Tag Archives: Saratoga Springs New York

Johnson, Charles E.

c.1844-1845    251 Broadway, New York, New York.

1845                Chapman’s Block, Franklin Square, Norwich, Connecticut.

1845-1846       Corner Camp and Canal Streets, New Orleans, Louisiana.

1846                Rooms North Wing of the Clinton House, Ithaca, New York.

1846                Address Unknown, Saratoga, New York.

1847-1848       Rooms on Court Street, Over H. Lewis’ Store, Binghamton, New York.

1849-1851       Corner of Bank and Superior Street, Cleveland, Ohio.

1851                Address Unknown, Cleveland, Ohio.

1851-1854       Over Merchants’ Bank, opposite Weddell House, Cleveland, Ohio.

1852                corner of Superior and Seneca Streets, Sartwell’s Block, Cleveland, Ohio.

1853                Corner Clay and Montgomery Streets, San Francisco, California.

1854                163 Clay Street, San Francisco, California.

1845 September 17.  The Norwich Courier.  (Norwich, Connecticut.)  September 17, 1845, Vol. XXIV, No. 28, Whole No. 3236, P. 2.

Daguerreotype Likenesses.—If any of our friends in Norwich or its vicinity would like an absolutely perfect Daguerreotype likeness of themselves or friends, now is their time.  Mr. Johnson, the artist, has spent a number of years in Plumbe’s famous Daguerreotype Academy in New York, and is enabled to avail himself of all the latest discoveries and improvements in this wonderful mode of copying the “human face divine.”  A compared, or we should rather say contrasted, with any other Daguerreotype miniatures we have ever seen taken in Norwich, those taken by Mr. Johnson are to the others what an exquisite painting is to a mere daub.  But, “seeing is believing;” at least we do not hesitate to say that no one who sees a production, such as we saw last evening, of Mr. Johnson’s pencil of light, can hesitate to believe all, and more than all, we have said in his favor.  He visits Norwich, in compliance with an urgent invitation of gentlemen of this city, and his stay, we understand, is limited to a very few days.  Those who would avail themselves of a opportunity such as rarely occurs, had therefore, better be in a hurry.  Mr. Johnson’s rooms are at Chapman’s Block, Franklin Square.

1845 October 8.  The Norwich Courier.  (Norwich, Connecticut.)  October 8, 1845, Vol. XXIV, No. 31, Whole No. 3239, P. 1.

Daguerreotyping.—We invite attention, some day since, to the beautiful and highly finished specimens of miniature likenesses at the rooms of Mr. Johnson, in Chapman’s Block, Franklin Square.  During Mr. J.’s stay in Norwich, his rooms were constantly crowded with visitor’s, and his success in the practice of his art was the theme of general and admiring comment.  Mr. Johnson took his departure last week, and we supposed the skill and art which characterized his specimens had gone with him.  But we have just been shown a miniature likeness of a gentleman of this city, taken this morning by Mr. Allen, the young gentleman who constantly aided Mr. Johnson while here, that, so far as we can  judge, falls little, if at all below the best specimens produced by Mr. Johnson.  There are many, we know, who would have been glad to have availed themselves of Mt. J.’s visit to the city to obtain likenesses of themselves or friends, but who “could not come at him for the press.”  We advise such to call upon Mr. Allen.  They will find him occupying the same rooms as did Mr. J., and after looking at his “specimens” they will, we much incline to believe, leave facsimiles of their own “handsome looks” behind them.

1845 November 2.  The Daily Picayune.  (New Orleans, Louisiana.)  November 2, 1845, Vol. IX, No. 239, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Miniatures of every size taken, single or in group, with the natural colors, in a very superior manner.  The public are invited to call and examine our specimens.  No charge will be made for a Portrait unless satisfactory in every respect and equal to the specimens exhibited.  The Rooms are spacious and well arranged and with the enlarged window on Canal street, capable of admitting the proper degree of light on the sitters, the Portraits are clear and perfect, exhibiting

Every feature with great distinctness.

An examination of our specimens and mode of operating will be a better test of our skill and success in the art than anything we can say in an advertisement. 

Apparatus warranted the genuine Voigtlander, with the most recent improvements; also, Plates, Cases, Chemicals, &c. furnished to Daguerreotype Artists, and instructions given in the art.  Johnson & Jacobs.

Advertisement ran from November 2 to December 9, 1845.

1845 December 10.  The Daily Picayune.  (New Orleans, Louisiana.)  December 10, 1845, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Jacobs.

Advertisement ran from December 10, 1845 to January 22, 1846.

1846 January 10.  The New York Herald.  (New York, New York.)  January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.

Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlander’s Apparatus. 

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.

Mr. James L. Lyon, Richmond, Va.

Mr. S. Broadbent, Columbia, S. C.

Mr. James P. Perry, Charleston, S. C.

Mr. S. Noessel, New Orleans.

Messrs. Johnson & Jacobs, New Orleans.

W. & F. Langenheim, Exchange, Philadelphia.                                            

Advertisement ran from January 10 to February 19, 1846.

1846 January 12.  The Weekly Delta.  (New Orleans, Louisiana.)  January 12, 1846, Vol. 1, No. 13, P. 3.

Fair of the Agricultural And Mechanics’ Association of Louisiana.—The annual fair of this association was held in Baton Rouge on Monday and Tuesday last.  The specimens of agricultural improvements and mechanical skill exhibited were limited, still they showed the rapid progress of the one in our State, and the fast approaching towards perfection of the others…

There was an interesting display of Fine Arts.  Mr. James McGuire and Messrs. Johnson & Jacobs, of this city, exhibited a great variety of Daguerreotypes, which, for correctness and beauty of finish, could not be excelled.  Mr. McGuire received the first premium, and Johnson & Jacobs the second…

1846 January 23.  The Daily Picayune.  (New Orleans, Louisiana.)  January 23, 1846, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Co.

