Tag Archives: Whipple & Black

Dunmore, John Lapham

1856-1859       96 Washington Street, Boston, Massachusetts.[1]

1860-1874       173 Washington Street, Boston, Massachusetts.1

1875                334 Washington Street, Boston, Massachusetts.1

1876-1894       333 Washington Street, Boston, Massachusetts.1

1863.   During the Bradford expedition to Labrador, Critcherson & Dunmore expose nearly two hundred 14 x 18 inch wet plate negatives.  In 1873 The Arctic Region, an album of 139 images, including both full-plate images and smaller illustrations, was published in London.

1869.   The Philadelphia Photographer (Philadelphia, Pennsylvania)  1869, P. 412-414.

The Camera Among The Icebergs.  Having just returned from a photographic trip among the Icebergs, probably a few notes of it may interest your readers, and I jot them down.

The expedition was arranged by Mr. Wm. Bradford, the artist, accompanied by Dr. I. L. Hayes.  It was my second trip to the regions of ice, so I know somewhat beforehand of the hardships that had to be endured and the difficulties to be met with.

We left Boston June 13th, and, arriving in New York, found one box of chemicals broken.  We replaced them, and left for Halifax on the 15th.  After a splendid passage we arrived there on the 17th.  I found two boxes of glass broken (about one hundred sheets).  I travelled all over Halifax to find some more glass, and the only place I could find any, was at a hardware store, and that was of a very poor quality.  I went to Mr. Chase, the photographer there, who was very accommodating, and assisted me in albumenizing my glass.  Started the next day for St. John’s, N. F., rather discouraged, but in hopes that a bad beginning would make good ending.  We arrived at St. John’s on the 21st.  Nothing of importance occurred on the trip.  We expected to find our steamer waiting there for us, and were much disappointed to find that she had gone to Sydney for coal, for we had to wait in that dead-and-alive place a week before she returned.  To pass away the time, I made some twenty-five or thirty views of very beautiful scenery thereabouts.

The steamer arrived, and we went aboard the 28th.  We set a carpenter to work building a dark-closet.  It was fifteen feet long by six feet wide, with all the modern improvements.  Our steamer (the panther), was of three hundred and fifty tons burden, and was built very strong, on purpose for the ice, and was used for seal-fishing in the spring.  The passengers and crew consisted of about thirty, the jolliest crowd that ever sailed for Greenland.

We left St. John’s on the 3d of July, and were very glad to get off.  The 4th was a very unpleasant day, foggy, and a very heavy sea running; all hands a little sea-sick; could eat but little breakfast, and did not feel like celebrating much; were not at all patriotic; the foreign water had a bad effect on us.  Had bad weather for a week.  On July 10th we made the Greenland coast, a place called Cape Desolation.  We went ashore, and found the place was rightly named, for there was not a living being on it, nothing but rocks and icebergs to be seen.  We intended to leave the next day, but it blew a gale and we had to lay there four or five days.  All hands began to get home sick   we made a few pictures in the rain.

It cleared up on the 15th, and we sailed for Julianehaab, one of the largest places in South Greenland.  The natives were all scared when we blew off steam, having never seen a steamer before.  In the morning we went ashore and called on the Governor, who entertained us with a little whisky and cigars.  In the afternoon we made some pictures of the Governor and his family, and some views of the Esquimaux huts.  The next morning, about four o’clock, we went about twenty miles in a boat (which they call oomiack), paddled by six Esquimaux girls, who were all dressed in seal-skin suits.  We took a picture of a cathedral, built nine hundred years ago by the Northmen, and did not get back until two o’clock the next morning, almost eaten up with flies and mosquitoes.  We sailed

Again for a place called Kaksimuet, about a hundred miles farther north.  In the evening we went on shore to the house of the Governor, who was a jolly old fellow with twenty-two children.  He celebrated our arrival with a dance, and entertained us in good shape.  The next day we sailed about sixty miles to the mouth of a glacier, where the icebergs break off, to take some views; worked all the forenoon; went  on board to dinner; after dinner went back again, and had quite a narrow escape.  Just as we were landing  a large berg broke off, which sent the water up twenty feet all over us, and washed away collodion, developing glass, green baize, ect., and came very near taking us along with them.  As good luck would have it, our camera and tent were up high and dry on the hill.  We had to go on board and change our clothes, and the captain did not think it was safe to stop there any longer, so we got up anchor and steamed across the fiord two and a half miles, into a snug harbor.  We had not been there more than half an hour when a large berg, two hundred feet high broke off, which sent the water up forty feet, and, if we had been in the old place, the steamer would have gone up twenty feet on the rocks.

