1844-1845 268 Baltimore Street, Baltimore, Maryland.
1846-1847 30 West Fourth Street, Cincinnati, Ohio.
1847-1852 30 & 32 West Fourth, Cincinnati, Ohio.
1853 6 West Fourth Street, Cincinnati, Ohio.[1]
1855 6 West Fourth Street, Cincinnati, Ohio.
1856-1857 Over Merchants’ Bank, Cleveland, Ohio
1857-1858 Address Unknown, New York, New York.1
1859 Address Unknown, Cincinnati, Ohio.
1843 November 13. The Sun. (Baltimore, Maryland.) November 13, 1843, Vol. XIII, No. 147, P. 2.
Removal Of D. J. Fontayne’s Artificial Flower Manufactory to 268 Baltimore street, above Howard, opposite the Globe Inn—D. J. F. has on hand a handsome assortment of Flowers, of the latest fashions, which she will offer at the following low prices—Velvet Face Flowers, with eich shaded velvet leaves, orange or green, at 18½ cts. to 25 cents per pair, of every style; outside Bunches, with rich shaded velvet leaves, from 50 to 75 cents; face Flowers, of handsome styles from 12½ to 25 cts. per pair, &c. Merchants and Milliners supplied by wholesale at the very lowest prices. Persons wishing to purchase are invited to give her a call.
N. B.—Flower Makers can be supplied with Stamps, Leaves, &c., by Chas. Fontayne.
1844 April 29. The Sun. (Baltimore, Maryland.) April 29, 1844, Vol. XIV, No. 137, P. 2.
It has been noted as the characteristic of the most refined taste, that it “Love to linger on the magic face of human beauty;” and truly, if we range the vast domains of nature in search of that which is most lovely to the eye, as well as most interesting to the mind, it is certainly found in the light and shade of the human countenance. How many have spent their lifetime in trying to portray it with the brush, and how few have succeeded in giving that living expression to their works which the original possess—But the recent great improvement in the art of Photography, in a few seconds of time has enabled the operator to catch them all. Those familiar only with the earlier attempts in this art, will be astonished to find how that sickly and deathly hue has given place to that healthy and natural color which our late improvements possess. Likenesses taken daily, in all kinds of weather (rain or sunshine) in from 5 to 30 seconds of time. Stranger and citizens are invited to call and examine specimens. Fontayne & Porter, No. 268 Baltimore street, (above Howard) opposite the Globe Hotel.
Advertisement ran from April 29 to May 1, 1844.
1844 May May. The Sun. (Baltimore, Maryland.) May 4, 1844, Vol. XIV, No. 142, P. 2.
The Convention.—Great Perfection Of Our Art.—The citizens of Baltimore have now the opportunity of examining several Photographic Views of the Great Whig Convention passing down Baltimore street, presenting an appearance truly wonderful. In the distance is to be seen the two Arches, Banners, &c., with many thousands of persons as they appeared in the street—ladies at the windows waving handkerchiefs, &c.
Colored Likenesses taken daily, rain or sunshine, in from 5 to 30 seconds of time. The public are invited to call and examine specimens. Fontayne & Porter, No. 268 Baltimore street, above Howard, opposite the Globe Inn.
1846 December 24. Daily Cincinnati Commercial. (Cincinnati, Ohio.) December 24, 1846, Vol. VII, No. 57, P. 2.
Christmas and New Year’s Oresents, At Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, No. 30 West Fourth Street, between Main and Walnut, opposite St. Paul’s Church.
These appropriate Presents for the season can be had after a few moments sitting, which, for strength of impressions and beauty of tone, have stood comparison with the works of the best operators of the East. The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of Parents, to his facilities for taking Children.
These Portraits are warranted not to fade in any place or situation whatever. Daguerreotypes taken over four years, by the subscriber, and exposed to the bleaching effects of the sun, can be seen at the Rooms.
Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.
Chas Fontayne, Late of the firm of Fontayne & Porter, Baltimore, Md.
N. B.—Apparatus furnished, and the Art taught on the principles of Chemical Philosophy, and embracing all the very latest improvements of the East, upon the most reasonable terms. The public are invited to call and examine specimens at his Gallery.
Advertisement ran from December 24, 1846 to January 15, 1847.