1846 April 8.  Ithaca Journal & General Advertiser.  (Ithaca, New York.)  April 8, 1846, Vol. XXX, No. 40, Whole No. 1,495, P. 3.

Johnson’s Photographic Gallery Mr. Johnson, late of Plumbe’s Daguerrean Gallery, New York has the honor to announce to the Ladies and Gentlemen of Ithaca that his rooms are now open for the reception of visitors, in the north wing of the Clinton House—entrance one door south of A. Sherrill’s office.  Mr. J.’s pictures are universally admired, for their brilliancy, beauty of finish and life-like appearance, and he warrants them imperishable.

As his stay will be short, he respectfully desires his friends to call soon—if for nothing but to examine his pictures, of which he has a large collection.

Persons possessing inferior pictures can have them exchanged at a very moderate charge.

Pictures taken equally well in clear or cloudy weather.

Instructions in the art, with apparatus furnished on reasonable terms.

Rooms open from 8 A. M., to 5 P. M.  Ithaca, March 17, 1846.

Advertisement ran from April 8 to 29, 1846.

1846 July 18.  New York Daily Tribune.  (New York, New York.)  July 18, 1846, Vol. VI, No. 86, Whole No. 1,641, P. 3.

Saratoga—Art, Life, &c.  Correspondent of The Tribune.  Saratoga Springs, July 16, 1846….

While writing about works of art, I would mention Mr. Johnson, The daguerreotype artist, and Mons. Edouart, the Silhouetteist, who are well known to old visitants here, having been here for several seasons.  They are both great artists in their way, and attract many visitors to their rooms, and even those loiterers who just stroll into their rooms to pass an idle moment by viewing their pictures, are many of them induced to get their own likenesses taken….

1847 August 4.  Broome Republican.  (Binghamton, New York.)  August 4, 1847, Vol. XXVI, No. 1, Whole No. 1,251, P. 3.

Daguerreotype Miniatures.  Mr. Johnson, would respectfully announced to his friends, that he has taken the rooms over H. Lewis’s store, where he will be happy to wait upon all those who may wish correct Miniatures of Themselves, taken in the best style of the Art.  Rooms open from 8 A. M. to 5 P. M.  Binghamton, May 26, 1847.

Advertisement ran from August 4, 1847 to August 9, 1848.

1848 August 23.  Broome Republican.  (Binghamton, New York.)  August 23, 1848, Vol. XXVII, No. 4, Whole No. 1296, P. 2.

Important News—Removal of The “Lightning Line” From Johnson’s Rooms.  Revolution in Daguerreotype, and awful fall in the Price of Pictures.  Mr. Johnson has the pleasure of informing his friends that he has shaken hands and parted with the “lightning line,” and having entirely cleansed his rooms of the gasses arising from the batteries attached to the Telegraph, is now enabled to produce better specimens of the Daguerreotype Art than he has ever done before; and what is still more curious, has discovered the art of selling pictures at a marvelously cheap rate, compared with former prices.

From and after this date, until further notice, for cash on the delivery of the picture, his prices will be as follows:

Medium Plate Picture, in morocco Case        $1.50

Quarter     do       do                do                    $2.50

Half           do       do               do                    $4.00

Pictures set in lockets, bracelets or pins         $1.50

Which, considering the quality of the work, is lower than ever before offered by any other operator.

Mr. J. has a most excellent metallic mirror, for taking out-door views, by which the picture is not inverted.

Persons wishing to be “taken off” will do well to call soon, as this “unprecedented” state of things may be of very short duration.

Rooms open from 8 A. M. to 5 P. M. in all sorts of weather over the store of H. Lewis, Court-street.

N. B.—For sale, with or without instructions a first rate Medium Camera, with apparatus complete, on the most reasonable terms.

Advertisement ran from August 23 to October 4, 1848.

1849 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1849, Vol. XXXII, No. 10, Whole No. 1,912, P. 1.

Photographs. 

“Secure the shadow ere the substance fade,

Let Nature copy that which Nature made.”

We saw this morning a pair of miniature likenesses of our friend Briggs of the Democrat, and were struck with their rare accuracy and beauty.  We speak, of course, of beauty of execution—not meaning to flatter Col. B. on account of his good looks.  Indeed we cannot forget forget the philosophical remark of M. Daguerre, the inventor of the photographic process:  “You have handsome face, you shall have dem handsome picture; You had bad faces, you shall have dem bad pictures!”  These pictures were, one from the rooms of Mr. Johnson, the other from those of Mr. Clark, two very successful Daguerrean artists of our city.  We have seen several groups as well as single pictures, the work of Mr. Johnson, and we question whether for distinctness, accuracy of likeness or elegance, they could be surpassed in the galleries of Plumbe.  And the pictures of Mr. Clarkare the admiration of every one.

1849 August 10.  Geneva Daily Gazette.  (Geneva, New York.)  August 10, 1849, New Series-Whole No. 239, Vol. V, No. 32, P. 2.

The Cleveland Plain Dealer thus “does up” a notice of the new Bank building erected in that city:

To show that we are progressive people look at the elegantly constructed and arranged new State Bank building, on the corner of Bank and Superior street.  The architect was C. W. Heard and he deserves a bronzed statute on its colonnade.  It is a beauty, externally, and internally, and so was the inquisition in Spain that Bonaparte broke up.  Entire: in the basement is a barber.  Her the victim is first shaved!  The next floor is the Bank Department.  Here the substance is taken.  The next degree as you approach the skies, contains the Dentists.  They extract your grinders and leave you to sup sorrow with a spoon of grief, i. e., live on spoon victuals.  Then comes the Daguerreotype man, Johnson, who takes what then is left of you, even your shadow, and Brown the Writing Master, traces what you were in shape of a great goose.