The glacier comes moving slowly down from the mountain, a great river of ice, thousands of feet deep, sometimes tem miles wide, to the fiord or bay at the foot of the mountain.  The Alpine glaciers roll down into the warm valleys, and there, warmed by the sun, melt away like a piece of wax before a candle, and form brooks and rivers.  But in Greenland, they cannot do that. It is to cold.  Therefore, as the ice at the mouth of the glacier is pushed forward to the water’s edge, it must break off in pieces and fall in, and such pieces are icebergs.  When they break off, the glacier is said, by the natives, to “calve,” or “an iceberg is born.”

I can give you no idea of what a beautiful sight it is to see an iceberg break off, but we, who have seen it, will never forget it.  Think of a mass of ice as big as the space of ground covered by the city of Boston, falling into the sea, and of the tremendous crash that occurs when it breaks away from its fellows, and they give it a parting salute as they groan and growl their last farewell.  Now, see the waves leap up forty feet into the air, washing and lashing the glacier with spray, and sweeping everything away not strong enough to bear the shock; then watch the new-born berg as it rocks in the sea like a huge porpoise, up and down, dropping here and there portions of itself, which drive down and reappear in all directions, and you can imagine faintly what it is to see a glacier “cave an iceberg.”  It is a long time before the trouble of the waters end, or before the new-born babe ceases to be rocked, and is still enough to have its picture made.  It is a sight one never tires of.

The next day our party started to go on top of the glacier.  It was very hard to get on to the with our cooking untensils and photographic traps, it was so very steep.  We travelled six miles on the top of it.  The sight was grand from there.  It was about two miles wide, and the length of it we could not tell, as it was hundreds of miles.  The depth of it was from five hundred to eight hundred feet.  We made a few pictures, ate our dinner  up there, and then started back.  We sailed the next day for Ivigut, where the Kryolite mines are.  Kryolite, as you know, is a mineral which is now largely used in the manufacture of Hot Cast Porcelain Glass for porcelain photographs and burnt-in-pictures, and which, I am told, will soon be introduced into the market.  This is the only place in the world where the mineral is found, I believe.  It imparts a whiteness and hardness to the glass unequalled by anything else, and can be had working in sheets 60 inches square.  We visited the mines, and intended to make some pictures, but it rained for two days, so we started for Upernavik (which means “Summer-Place”), about eight hundred miles farther north, and the most northern settlement in Greenland where there are any white people.  We steamed at half speed on account of the fog, as there was danger of running into the icebergs.  We crossed the Arctic Circle, July 31st.  We sailed along for a few days, and made instantaneous pictures of icebergs.  August 3d we lowered a boat, went ashore, and shot about fifty ducks.  The 4th, the sun shone forth for twenty-four hours for the first time.  We stopped at a place called “Sanderson’s Hope,” and made a picture of a mountain 4500 feet high.  We also collected a quantity of duck eggs.  We arrived at Upernavik on the 6th, a place of about two hundred and fifty inhabitants; went to a dance in the evening in a cooper’s shop.  The principal amusement there is dancing, and the principal smell is seal, which smell I smell yet.  It was so cold your watch-chain would scorch your fingers.  The next day we sailed for Melville Bay.  We stopped at a place called Tursuesak, and took a picture of a house, which is the farthest house north in the world.  It was taken at twelve o’clock in the morning of the 10th; went on deck and could see nothing but ice.  Presently we discovered three bears; we steamed towards them through ice about two feet thick as far as we could, when they came towards us, and we shot them all.  About seven o’clock we saw three more; all hands were anxious for a shot, but I told them to let me shoot first with the camera, which I did, and got two very good negatives of them from the topgallant forecastle.  Walking on the ice presently, they came nearer, and all hands shot and killed them.  We saw two more in the afternoon, but could not get them.  We were packed in the ice all the next day, and could not get out.  The ice made about two and a half inches at night.  I made some pictures on the ice, but with poor success, owing to so much reflected light.  I could not use my bath stronger than 18 grains.  I made negatives, 14×18, with a view-tube, smallest opening, in two seconds.  The next day the wind changed and broke the ice up.  That night we moored alongside of an iceberg.  It snowed all night.  We worked all the next day making some views of icebergs, and at night, took the midnight sun, three negatives, at ten, eleven, and twelve o’clock.  The next day we got high and dry on the ice, and had to stay there two days.  We began to think we should have to winter there, for all we could see, for miles and miles, was solid ice.  This was in latitude 75°.  We wanted to get through Melville Bay, and go farther north to Smith’s Sound, but had to give it up.