1847 January 16. Daily Cincinnati Commercial. (Cincinnati, Ohio.) January 16, 1847, Vol. VII, No. 75, P. 2.
J. C. Fontayne. The gentleman whose name heads this article, has but recently come to our city from the East, and opened rooms for Daguerreotyping, on Fourth street, north side, near Walnut. From specimens of his work which have come under our notice, he is, without doubt, well acquainted with the various branches of this style of Miniatures, and calculated, from this knowledge, to adapt his pictures to the taste of any and all who may favor him with a call.
1847 September 21. Daily Cincinnati Commercial. (Cincinnati, Ohio.) September 21, 1847, Vol. VIII, No. 145, P. 2.
Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.
Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East. The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.
These Portraits are warranted not to fade in any place or situation whatever. Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.
Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.
Chas. Fontayne.
Advertisement was recorded from September 21 to October 15, 1847.
1848 February 25. Daily Cincinnati Commercial. (Cincinnati, Ohio.) February 25, 1848, Vol. IX, No. 125, P. 2.
Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.
Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East. The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.
These Portraits are warranted not to fade in any place or situation whatever. Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.
Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.
Chas. Fontayne. nov3.
Advertisement was recorded one time on February 25, 1848.
1848 September. Public Library of Cincinnati and Hamilton County Pamphlet.
Fontayne & Porter 8 Whole Plate Panorama Daguerreotype of Cincinnati partnership Ca. 1848-1854.
1848 October 20. Daily Cincinnati Commercial. (Cincinnati, Ohio.) October 20, 1848, Vol. XI, No. 17, P. 2.
Fontayne, daguerreotypist in this city, has completed a full daguerreotype panorama of Cincinnati! A portion of it may be seen in front of his room on Fourth street.
1848 December 30. Daily Cincinnati Commercial. (Cincinnati, Ohio.) December 30, 1848, Vol. XI, No. 77, P. 2.
Holyday Presents.—In what manner can money be better spent than by presenting to a friend a faithful likeness of one’s self? Many who bethought themselves during the holidays, a year ago, of this kind of present, little dreamed they were giving what is now invaluable, whether rendered so by death or absence. Fontayne & Porter, No. 30 and 32 West Fourth street, Between Main and Walnut.
Advertisement was recorded on December 30, 1848 and January 1, 1849.
1849 January 3. Daily Cincinnati Commercial. (Cincinnati, Ohio.) January 3, 1849, Vol. XI, No. 79, P. 2.
The Greatest Gem of Modern Art, are the Daguerreotypes taken by Fontayne & Porter. The exquisite finish of the picture, the warm, glowing depth of tone, the clear, brilliant expression of the eye, all command the admiration of hundreds who b=visit the gallery, all anxious to obtain a likeness of themselves or friends.
Gallery No. 30 & 32 West Fourth st., between Main and Walnut.
Advertisement ran from January 3 to 12, 1849.
1849 January 12. Daily Cincinnati Commercial. (Cincinnati, Ohio.) January 12, 1849, Vol. XI, No. 87, P. 2.
The Expression Of The Eye Perfected.—The immense Sky-Light used by Fontayne & Porter, Daguerreotypists, enables them to produce Portraits and Family Groups which are the admiration of all who have seen them, diffusing an even light over the sitter, giving to the drapery great force of shadow, and to the Eyea clear and brilliant expression, which cannot be obtained by the old method of the side window. Miniatures taken daily, without regard to the state of the weather.
Advertisement ran from January 12 to 24, 1849.
1849 January 24. Daily Cincinnati Commercial. (Cincinnati, Ohio.) January 24, 1849, Vol. XI, No. 97, P. 2.
Fontayne & Porter’s Daguerreotype Gallery.—These beautifully furnished Rooms continue to attract crowds of visitors and strangers daily. The many fine specimens of the Daguerrean Art which adorn the Gallery command general admiration. No improvement which modern search has discovered but is immediately applied. The various conveniences in all the chemical and operating departments enable them to produce, in the shortest possible time, Portraits and Family Groups unrivalled for brilliancy of impression and faithfulness of execution. No state of the weather deters them from producing beautiful Miniatures. Gallery Nos. 30 and 32 West 4th st., between Main and Walnut, Cin.