Now, to complete the picture, it is no fancy one, the oldest auctioneer, Cutter, has got posted next door to sell your remnants, if you have any to the highest bidder.  Beware that corner!

1850 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1850, Vol. XXXIII, No. 17, Whole No. 1,959, P. 3.

Johnson’s Daguerreotype Rooms.  Mr. Johnson has the pleasure to inform his friends and the public that he has just returned from New York with a full assortment of materials of the best quality, calculated to suit the taste as well as the pockets of all who may please to favor him with a call.  He has also, at considerable expense, obtained a new, quick-working apparatus—of great importance where children or nervous persons re to have their miniatures taken.  Call and see, at his rooms in the Bank Building, at the corner of Bank and Superior streets.

1850 October 23.  The Cleveland Herald.  (Cleveland, Ohio.)  October 23, 1850, Vol. XXXIII, No. 41, Whole No. 1,985, P. 3.

California Gold Is not more valuable than one of Johnson’s Premium Daguerreotype Miniatures.  His rooms are over the Merchants Bank, opposite the Weddell House.

This well known establishment has just been fitted up in a style of elegance not surpassed in any of the eastern cities.  Mr. J. has arranged his rooms with every convenience for his business.  In addition to his immense Sky-Light he has two large side lights the largest in the State, and the best calculated for the execution of first rate pictures.  This fact he has proved by 11 years experience in the business; being now the oldest Practical Daguerrean Artist in the United States or the World.  Therefore he has no fear that his own pupils can equal their master, although they boast of being unequaled, after only a few weeks practice.

N. B. Prices the same as usual, therefore none need employ inexperienced artists on the score of economy.  Call and see.  Charles E. Johnson.

Advertisement ran from October 23 to November 6, 1850.

1851 April 9.  Plain Dealer.  (Cleveland, Ohio.)  April 9, 1851, Vol. 7, No. 8, P. 2.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artist.  Keep constantly on hand a full assortment of every variety of materials for Daguerreotypists’ Use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., Cc. all of which they test before offering for sale, and warrant genuine.  Having had long experience in the business they supply themselves with such stock, only, as Artists require.

Instruction in the art carefully given. 

Rooms on the corner of Bank and Superior-st. opposite the Wendell House, Clevenland, Ohio.  Chas. E. Johnson.  Parker Fellows

Advertisement ran from April 9 to  July 17, 1851.

1851 April 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 22, 1851, Vol. 7, No. 19, P. 3.

Daguerreotypes.—Messrs. Johnson & Fellows, Daguerreotypist, have recently procured the services of Mr. J. F. Ryder, late of New York—a very skilful operator.  We yesterday examined several specimens of his work, and we have rarely if ever seen their equals.  They are sufficiently distinct without being harsh in their outline, and excel particularly in life-like expressions.  Call at their rooms and look at their portrait gallery.

1851 July 21.  Portage Sentinel.  (Ravenna, Ohio.)  July 21, 1851, Vol. 7, No. 8, Whole No. 320, P. 3.

Read And Consider!  Matthews having made arrangements with Johnson & Fellows, of Cleveland, to enter their employment for a certain length of time, has disposed of his entire interest in the Daguerrian Business, To B. S. Morrill & Co., and according to an agreement with them will make no more Pictures in this County, and would most cheerfully recommend all those wanting Perfect Specimens of the Art to patronize them; fully knowing their knowledge of the business equal to any other artist in the east or west, your humble servant not excepted.        

Wm. B. Matthews.  Ravenna, July 14, 1851.

Advertisement ran from July 21 to August 4, 1851.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

Fire.  A fire was discovered Sunday at 10½ A. M., in the Rooms of Johnson & Fellows, Daguerreotypist, Merchants’ Bank Block.  It originated from the stove, burned through the floor, and rapidly spread between the floor and ceiling below, nearly the whole length of the building.  It was considerable time after the engines were on the ground that the precise location of the fire could be ascertained, owing to the dense smoke.  Nearly all the furniture and apparatus of Johnson & Fellows were more or less damaged by fire and water.  Precise loss not known.  The offices of C. Stetson, Esq., Dr. Bigelow and Dr. Robinson, were considerably injured by water.  Cutter & Taylor suffered quite a loss from the same cause.

We understand that Johnson & Fellows [are] insured for $1,200.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

We also return our sincere thanks to the Firemen and our friends, whose efficiency and care saved much of our property in yesterdays conflagration.  Prudence, care and judgement, characterized every movement on their part, and to them we owe every thing.  At present, we can only say that we are very grateful.  But at some future period, we will endeavor to express our thanks by deeds as well as words.

We would also state that we shall be fully prepared on Wednesday morning to take Miniatures as well and as rapidly as ever.  Our Rooms, by that time, will be in through repair, and we should be glade to see all who may feel inclined to give us their patronage.  Johnson & Fellows.

1851 December 23.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 23, 1851, Vol. 7, No. 225, P. 2.

Messrs. Johnson & Fellows are not to be burned or drowned out.  They will resume labors to-morrow.  Such pluck and enterprise deserves patronage.

1852 January 7.  Cleveland Leader.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson, over Merchant’s Bank, having had twelve years experience, is acknowledged by the public to be the most perfect Daguerreotype Artist in this city.  He is permanently located in Cleveland.  de. 13.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson & Fellows, Premium Skylight Daguerreotype Rooms, Over Merchants’ Bank, opposite the Weddell House.  Also, Sartwell’s Block, corner of Superior and Seneca Streets.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artists, keep constantly on hand a full assortment of every variety of materials for Daguerreotypist use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., &c., all of which they tested before offering for sale, and warranted genuine.  Having had long experience in the business, they supply themselves with such stock only as Artists require.