August 19th, we started south.  It snowed all night and froze hard, and we began to think it was time to head home.  On our way back, we stopped at Upernavik for a week.  I made some pictures of the natives and their huts, sleds, dogs, etc.  When we went to get up anchor to leave, we found an iceberg grounded on it.  It took about four hours to get clear of it.  We sailed down the coast to Jacobshaven, where there is a very large glacier, but could not get to it, owing to there being so many icebergs in the fjord.  We could not get to within ten miles of it, even with a small boat, so I made some negatives of the icebergs there, and the next day we started for Disco, and made some views of some high cliffs, and of a whaler that was wrecked there.  That finished my photographing in Greenland.  I made between three and four hundred negatives.

September 16th, was pleasant, and we worked all day packing and securing things for sea.  All hands were in good spirits with the thoughts of going home.  Went on shore in the evening to have the last dance and to say farewell.

September 17th we left for home.  The Governor fired six cannons when we left.  We arrived in Battle Harbor, on the Labrador coast, September 23d; found some newspapers there, a thing we had not seen for three months.  We left the next day; arrived in St. John’s September 26th, and, in a fortnight from that time, we were at home, safe and well.

My great trouble, while away, was reflected light.  Everything worked flat, and I could not force the negatives up—the stronger the bath the flatter the negative.

My friend, Mr. Critcherson, of Worcester, was with me, and I suppose no one ever photographed farther north, or in colder weather than we did, but we were well repaid.  You shall see prints from our best negatives soon.  Truly yours, J. L. Dunmore,             Black’s Studio, Boston

1901.   History of The Military Company of the Massachusetts now called The Ancient and Honorable Artillery Company of Massachusetts.  1837-1888.

John L. Dunmore (1866), photographer, of Boston son of John and Martha W. (Lapham) Dunmore, was born in Dorchester, January 5, 1833.  He married, September 8, 1857, Elizabeth B. Kent.  He attended the public schools in Dorchester; followed the sea for five years afterward, and then learned the photographer’s business, which he has since pursued.  He accompanied the expeditions under Bradford to Labrador in 1863, and under Hays to Greenland in 1869, as photographer.  He was for several years in the employ of J. W. Black (1865), 333 Washington Street, Boston.

Mr. Dunmore (1866) was honorably discharged from the Artillery Company May 31, 1880.

1897 June 2.  Boston Daily Advertiser.  (Boston. Massachusetts.) June 2, 1897, Vol. 169, No. 130, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 6 months (sic.)

1897 June 2.  Boston Evening Journal.  (Boston. Massachusetts.) June 2, 1897, Vol. LXIV, No. 20966, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 4 months.

1897 June 2.  Boston Morning Journal.  (Boston. Massachusetts.) June 2, 1897, Vol. LXIV, No. 20966, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 4 months.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Cahill, Miles Standish

1848                364½ Washington Street, Boston, Massachusetts.