Advertisement ran from January 24 to February 7, 1849.
Beautiful As Are The Productions of the Painter’s Art, still the Daguerreotype, for accuracy of detail and beauty of execution, will command the preference. The associations connected with the Daguerreotype are preferred in the extreme, when we view the miniature of those we love; it is the impression of their own shadow, drawn by the faithful pencil of Nature.
Fontayne & Porter still are on the advance with improvements, and are daily giving their customers Pictures which give great satisfaction. Gallery Nos. 30 and 32 West Fourth st.
Advertisement ran from February 12 to 27, 1849.
1849 February 28. Daily Cincinnati Commercial. (Cincinnati, Ohio.) February 28, 1849, Vol. XI, No. 127, P. 2.
California Has Not Turned The Heads of Fontayne & Porter, Daguerreotypists; but they are still as active as ever in making improvements. The last one is the receipt of a very fine improvement of great Focal power and perfection, in which children and aged persons are taken almost in an instant of time. Persons wishing Miniatures of their children, have now the opportunity of procuring a perfect Likeness.
Gallery Nos. 30 and 32 West Fourth st., between Main and Walnut, Cin.
Advertisement ran from February 28 to March 14, 1849.
1849 March 15. Daily Cincinnati Commercial. (Cincinnati, Ohio.) March 15, 1849, Vol. XI, No. 140, P. 2.
Never Behind The Times In Improvements.—The new quick working Camera of Voightlander & Sons, of Vienna—their latest improvement—is now in constant use at Fontayne & Porter’s. Perfect pictures warranted, taken in all weathers, even in the darkest days, in a few seconds of time. The groups of Children taken by this splendid instrument are not to be surpassed.
Gallery Nos. 30 & 32 West Fourth st., between Main and Walnut, Cincinnati.
Advertisement ran from March 15 to 30, 1849.
1849 March 31. Daily Cincinnati Commercial. (Cincinnati, Ohio.) March 31, 1849, Vol. XI, No. 154, P. 2.
It’s Painful To The Eye. How often do we hear persons make this remark after they have been sitting for a Daguerreotype likeness. This great evil has been overcome by Fontayne & Porter—their Pictures are taken by a north side and sky light. Which gives no pain to the sitter, thereby enabling them to make those beautiful Pictures which are so much admired for their beauty of tone, clear and expressive eyes; all of which is adding daily to the already high reputation of their establishment.
Strangers and citizens should call and examine the fine collection of Portraits in the Gallery, No. 30 and 32 West Fourth st., between Main and Walnut. Admission free.
Advertisement ran from March 31 to April 9, 1849.
1849 April 10. Daily Cincinnati Commercial. (Cincinnati, Ohio.) April 10, 1849, Vol. XII, No. 6, P. 2.
Going To California.—Every man that is bound for the Gold Region has some dear friend or relation to leave behind: and what would be more pleasing to that father, brother, sister, or friend, than a good Daguerreotype Likeness of one’s-self? Call at Fontayn & Porter’s, and get one of their gems.
Gallery No. 30 and 32 West Fourth st., between Main and Walnut. Likenesses taken in any weather.
Advertisement was recorded fifty-four times between April 10 and July 19, 1849.
1849 June 20. Daily Cincinnati Commercial. (Cincinnati, Ohio.) June 20, 1849, Vol. XII, No. 67, P. 2.
Daguerreotype Portrait Gallery. No. 30 West 4th st., bet Main and Walnut. Fontayne & Porter, Proprietors. This Establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West. The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited. This alone proves the superiority of our Pictures.—We invite all to pay us a visit and examine for themselves.
The art of Daguerreotyping taught on scientific principles. We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art. Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.
Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting. Frames, Cases, and Gold Lockets, of various patterns for sale. Alsom German and American Cameras.
N. B. The best hour for taking children is from 11 A. M. to 4 P. M.
No. 30 West 4th street, between Main and Walnut. Fontayne & Porter.
Advertisement ran from June 20 to August 22, 1849.