Instructions in the art carefully given.  Charles E. Johnson, Parker Fellows

Rooms, Superior Street, opposite Weddell House, Cleveland, Ohio.  apr8.

Advertisement ran from January 7 to

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 4.

Premium Daguerreotypes.  Johnson & Fellows, at their Rooms corner Bank and Superior sts., opposite the Weddell House, are still taking miniatures in the highest style of the art.  Mr. Johnson is universally acknowledged one of the most eminent artists in the United States.  His pictures have for two successive years taken the first premiums at the American Institute, New York; Franklin do. Philadelphia; Mechanics’ do. Boston.

They are taking, in addition to the old style, the celebrated Illuminated Daguerreotypes, which are considered far superior to any others.  The Daguerrean Journal in speaking of them says “they somewhat resemble the Crayon, yet surpass them in beauty.”  They have the largest and finest operating Room with skylight in the State, and the best whole size Camera ever manufactured in the country.  Their Cameras were judged the best at the World’s Fair.  Every variety of Cases, Frames and Lockets can be found at their Rooms.  Dec. 22, 1851.

1852 January 21.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 21, 1852, Vol. 6, No. 16, P. 2.

$5 Reward—We will give the above reward to any one who will inform us of the person or persons who broke the shutters and large pain of glass in our showcase on the sidewalk, on Saturday or Sunday night last.  Johnson & Fellow.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 2.

Messrs. Johnson and Gurney daguerreotypist, have taken rooms at the Odd-Fellows’ building, for the purpose of “practicing the daguerrean art in all its minutiae.”  The specimens of their work, which may be seen at the entrance to their rooms, are highly finished and beautiful.  See their card in another column.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 3.

Mr. Johnson, The Oldest Daguerreotypist now living, and Mr. Gurney, of the firm Gibbs & Gurney, of Vicksburg and Natchez, Miss., have opened a room in the Odd-Fellows’ Hall, at Franklin, where they will remain a short time, for the purpose of practicing the Daguerrean Art in all its minutiae. 

Mr. Johnson is a pioneer in the business, has practiced the Art ever since its introduction into the United States, and is acknowledged by Root, Brady, Plumb and Hill, of New York, and Jacobs, Maguire and Moissenett, of New Orleans, to be the best artist now living in America, as almost all of the above artist have received their instructions direct from him.

We have a beautiful variety of Cases and Lockets of all descriptions, namely—Parodi Cases, Kossuth Cases, Jenny Lind Cases, Catharine Hayes, Eareka Cases, Bridal Cases, Breast Pins, &c. 

The Citizens of Franklin and its Vicinity are invited to call and examine our specimens .

Perfect satisfaction given, or no charge made.

N. B.—A rare chance is now offered for obtaining instructions in this beautiful Art, direct from Mr. Johnson.  Char les E. Johnson.  M. J. Gurney.                          

Advertisement ran from April 3 to 24, 1852.

1852 April 10.  The Planters’ Banner.  (Franklin, Louisiana.)  April 10, 1852, Vol. XVII, No. 13, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, are making admirable pictures at their rooms, in the Odd Fellows’ building.

1852 April 17.  The Planters’ Banner.  (Franklin, Louisiana.)  April 17, 1852, Vol. XVII, No. 14, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, will only remain at their rooms in the Odd Fellows’ building a few days longer.  Those needing pictures had better make an early call.

1852 May 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 20, 1852, Vol. VIII, No. 43, P. 3.

Daguerreotypes.  Only One Dollar Each!!  Now is the time to get a first class Miniature put up in good style for One Dollar.  We pledge ourselves to execute better work than can be obtained at any other place in this city for that price.  Perfect satisfaction warranted.  Let none hereafter employ inferior Artists from motives of economy.

Remember the old establishment, rooms over the Merchants Bank, opposite Weddell House, corner of Bank and Superior-sts.  Johnson & Fellows.

N. B.—We use both side and sky lights—the most perfect arrangement in this city.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 22, 1852, Vol. XI, No. 38, P. 3.

List of Entries At The State Fair…

Class H.—Domestic Manufactures…

A. C. Partridge, Wheeling, Va., daguerreotypes.

Mrs. Short, Cleveland, daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Next are the choice specimens of Messrs. Johnson & Fellows of Cleveland, consisting of six splendid views of Niagara Falls, the Painesville Railroad Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.  The views of Niagara are greatly admired, and finely illustrated the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance.  The series is very creditable to the skill of the old and well known artists…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next o North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 December 24.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 24, 1852, Vol. 6, No. 304, P. 3.

Johnson & Fellows.—These artist have now a fine suit of rooms at the corner of Bank and Superior streets, and are prepared to take the best of pictures.—They have a large and beautiful stock of cases for Christmas, and we advise those who wish to procure a good likeness either of themselves or others, to go to Johnson & Fellows.  The excellence of their work merits great praise, and the cheapness ought to ensure good success, which we heartily wish the above firm.

1853 June 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 7, 1853, Vol. IX, No. 56, P. 2.

Speaking of Daguerreotypes, we saw to-day in the possession of Johnson & Fellows, a crystal covered picture, the plate of which was not convex, but flat as in the common daguerreotype.  It appears in very particular a perfect portrait, and a good picture.  Mr. Fellows  informs us that this style of putting up daguerreotypes is no new thing, but has often be used in other places.  There seems to be a slight controversy on this subject between certain parties.  The convex plate vs the level plate.  Both make very good pictures, but we shall decide when daguerreotypist disagree!