1851-1864       293 Washington Street, Boston, Massachusetts.[1]

1854                75 Court Street, Boston, Massachusetts.[2]

1865                75 Court Street, Boston, Massachusetts.1

1865                375 Washington Street, Boston, Massachusetts.[3]


1848 June 22.  Boston Herald.  (Boston, Massachusetts.)  June 22, 1848, Vol. 4, No. 256, P. 4.

M. S. Cahill, Daguerreotype Rooms, No. 364½ Washington Street, corner of Newbury Place, Boston, Miniatures taken, including a good morocco case, from 62½ cents to $5.00  Good satisfaction given.  Pictures taken in any weathers.

Advertisement ran from June 22 to August 9, 1848.

1851 August 23.  South Boston Gazette & Dorchester Chronicle.  (Boston, Massachusetts.)  August 23, 1851, Vol. V, No. 47, P. 3. 

Cahill’s Daguerreian Gallery, No. 293 Washington Street, (Between West and Winter streets, Boston.)

Pictures taken in the highest perfection of the art, with modern improvements, and unsurpassed for finish and durability.  Those who wish for a good likeness of themselves or friends, will find it to their advantage to give him a call, before sitting elsewhere.  Charges moderate.  Satisfaction warranted.

1851 August 29.  Boston Daily Times.  (Boston, Massachusetts.)  August 29, 1851, Vol. XXVIII, No. 4999, P. 3.

Cahill’s Daguerreian Gallery, No. 293 Washington Street, (Between West and Winter streets, Boston.)

Pictures taken in the highest perfection of the art, with modern improvements, and unsurpassed for finish and durability.  Those who wish for a good likeness of themselves or friends, will find it to their advantage to give him a call, before sitting elsewhere.  Charges moderate.  Satisfaction warranted.  M. S. Cahill.  au18.

Advertisement was recorded five times between Aug. 29 to October 27, 1851.

1852.  Boston Directory.  Published by George Adams, P. 35. 

Cahill’s Daguerrean Gallery, No. 293 Washington St., Boston.

Pictures taken in the highest perfection of the Art.  Miniatures taken from Paintings, Statuary, and everything connected with the Art, executed at this establishment, at Low Rates.

Robbery.  Sunday night last, the daguerreotype saloon of Eastman & Cahil, No. 75 Court street, was entered, it is supposed by picking the lock, and a lot of miniature cases stolen.  Last night, officer A. C. Whitcomb and watchman Jellison, arrested two boys in New Prince street, named Patrick Brawley and John Mahan, on suspicion of being the robbers.  In the pockets of the latter was found a lot of cases, and each had a implement known as a “picklock” in his possession.  They are both known to the Police, and Brawley has already been in State Prison.  In the Police Court, this morning, Mahan was held in $500 for trial in the Municipal Court, and Brawley in $800.

1854 September 6.  The Boston Herald.  (Boston, Massachusetts.)  September 6, 1854, No. 9721, P. 2.

Cahill’s Daguerrian Rooms, No. 293 Washington street.  Notice.—We don’t gull the public by advertising 25 cent pictures and two pictures at one pop, &c., but give each patron two pops at one price.  M. S. Cahill.

Advertisement ran from September 6 to 8, 1854.

1855.  Lady’s’ Almanac. No. II, P. 121.

Boston Business Directory.  Daguerreotype Miniatures.  M. S. Cahill…..293 Washington street, up one flight of stairs.

Cahill’s Photographic Establishment, No. 293 Washington street.  Daguerreotypes, Hyallyotypes and Photographic pictures on paper and glass.

Advertisement ran on May 26 & 28, 1855.

1855 May 26.  The Boston Herald.  (Boston, Massachusetts.)  May 26, 1855, No. 9943, P. 2.

The art of taking Hyallyotypes or Daguerreotypes on glass, taught by M. S. Cahill, No. 293 Washington street.

Advertisement ran from May 26 to October 9, 1855.

