and Courier.  (New Haven, Connecticut.)  December 12, 1853, Vol. VIII, No. 293, P. 3.

Dissolution.  The subscribers, under the name of the firm of Gerrish and Rodgers, have this day dissolved copartnership, by mutual consent.  A. Gerrish, H. J. Rodgers.

Card.  Mr. Gerrish, in bidding adieu to his friends, the inhabitants of New Haven and its vicinity, tenders to them his heart felt thanks alike for their liberal patronage and never-failing kindness, and also wishes to say that, being now on the eve of his departure for a foreign land, he has the greatest pleasure in recommending his partner to the patronage of the generous public, feeling confidently assured that Mr. Rodgers, combining, as he does, the highest practical knowledge of his business with the artist’s love of his art, the poet’s perception of its beauties, and the courtesy of the perfect gentleman, which, during all his connection with him he has always found him possessed of, will not fail to please his patrons, while he sustains a high reputation as the perfecter of an entirely new chemical process, of which he is in part the inventor and now the sole proprietor in America.  A. Gerrish.

[Original.]

Then Fare Thee Well,—Gerrish!

Thou brother of my heart—farewell!—

Go forth where fortune leads thee:

She points to Eastern climes;—tis well,—

Th’ celestial Empire needs thee!

Go forth;—and when, in coming days,

The sons of China weeping

In grief sublime, shall seek the place

Where all they’ve loved are sleeping,

No more in their despair they’ll prove

How vain is each endeavor

To recall the look of those they loved,

Now lost to them forever;—

Thou’lt be to them a household God

Whom in their hearts they’ll cherish—

Heaven’s “last, best gift” on them bestowed

Shall bear the name of—Gerrish!

Soft be the winds which waft thee hence,

Fair be the skies above thee—

Swift-winged the messenger from thence

Which brings to those who love thee

Tidings of thine arrival there.

Go forth where fortune leads thee—

Ten thousand hearts—the brave and fair—

Are breathing now—“God speed thee!”  Rodgers.

1853 December 17.  Columbian Register.  (New Haven, Connecticut.)  February 17, 1853, Vol. XLI, No. 2143, P. 3.

Dissolution.  The subscribers, under the name of the firm of Gerrish and Rodgers, have this day dissolved copartnership, by mutual consent.  A. Gerrish, A. J. Rodgers.

Notice.  Rodgers & Hopper (formerly Gerrish & Rodgers,) Elm City, Emporium Of Art, 142 Chapel st., New Haven.  Mr. H. J. Rodgers has associated with him Mr. H. Hopper, a celebrated daguerrean operator, and perfector of many of the fine arts—thus daguerreotypes executed by him and Rodgers, the perfector of an entire new chemical process, will need no comment here to recommend them.  No expense has been spared in procuring the best German Cameras that are manufactured, and as superior materials only are used, they are prepared to take likenesses that are unsurpassed for boldness, truthfulness, beauty of finish and durability.  Pictures taken equally well in fair and cloudy weather, and all are warranted to give entire satisfaction.  Our motto—“We will please.”  H. J. Rodgers, H. Hopper.

Card.—Mr. A. Gerrish, in bidding adieu to his friends, the inhabitants of New Haven and its vicinity, tenders to them his heart-felt thanks, alike for their liberal patronage and ever unfailing kindness, and also wishes to say that, being now on the eve of his departure for a foreign land, he has the greatest pleasure in recommending his partner to the patronage of the generous public, feeling confidently assured that Mr. Rodgers, combining as he does the highest practical knowledge of the mechanical part of his business—with the artist’s love of his art, the poet’s perception of its beauties, and the courtesy of a perfect gentleman, which during all his connection with him, he has always found him possessed of—will not fail to please his patrons, while he sustains the highest reputation as a perfector of an entire new chemical process, of which he is in part the inventor and now the sole proprietor in the United States.  A. Gerrish.

Original.

Then fare thee well, “Gerrish,”

Thou brother of my heart, farewell!

Go forth where fortune leads thee;

She points to eastern climes—‘tis well—

The celestial empire needs thee!

Go forth, and when in coming days

The sons of China, weeping

In grief sublime, shall seek the place

Where all they’ve loved are sleeping.

No more in despair, they’ll prove

How vain is each endeavor

To recall the look of those they loved,

But lost them forever,

Thou’lt be to them a household god,

Whom in their hearts they’ll cherish;

“Heaven’s last best gift” on them bestowed,

Shall bear the name of “Gerrish.”

Soft be the winds which waft thee hence.

Fair be the skies above thee;

Swift winged the messenger from thence,

Which brings to those who love thee,

Tidings of your arrival there.

Go forth where fortune leads thee—

Ten thousand hearts, the brave and fair,

Are breathing now, “God speed thee.”

New Haven, Dec. 10, 1853.  Rodgers.