1853 June 8.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 8, 1853, Vol. IX, No. 57, P. 2.

Daguerreotypes.  If you want a fine likeness, get one put up in Johnson & Fellows’ inimitable style.  If you want a paperweight, get one with your likeness in it.  Their Stereoscopes are the greatest wonder in the city.

1853 June 9.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 9, 1853, Vol. IX, No. 58, P. 2.

Dear Dealer:—I saw in your paper of Tuesday evening, a statement, (Mr. Fellows being your authority) that my Crystal Daguerreotypes setting is “no new thing, but has been used in other places” I deny the truth of the statement, and ask when and where?  If it is no “new thing” why did Mr. Fellows, after hearing that I had set a daguerreotype in this style, go to several stores in town to procure a glass, which he obtained on Monday of this week (several days after I had applied for a patent) and putting his likenesses in the same, spent most of the afternoon in visiting hotels, stores, and stopping his friends in the street, showing his picture thus set!  He acted as though he thought or that others would think, that it was “something new.”  As it regards the flat or convex plate I would state that the first picture that I set in this style was on a flat plate.  The convex plate is a decided improvement, making the picture more distinct and luminous.  I claim in my patent both the level and convex plate.  Since writing the above, I saw the following advertisement in the [Daily] Forest City of Tuesday morning, headed thus:  “‘A Novelty’.—Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.  Johnson & Fellows get them up in a beautiful style.”  To be consistent, he should have said “no new thing” I say, let every man manufacture his own “thunder.”  W. C. North.

1853 June 24.  San Francisco Evening Journal.  (San Francisco, California.)  June 24, 1853, Vol. II, No. 336, P. 2.

Re-Opened.  Star & Johnson’s “Excelsior Daguerrean Gallery.”  (Late Hamilton and Starr’s)  The above Gallery, having been closed for a fortnight past, is now re-opened, greatly enlarged and improved, no pains or expense having been spared to make this, as its name imports, The Excelsior Gallery of San Francisco.  The Show Rooms, Private Dressing Room for Ladies’, Laboratory, etc., are of the largest and most convenient plan.  The light is superior to any in the city, and equal to the most celebrated Galleries in the Atlantic cities.  Our Rooms are especially adapted for taking Family Groups, and so well ventilated that no unpleasantness is experienced even in the warmest weather, as is the case in smaller Galleries.  Mr. Johnson, the artist, from his experience of thirteen years’ successful practice as a Daguerreotypist in the cities of New York and New Orleans, Augusta, Ga., Cleveland, Ohio; and during four seasons at Saratoga and two at the White Sulphur Springs,—feels himself warranted in insuring perfect satisfaction to all our patrons.  No charge is made nor is any picture suffered to leave our possession, until the sitter is entirely satisfied.  Rabe’s Building, 163 Clay st.

1853 June 28.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 28, 1853, Vol. IX, No. 74, P. 2.

[For the Plain Dealer.]  Editors of Plain Dealer:  I have just returned from New York, and find that during my absence, my neighbor, Mr. Fellows, (Not Johnson & Fellows, as Mr. Johnson is in California, and can have no part in this matter,) has been given me some sage advice, wishing me not to “set such a belligerent example.”  He also begs of me to “fight” some one elce, and “not quite annihilate” him.  You and your readers will bear me witness that I have done nothing more than ward off the blows which his “belligerent” disposition led him to aim at me for my “annihilation.”  I told you in all truth and honesty that I had discovered a new setting for Daguerreotypes.  Mr. Fellows denied the truth of my statement, by saying, “that this style of putting up Daguerreotypes is no new thing, but has often be used in other places.”  Now, if Mr. Fellows had attended to his own business, and not denied what I know to be true, (and what he can’t prove to be false.)  I should not have said the first nor the “last word” in this controversy.  I would simply add that I expect to exhibit this new style of Daguerreotype at the World’s Fair in New York, and am prepared also to furnish then to my patrons, and invite all who wish to to call  and see them.  W. C. North.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

A Novelty.  Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.

Johnson & Fellows get them up in a beautiful style.  je7.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

Stereoscopes; Or Solid Daguerreotypes.  These Daguerreotypes are taken in fine style by Johnson & Fellows.  They have the appearance of Statuary—the greatest improvement in the Daguerreotype art.  je8.

1853 September 2.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 2, 1853, Vol. IX, No. 131, P. 2.

Home Again.  Mr. Fellows has just returned from New York with an entire new assortment of every thing new pertaining to the Daguerrean Art.  We  have a fine assortment of Lockets, which we offer upon reasonable terms.  Please call and see.

1853 October 11.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  October 11, 1853, Vol. IX, No. 164, P. 2.

Miniatures.  One of the best places in the west to secure a perfect likeness is at the well known Rooms of Johnson & Fellows, (over Merchant’s Bank.)  They now offer to the public a better assortment of Cases and Lockets than were ever before offered in this city.  Go and see them.

1853 November 10.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  November 10, 1853, Vol. IX, No. 190, P. 2.

Wanted to see a nice cottage, well arranged, every thing convenient.  House and grounds in the best order.  Enquire of Mr. Fellows, at Johnson & Fellows’ Daguerrean Rooms,

1853 December 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 22, 1853, Vol. IX, No. 226, P. 2.

Holiday Presents.  Nothing cab be more appropriate for a Holiday Present than one of Johnson & Fellows’ Daguerreotypes, done up in fine style.  They have a large assortment of fancy cases and elegant lockets.

1853 December 23.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 23, 1853, Vol. IX, No. 227, P. 3.

Where to get Christmas Presents…

Johnson & Fellows, Mrs. Short, and North. Are all prepared to take daguerreotypes.  What prettier gift than semblance of a loved one?