1855 June 4.  The Boston Herald.  (Boston, Massachusetts.)  June 4, 1855, No. 9950, P. 4.

The Photographic Art.  It is astonishing what perfection this truly wonderful art has arrived at.  It must ere long supercede (sic.) the daguerreotype.  We have seen some pictures taken by Mr. Cahill, No. 293 Washington street, which are rare gems.  We would advise the public to call and examine his specimens.

1855 August.  The Photographic And Fine Art Journal.  (New York, New York.)  August 1855, Vol. 8, No. 8, P. 246-247.

A Trip To Boston.—Boston Artists….Mr. Cahill, in Washington street, has taken a position in the front rank of excellence.  His photographs are quite equal to the best I have seen without retouching or coloring, and some are exquisitely beautiful, of both small and life size.  There is a uniformity of excellence in his specimens, not often surpassed by the ablest Boston professors….

1855 August 16.  Daily Evening Traveller.  (Boston, Massachusetts.)  August 16, 1855, Vol. XI, No. 142, P. 3.

Marriages.  In this city, Aug. 16, by Rev. Mr. Miner, Mr. Miles S. Cahill to Miss Henrietta G. Perry, both of Boston…

1855 August 25.  The Trumpet and Universalist Magazine.  (Boston, Massachusetts.)  August 25, 1855, Vol. XXVIII, No. 12, P. 3.

Marriages.  In this city…Aug. 16, by Rev. Mr. Miner, Mr. Miles S. Cahill to Miss Henrietta G. Perry, both of Boston…

1855 October 24.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  October 24, 1855, Vol. CIV, No. 7789, P. 1.

New England Industrial Exhibition.  The great exhibition of mechanical and decorative art, under the auspices of the New England Inventors’ and Mechanic’ Mutual Association, was opened in Gore Block, Green street, at two o’clock Monday afternoon…

Crystalotype views from Messrs. Whipple & Black, and daguerreotype likenesses from Cahill & Co…

1855 October 24.  Boston Weekly Messenger.  (Boston, Massachusetts.)  October 24, 1855, Vol. XLV, No. 20, P. 3.

Crystalotype views from Messrs. Whipple & Black, and daguerreotype likenesses from Cahill & Co…

1855 October 25.  American Traveller.  (Boston, Massachusetts.)  October 25, 1855, Vol. XVII, No. 42, P. 3.

New England Industrial Exhibition.  Gore Block, Green Street.  The grand exhibition of mechanical and decorative art, under the auspices of the New England Inventors’ and Mechanic’ Mutual Association, was thrown open to the public on Tuesday…

The paintings and engravings which adorn the walls invite attention but do not call for criticism.  There are some very fine daguerreotypes by Whipple & Black, Masury & Silsbee, and some very beautiful specimens on glass by Cahill, with photographs, plain and colored, from miniatures to life size.

1855 October 29.  Daily Atlas.  (Boston, Massachusetts.)  October 29, 1855, Vol. XXIV, No. 102, P. 1.

New England Industrial Exhibition.  This exhibition has taken the public by surprise.  When all eyes were turned towards the great Agricultural Fair, it was announced a few weeks ago that there would be an Industrial Exhibition, or a show of those organized inanimate productions which now seem to be more natural to New England than corn or cattle…

There are good displays of daguerreotypes and colored photographs, from Cahil & Co., Masury & Silsbee, and Whipple & Black…

1855 October 31.  Boston Weekly Messenger.  (Boston, Massachusetts.)  October 31, 1855, Vol. XLV, No. 21, P. 4.

New England Industrial Exhibition.  The Industrial Exhibition in Green street, appears to be increasing in popularity…

A varied and most beautiful display of colored and plain photographic portraits, views, &c., from the establishment of Messrs. Whipple & Black, of this city, attracts a large share of attention.  Several of the portraits are life size, and painted in oils by artists connected with their establishment.  The high degree of excellence which this branch of art has attained is indeed wonderful.

Masury and Silsbee exhibited a large collection of photographs, both plain and colored, executed in the highest style of the art.  Their collection contains a large number of photographic pictures executed in Paris, embracing views of many of the most celebrated public buildings of the French capital.  These pictures are very attractive.