1854 January 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  January 7, 1854, Vol. IX, No. 240, P. 3.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Advertisement was recorded on January 25 & February 1, 1854.

Cushing, T. H.

1841                1 Exchange, fourth floor, Albany, New York.

1841                Address Unknown, Saratoga, New York.

1840 January 3.  Albany Journal.  (Albany, New York.)  January 3, 1840, Vol. 10, No. 1023, P. 1.

Engraving of Judge Buel.—We have seen proof impression of an engraved Portrait of the late Judge Buel, by T. H. Cushman[1], from a painting of Mr. F. Fine[2].  It is an excellent and striking likeness.  The Artist, who are both Albanians, have in this effort displayed genius which give abundant promise of future usefulness and eminence.  He numerous friends of Judge Buel will appreciate their obligations to these young Artists for their fidelity in preserving the resemblance of a distinguished public benefactor.  A copy of this Portrait will be sent to each of the subscribers of the Cultivator.

1840 January 25.  Daily Albany Argus.  (Albany, New York.)  January 25, 1840, Vol. XV, No. 5423, P. 2.

Portrait Of The Late Judge Buel.  We have been favored with a proof impression of a portrait of the late Judge Buel, designed to grace the pages of the valuable agricultural paper to which he devoted the latter years of his useful life.  It is by Cushman, an artist of no ordinary cleverness, from Fink’s portrait, which is conceded to be both a good likeness and a capital effort of art.  The intellectual as well as personal characteristics of the original are well retained in the copy, which is in the best style of line engraving.  The simplicity and dignity of attitude and expression, which belonged tin his profession.  o the subject, and which evinced the benevolence and practical character of the man, are finely preserved.  To the numerous friends and acquaintances of the late Judge Buel, and to a public that appreciate the value of his labors, it is a desirable memento.

1840 May 1.  Albany Journal.  (Albany, New York.)  May 1, 1840, Vol. 11, No. 1057, P. 2.

“The New Yorker”—The last number of the quarto edition of this valuable publication is accompanied by a beautiful vignette engraven on steel, representing “the outlet of Lake George,” designed as a frontispiece for the 8th volume.  The engraving is skillfully executed by Mr. T. H. Cushman of this city whose talents and attainments as an artist cannot fail to elevate him to a high rank in his profession.  The subject has been happily selected from a picture in the possession of Mr. James Horner of this city, painted by J. C. Ward, one of natur’’s most accomplished limners.

1840 July 21.  Albany Argus.  (Albany, New York.)  July 21, 1840, Vol. XXXII, No. 2869, P. 3.

Poem.  Delivered before the Young Men’s Association, July 4, 1840.  By Thomas H. Cushman.

Not recorded.

1841 January 5.  Albany Argus.  (Albany, New York.)  January 5, 1841, Vol. XXIX, No. 2917, P. 3. 

Daguerreotype.—We have seen several specimens of the portraits taken at No. 1, 4th floor Exchange, by this newly discovered process, and think them beautiful and correct.  The young men who have this matter in charge will not let their productions suffer by comparison with any  thing of the kind done in this country. We assure the public that they are skillful in such science and art as is necessary to bring it to its highest perfection.

1841 January 5.  Albany Argus.  (Albany, New York.)  January 5, 1841, Vol. XXIX, No. 2917, P. 3. 

Daguerreotype Portraits taken every clear day, from 10 A. M. to 1 P. M., at No. 1, fourth floor, Exchange.

Advertisement ran on January 5 & 8, 1841.

1841 March 30.  Albany Argus.  (Albany, New York.)  March 30, 1841, Vol. XXIX, No. 2941, P. 3. 

Daguerreotype Miniatures.—Those who have not been witness to the fact, will be surprised attendance  the facility and accuracy with which miniature likenesses are produced by the Daguerreotype process, under the superintendence of Mr. Thomas H. Cushman, at No. 1, 4th floor, Exchange building.  To those who are desirous of possessing a correct copy of their own features, or those of a friend, at a small outlay of time and money, the discovery is invaluable; since a person is thereby enabled to leave the room in five minutes after his entry, with an unflattered likeness in his pocket—(the medium though which it is taken being like the finding  of a great jury, in legal contemplation, “uninfluenced by fear, favor or hope of reward,”) and that too at a cost not incompatible with the most moderate circumstances.  It may not be amiss to add that under recent improvements, the miniatures are taken in the ordinary light, and of course, without the painful sensations heretofore incident to bringing the rays of the sun into direct contact with the eyes.

1841 May 7.  Albany Argus.  (Albany, New York.)  May 7, 1841, Vol. XXIX, No. 2951, P. 3. 

Daguerreotype Portraits Taken Daily—Instruction will be given in Portrait and Landscape taking with the Daguerreotype, by the subscribers, at thgeir rooms in the Exchange.  The recent discovery of their own, by which, with the light in an ordinary room, portraits may be taken in a few seconds, and with sun light in a single instant, will be imparted, together with all information which shall enable any one successfully to take either Landscape views or Portraits.  They will n

By new arrangements and improved apparatus, they are now enabled to take two or three  figures upon the same plate, and of children a larger number.  Prices—Single portrait in plain case, $5; in embossed morocco, $6; set in gold locket, $10; groups, from $8 to $10.  E. N. Horsford, T. H. Cushman.

Daguerreotype apparatus for sale.

Advertisement ran on May 7 & 11, 1841.

1841 June 23.  Albany Argus.  (Albany, New York.)  June 23, 1841, Vol. XXIX, No. 2966, P. 2. 

Daguerreotype.  Those who have not supplied themselves with a fac simile of their features by means of this correct and expeditious limner, should embrace the present opportunity.