Some photographs from the establishment of Mr. Cahill, of this city are also worthy of attention.

1855 November 1. The Boston Herald.  (Boston, Massachusetts.)  November 1, 1855, No. 10,078, P. 4.

New England Industrial Exhibition in Gore Block was crowded yesterday…

The most interesting specime3ns of pictorial art on exhibition are those produced by the Daguerrean and photographic art, from the establishments of Whipple & Black, Masury & Silsbee, and Cahill.  They are absolutely life-like.  Those of Whipple & Black are perfect.  The taste of Masury & Silsbee in finely illustrated in their contributions.  Cahill has a fine collection, showing that his skill in the production of Daguerreotypes, Hyallotypes, and Crystallotypes is not excelled.  The colored photographs produced by these gentlemen, from their truthfulness to nature, are the most valuable portraits for preservation that can be had.

1855 December 29. The Boston Herald.  (Boston, Massachusetts.)  December 29, 1855, No. 10,127, P. 4.

A New Year’s Present.  We have seen a beautiful daguerreotype of six young ladies, who compose the Sunday School class of Mrs. A. A. Miner, wife of the pastor of the Universalist Church in School street.  This beautiful and interesting picture, executed by Cahill, is intended as a New Year’s present to Mrs. Miner.

1856 September.  Massachusetts Charitable Mechanic Association

Received a diploma for daguerreotypes, photographs, & ambrotypes at the Eighth Exhibition of the 1856 Massachusetts Charitable Mechanic Association Fair.

1856.  Lady’s Almanac.  Vol. 3, p. 121.

Boston Business Directory.  Daguerreotype Miniatures.  M. S. Cahill…..293 Washington street, up one flight of stairs.

1856 February 21. The Boston Herald.  (Boston, Massachusetts.)  February 21, 1856, No. 10,173, P. 2.

Boston Business Directory…Daguerreotypes, Chrystalotypes, Photographs, etc.

Cahil…………………….293 Washington street.

Whipple & Black…………96 Washington street.

Southworth & Hawes……..5½ Tremont Row.

1856 March 31. The Boston Herald.  (Boston, Massachusetts.)  March 31, 1856, No. 10,206, P. 4.

There is now on exhibition at Mr. Barns’ picture-frame store, No. 125 Washington street, a beautiful photographic picture the largest and best we have ever see.  It was executed by Cahill, No. 293 Washington street.  We have noticed, from time to time, some beautiful specimens of photographic art in Mr. Barns’ windows, by the different artists in this city, but the one now on exhibition is decidedly the best we have ever seen, and shows to what a perfection this beautiful art has been brought.

1856 October 24.  Boston Morning Journal.  (Boston, Massachusetts.)  October 24, 1856, Vol. XXIV, No. 7302, P 1.

Boston Business Directory.  Daguerreotypes, Photographs, Chrystalotypes, &c.  Cahill 293 Washington st.

1856 October 25.  Worcester Daily Spy.  (Worcester, Massachusetts.)  October 25, 1856, Vol. XI, No. 252, P. 3.

Arts & Manufactures.  Ambrotype, Daguer’type & Photograph Rooms, Photographs, life size.  Cahill, Artist 293 Wash’ton st.

1856 October 27. The Boston Herald.  (Boston, Massachusetts.)  October 27, 1856, No. 10,385, P. 4.

A Surprise Party.  A very agreeable surprise came off last Thursday night, at the house of Deacon N. O. Hart, in Arnold street.  The Young Men’s Bible Class of the Baldwin Place Church, thirty-three in number, unexpectedly called on their late teacher, Deacon Hart, at his residence, and presented him with their Daguerreotypes, enclosed in a rich gilt frame, executed by Cahill, 293 Washington street…

1856 November 27.  National Eagle. (Claremont, New Hampshire.)  November 27, 1856, Vol. XXIII, No. 7, P. 3.

Cahill’s Daguerrean And Photographic Establishment.  No. 298 Washington Street, Boston.  Daguerreotypes, Ambrotypes, or Daguerreotypes on Glass, Photographs, plain and colored, from Miniatures to life size.