Mr. Cushman has been experimenting long and faithfully to bring the new art to perfection, and has recently been awarded with gratifying success.

We understand that Messrs. Horsford &Cushman are about removing their apparatus to Saratoga, to remain there for the season.

1841 November 19.  Albany Argus.  (Albany, New York.)  November 19, 1841, Vol. XXIX, No. 3008, P. 2. 

Died on Tuesday evening, 16 inst., Thomas Hasting Cushman, aged twenty-six years.

Also listed in The New York Historical Society’s Dictionary Of Artist In America 1564 to 1860.

Cushman Thomas Hastings (1851-1841).  Banknote and general engraver; born in Albany (N. Y.), June 6, 1815; died there November 17, 1841.  A member of the Albany banknote engraving firm of Hall, Packard & Cushman in 1838-1839, Cushman exhibited an engraving at the National Academy in 1838.  He was working in NYC in 1840, but died in Albany the following year.


[1] Possibly Thomas Hasting Cushing

[2] Frederick Fink (1817-1849) Portrait, miniature, and figure.

Anthony K. Zuky

1852                Room in the State House, Montpelier, Vermont.

1852                Address Unknown, Northfield, Vermont.

1853                499 Broadway, New York, New York.

1853                Directly opposite the U. S. Hotel, over the Post Office, Saratoga Springs,                           New York.

Anthony K. Zuky was recorded in twelve advertisements and one announcements.  The first advertisement ran on October 21 & 28, 1852 in the Vermont Watchman and State Journal  (Montpelier, Vermont).  Daguerreotypes.  A. K. Zuky, a Lieutenant under Kossuth is now in town, and endeavoring to earn a living by taking Daguerreotypes.  Mr. Zuky brings letters from Kossuth, as well as from American gentlemen of high standing, who recommend him to public favor.  He has taken a room in the State House, and we hope he will be liberally patronized.

The announcement appeared on November 4, 1852 in the Vermont Watchman and State Journal (Montpelier, Vermont).  Portrait of Kossuth.  Lieut. Zuky is at Northfield at present, but will return to his room in the State House on Wednesday or Thursday.  His daguerreotypes are excellent, and he also furnishes daguerreotype copies of a true daguerreotype portrait of Kossuth a rarity indeed, which the admirers of the great Hungarian orator and statesman will highly prize.  Lieut. Zuky was in active service in the Hungarian revolution, and brings honorable testimonials from all the Hungarian Generals.  It is worth one’s while to get sight at the autograph of celebrated men, which these testimonials bear.  Lieut. Zuky will remain one week more, and we hope that brief time will be made profitable to him by the patronage he shall receive.

The second through the ninth advertisement appeared in The New York Herald (New York, New York).  The second advertisement ran on March 21, 1853.  Hungarian Daguerreotype Artist, At 499 Broadway.—A. R. Zuky, at the above number, daily takes lifelike pictures of the citizens of New York, at all prices.  A good article furnished by applying at his rooms.

The third advertisement appeared on May 19, 1853.  Hungarian Daguerrean Artist,–A. R. Zuky, 499 Broadway late lieutenant in the Hungarian army, brings recommendations from Hon. George P. Marsh, American Minister at Constantinople; also, from Lord Dudly Stuart, Governor Kossuth, Lieutenant General Messaras, General Perezel, General Baron Stein, and Francis Pulzky.

The fourth advertisement ran on June 10, 11 & 15, 1853.  Daguerreotypes of Superior Quality are taken daily, for the low price of fifty cents and upwards, and warranted to be as good as any taken in those gorgeous palaces on Broadway at the rooms of A. K. Zuky, 499 Broadway.  Mr. Z. is a Hungarian exile and solicits the patronage of the citizens of New York.  Perfect satisfaction given, or no pay required.  Give him a trial.

The fifth advertisement appeared on June 16, 1853.  Daguerreotypes of Superior Quality are taken daily, for the low price of fifty cents and upwards, and warranted to be as good as any taken in those gorgeous palaces on Broadway at the rooms of A. K. Zuky, 499 Broadway.  Mr. Z. is a Hungarian exile and solicits the patronage of the citizens of New York. 

The sixth advertisement appeared on June 18, 1853.  Fifty Cent Daguerreotypes and Upwards, are daily taken at A. K. Zuky’s, 499 Broadway, in a superior style and finish as can be had in the city.  A trial and perfect satisfaction given, or no pay required.

The seventh advertisement appeared on June 23, 1853.  Daguerreotypes of Superior Quality are [taken] daily, for the low price of fifty cents and upwards, and warranted to be as good as any taken in those gorgeous palaces on Broadway at the rooms of A. K. Zuky, 499 Broadway, [ ? ] who solicits the patronage of the citizens of [New] York.

The eighth advertisement appeared on June 29, 1853.  Daguerreotypes are taken cheap at the rooms of A. K. Zuky, 499 Broadway, in superior style.  Pictures taken until Monday cheap, with very fine cases, to dispose of his present stock, as he leaves for the country on that day.  Give him a trial.

The ninth advertisement ran on July 4 & 5, 1853.  Daguerreotypes on the Fourth of July will be taken at half price, by A. K. Zuky, 499 Broadway, as leaves for the country on Tuesday.  Citizens and strangers are invited to call and give him a last trial.

The tenth advertisement appeared in the New York Daily Tribune (New York, New York) on July 19, 1853.  Daguerreian Gallery, Saratoga Springs.—A. K. Zuky informs his numerous friends that he has opened his gallery directly opposite the United States Hotel, over the Post Office, and would be happy to meet his friends who visit the Springs there.

The eleventh advertisement ran from July 21 to August 25, 1853 in the Vermont Watchman and State Journal (Montpelier, Vermont) on July 21, 1853.  The Daguerrean Gallery of A. K. Zuky Is located over the Post Office, opposite the United States Hotel.  A convenient room and a good light.  Pictures taken in good style at low prices.  Saratoga Springs, July 13, 1853.

The twelfth advertisement appeared on July 22, 1853 in The New York Herald (New York, New York).  Daguerreian Gallery, Saratoga Springs.—A. K. Zuky informs his numerous friends that he has opened his gallery directly opposite the United States Hotel, over the Post Office, and would be happy to meet his friends who visit the Springs there.

Anthony K. Zuky is recorded in other photographic directories and is recorded here because of additional information previously unrecorded.

Auguste Edouart

1844-1845       285 Broadway, New York, New York.

Auguste Edouart  is a known Silhouettist was recorded in two advertisements and one announcement in the New York Daily Tribune (New York, New York).  The first advertisement appeared on December 7, 1844. The Room Of An Artist.  The other day, we looked into the rooms of Mons. Edouart, 285 Broadway, to examine his large collection of silhouette likenesses.  It comprises an immense number of distinguished men and women, of various nations, all of them with their autographs, and date of the likeness.  Most of them were taken at their own residences, surrounded by their customary implements of employment or amusement.  There is Sir Walter Scott, in a pleasant room of Abbotsford, looking out upon the Frith of Forth; Hannah More at her own writing table; George Combe, with casts around him, and a skull in his hand; Paganini with his violin; Edward Irving in his pulpit, in various aspects of his impassioned gesture, &c.  This collection comprises 150,000 individuals, of whom 25,000 are Americans.  Among them we observed a variety of public characters—J. C. Adams, John C. Calhoun, Henry Clay, Catherine M. Sedgwick, &c.

No one, who has any eye for art, can for a moment confound Mons. Edouart’s cuttings with common shadow likenesses or profiles.  There is all the difference between the two that there is between the scraping of a fiddle for a village dance, and the violin played by a master’s hand.  His likenesses are not only invariably accurate, but they are full of life, spirit, and expression.  Some of them seem actually to laugh, and talk, and think.  His imitations of various animals in hair-work are wonderfully perfect and life-like.  Hours might be spent pleasantly in examining the treasures of this room, the admission to which is free.

Those who wish to see this very curious collection, and avail themselves of the uncommon talent of the artist, will do well to call soon, as he intends to depart for Europe before long.

The second advertisement ran from February 10 to 15, 1845 in the New York Daily Tribune (New York, New York).  No. 285 Broadway, Near Granite Buildings.  Monsieur Edouart, Silhouttist of the French and English Royal Families, respectfully informs the public that he has returned to New York, after a tour of four years through all the principal cities of the United States.  He brings with him a valuable collection of Likenesses of distinguished characters in the Church, State, Navy, Army, Literature, Science and Art.  His American amounts to 25,000, and his European to 125,000; all with their autographs appended.  This highly interesting collection is exhibited at his rooms, where there is free admission at all hours of the day.

Mr. E. continues to take single Likenesses or Family Groups, the accuracy of which are too  well known to the public to require the abundant and flattering testimonials that could easily be furnished.

Duplicates of the likenesses in his collection to be had, and families attended at their own residences, if requested.  Being about to leave this country for Europe, he invites his friends and the public generally to call as early as possible.

Likewise, Daguerreotype Likenesses taken from nature, Portraits and miniatures: copies of the Silhouette Family Group.

The announcement appeared on July 18, 1846 in the New York Daily Tribune (New York, New York).  Saratoga—Art, Life, &c.  Correspondent of The Tribune.  Saratoga Springs, July 16, 1846….While writing about works of art, I would mention Mr. Johnson, The daguerreotype artist, and Mons. Edouart, the Silhouetteist, who are well known to old visitants here, having been here for several seasons.  They are both great artists in their way, and attract many visitors to their rooms, and even those loiterers who just stroll into their rooms to pass an idle moment by viewing their pictures, are many of them induced to get their own likenesses taken….

Auguste Edouart is not listed in other photographic directories.  Alexander Edouart is recorded in other photographic directories and was a portrait and landscape painter and photographer, active in New York City and San Francisco, California.  Alexander Edouart is the son of Auguste Edouart.  It is unknown if Auguste Edouart took daguerreotypes in Saratoga Spring, New York.

D. J. Easton

C. 1844-1849  Address Unknown, Saratoga Springs, New York.                                                   1849                  Rooms in Younglove’s Hall, Union Village, New York.

D. J. Easton was recorded in an advertisement that ran from April 12 to June 14, 1849 in the Washington County Journal (Union Village, New York).  Daguerreotypes.  How often it is said after the deceased of a father, Mother, Brother, Sister, Child or Friend.  “O that I had his (or her) Likenesses,” (as the case may be.)

Friends “Secure the Shadow, ere the Substance Fades.”  D. J. Easton. Of Saratoga Springs, who has been known as a Daguerrian Artist for the last five years would respectfully inform the inhabitants of Union Village and vicinity that he has opened his Room in Younglove’s Hall, where he will be happy to wait upon those who may favor him with a call.

Having just procured a new Apparatus of the largest size in the world, and keeping pace with all the latest improvements in the business, he is sanguine of giving the most perfect satisfaction.

Pictures taken with or without Colors, without regard to weather, set in Rings, Pins, Bracelets, Lockets, cases, Tokens, or Frames.  Landscape views, copies of Paintings, of Daguerreotype likenesses of sick and deceased persons taken, if desired.

N. B.—Instruction in the Art given, and Apparatus furnished on reasonable terms.  Call And See.

D. J. Easton is not recorded in other photographic directories.