Everything connected with the Picture business done at this establishment.

Daguerreotypes and other Pictures copied.

Advertisement ran from November 27 to December 25, 1856.

1857 June 27.  Ballou’s Pictorial Drawing Room Companion.  (Boston, Massachusetts.) June 27, 1857, P. 412.

Illustration of Charles T. Jackson, M. D. from a photograph by M. S. Cahill

1857 October.  The Photographic And Fine Art Journal.  October 1857, P. 319.

…Mr. Cahill, showed us some excellent photographs, but we must give the preference to the ammonio-nitrate prints.  Those taken by his new developing process, have too much the characteristics of the amphitype pictures described above…

1857 November.  The Photographic And Fine Art Journal.  November 1857, P. 352.

Printing Without Silver.—In our last, we exposed the last pretended “New American Discovery,” which several photographers, among them Mr. Cahill of Boston, Mr. Tomlinson of New York, and Mr. Rhen of Philadelphia, have been selling or trying to sell, to their brother artists.  The folly of buying processes cannot be better shown than in this case—as we give, in the present number, the best formula of the kind ever discovered.  (See page 339)

No Date.  Unknown publication, P. 197. 

Cahill’s daguerreian Gallery, 293 Washington Street, (Between West and Winter Sts.) Boston.

Persons desirous of obtaining good and satisfactory likenesses of themselves, or their friends, will find it very much to their advantage to call as above, as the proprietor feels assured, from his experience in the Scientific Art of Daguerreotyping, and the superior facilities of “Light” and apparatus which his establishment affords, he can produce pictures which, for superiority of tone and finish, cannot be excelled, if equaled, in this city or country.  Satisfactory pictures given or no charge.  The public are respectfully invited to call and examine his specimens.  M. S. Cahill.           

1857 November 18. The Boston Herald.  (Boston, Massachusetts.)  November 18, 1857, No. 10,703, P. 2.

Photographs For $1.00.  Cahill & Co., 293 Washington street, is now prepared to take Photographs, large size, such as we have always had $5.00 for, at the astonishing low price of one dollar.  Ambrotypes, such as we have always had $1 for, we are not taking for 25 cents.—Those in want of either ambrotypes, photographs, daguerreotypes, or any of the various kinds of pictures that are now made, will find it very much to their advantage to call at No. 293 Washington street.

1857 November 19. The Boston Herald.  (Boston, Massachusetts.)  November 19, 1857, No. 10,704, P. 2.

The Fall of Delhi.  The news reached Boston, Nov. 14th; on the same day Cahil & Co., No. 293 Washington street, concluded to reduce their prices of Ambrotypes, Photographs and Daguerreotypes.  Ambrotypes, 25 cents, Photographs, $1.

November 19 & 20, 1857.

1859 July 7. Boston Press and Post Semi-Weekly.  (Boston, Massachusetts.)  July 7, 1859, Vol. XXII, No. 97, P. 4.

The Parade of the “Odds and Ends.”  …The Cacaan Brass Band, an organization consisting of forty-five instruments, including a drum corps of thirteen…Arriving at State street, the line was brought to a halt while a large photograph of the company was taken by Cahill, without—we are happy to say—any serious damage to his instruments.

1861 May 6. Boston Traveller.  (Boston, Massachusetts.)  May 6, 1861, Vol. XVII, No. 30, P. 2.

“Leave Your Likeness At Home.” –At Mr. Cahill’s rooms, 293 Washington street, are beautiful life-like specimens of Ambrotypes and photographs taken by artificial light in the evening, by Dodge’s patent process, which is very desirable for those whose advocations render it inconvenient to have pictures taken in the day time.  Mr. Cahill is equally successful in his pictures taken by sunlight, and his prices are reasonable.

1861 March 27. The Boston Herald.  (Boston, Massachusetts.)  March 27, 1861, P. 2.

Night Pictures!  Ambrotypes And Photographs Every Evening!  The subscriber, having purchased the exclusive right to the city of Boston for taking Photographs and Ambrotypes by “Dodge’s Artificial Light Process,” would respectfully give notice that his rooms, at No. 293 Washington Street, will be open This Evening, Wednesday, March 27th, to all whose occupation renders it inconvenient for them to have Pictures taken in the daytime.  M. S. Cahil.

N. B.  Skeptics invited to examine specimens.

1861 March 30. The Boston Herald.  (Boston, Massachusetts.)  March 30, 1861, P. 4.

Night Pictures!  Ambrotypes & Photographs Taken Every Evening, By Cahill, No. 293 Washington Street.

1861 May 9. The Daily Evening Traveler.  (Boston, Massachusetts.)  May 9, 1861, Vol. XVII, No. 33, P. 2.

Ambrotypes and Photographs, are taken in superior style and colored by a skillfull artist to give a life-like expression, by sunlight or artificial light, day or evening, at the rooms of Mr. Cahill, 293 Washington street—call and see his specimens, and notice his reasonable prices.

1861 May 9. The Daily Evening Traveler.  (Boston, Massachusetts.)  May 9, 1861, Vol. XVII, No. 33, P. 2.

Ambrotypes and Photographs, are taken in superior style and colored by Mr. J. B. Wilkinson, a skillful artist, to give a life-like expression, by sunlight or artificial light, day or evening, at the rooms of Mr. Cahill, 293 Washington street—call and see his specimens, and notice his reasonable prices.

1863 March 7.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 7, 1863, Vol. XXXV, No. 10,085, P. 2.

The Fire On Washington Street, at 9½ o’clock last evening, was much more destructive than reported in the morning papers.

It broke out in the chemical department connected with the photographic establishment of Messrs. Case & Getchell, and which was located in the second story of the rear of 293, completely destroying the room and its contents of Chemicals, silver, &c.

The flames also extended into the operating room of the firm, breaking the sky-lights, and burning most of the fixtures and furniture.

The entire stock of negatives in the establishment were preserved fr4om injury, with the exception of those taken yesterday, which were destroyed by the fire breaking the glass, as any amount of saturation by water will not injure them.

Messrs. Case & Getchell’s loss is estimated at from $2000 to $3000, but they are fully insured.  Their fine reception room at No. 299½ in no wise suffered from the effects of the fire, nor will their business be interrupted more than a day or two.

The flames penetrated the photograph room of M. S, Cahill, in the second story of 293, destroying valuable pictures and furniture—the new skylights above were also badely broken.  Damage about $1000, and insured.

The photograph rooms of L. H. Hale, on the lower floor of No. 293, were damaged about $250 by water.  Insured at the Suffolk office.

1865 September 14.  Boston Daily Advertiser.  (Boston, Massachusetts.)  September 14, 1865, Vol. 106, No. 64, Whole No. 15,929, P. 4.

Business Changes. 

Boston, Mass.:—Brownell & Cahill, Photographers, dissolved.  A. C. Brownell, Artist.

Getchell & Brownell, Photographers.  New firm—W. B. Getchell and A. C. Brownell.

1865 September 16.   Commercial Bulletin,  (Boston, Massachusetts.)  September 16 , 1865, Vol. VII, No. 349, P. 2.

Changes in Business in Boston.

Getchell & Brownell, Photographers; new firm—W. B. Getchell & A. C. Brownell.

Brownell & Cahill, Photographers; dissolved.

1896 March 28.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 28, 1896, P. 11.

Mr. Miles Standish Cahill, who died at Dorchester Friday, had been a successful business man in this city for nearly half a century.  He was born in Chatham, Mass., Oct. 15, 1823.  When nineteen years of age he came to this city and for some years was in the daguerreotype and photograph business on Washington street.  For the last twenty-five years he carried on a large business in shoe findings, slippers, etc. he was a member of the Universaltist Club, a Mason, an Odd Fellow. A Knight of Honor and a member of other fraternal societies.


[1] A Directory Of Massachusetts Photographers 1839-1900

[2] Eastman & Cahill.

[3] Brownell & Cahill.