1849 July 19. Daily Cincinnati Commercial. (Cincinnati, Ohio.) July 19, 1849, Vol. XII, No. 91, P. 2.
Bring It Back. The person who stole the beautiful Daguerreotype view of the Philadelphia Exchange, from the door of Messrs. Fontayne & Porter, had better return it at once, as it has been seen and admired by thousands in this city, and would undoubtedly lead to the detection of the thief should he offer it for sale. It is highly prized as a specimen by the owners, and we hope they may recover it.
1849 August 11. Daily Cincinnati Commercial. (Cincinnati, Ohio.) August 11, 1849, Vol. XII, No. 111, P. 1.
Passing along Fourth street a few days ago, my attention was arrested at the entrance to the Daguerrean rooms of Messrs. Fontayn & Porter, by a very perfect and beautiful picture of Girard College, at Philadelphia. Being myself a sort of amateur operator, the superiority of this, together with other specimens exhibited at their door, I determined to embrace the earliest opportunity of paying said gallery a visit. I this morning spent a couple of hours in examining and studying its contents, and, although I have visited all the best establishments of this kind in New York and Philadelphia, I am free to say that I have seen but few specimens to equal those which adorn this gallery.—The collection comprises a great variety of landscape views, family groups, &c., much superior to any I have seen elsewhere. The taking of views and groups of persons, has always been considered the most difficult branch of the art, and it is a branch in which but few operators have been successful; but the efforts of these gentlemen, in this department of their profession, may be set down as the ne plus ultra of excellence. I was highly pleased and interested in examining a very comprehensive view of your “Queen City of the West.”—This is indeed a beautiful picture, embracing the entire river line of the city—a distance of some six or seven miles! So faithfully and distinctly are the various objects represented, that the name of the different steamboats lying at the wharves, are legibly brought out. The sign on all the warehouses, stores, &c., fronting on the river, are likewise given with equal distinctness. I also read the names of several firms, on large buildings, situated high up in the city. This, so far as my knowledge extents, is the greatest feat ever performed in the art of Daguerreotyping.
The collection also embraces views of Fairmount water-works, scenes on the banks of the Schuylkill river, and many of the finest residences and public buildings in Philadelphia—all of them perfect, even under the test of a strong magnifying glass—throughout, their softness, evenness and beauty of finish, is remarkable. I was informed, upon inquiry, that some of these splendid sketches might be purchased at a fair price, and it is matter of surprise with me, that they have not ere this been transferred to the dwellings of some of your wealthy citizens. Certainly, nothing more beautiful or interesting could adorn the walls of a private parlor.
Among the many portraits of distinguished persons, is a very accurate and life-like one of “Amelie,” of Kentucky. Having frequently seen this gifted lady, I am able to judge as to the merits of her picture. Here, also, may be seen a likeness of the brave and noble-hearted sailor, Frederick Jerome, who, at the imminent risk of his own, saved so many lives from the burning of the steamship “Ocean Monarch.” He is taken in the same clothes he wore at the time this awful scene occurred. The actions of this obscure sailor, on this occasion, were sublime, and shed around him in his humble station a moral grandeur and exaltation of character, to which but few in any sphere of life may lay claim; and far more ennobling than the rank and title of a king! The “counterfeit presentment” of many distinguished statesmen , poets and divines, may likewise be seen and studied here. Clay, Van Buren, Dallas, Clayton, Buchanan, Webster, Irving, Cooper, Bryant and John Quincy Adams, are among the number—all of them accurate, distinct and life like. I was shown also several likenesses taken in death, by these accomplished operators. The partially closed, expressionless eyes, the pale, fixed features, and even the cold sweat upon the brow, are rendered with an effect so startling and truthful as I had thought never could be attained in a type of the departed.
Messrs. Fontayne & Porter are worthy of all praise and encouragement, for what, with energy and talent they have done to develop and perfectionate their profession in the west.
With your permission, Mr. Editor, I may offer, before my departure from amongst you, a few remarks concerning matters and things in general in your city—her peculiarities, business, present condition, and future prospects—impressions and fore-shadowings of a Sojourner.
1849 August 23. Daily Cincinnati Commercial. (Cincinnati, Ohio.) August 23, 1849, Vol. XII, No. 121, P. 2.
Daguerreotype Portrait Gallery. No. 30 West Fourth St., Bet Main and Walnut. Fontayne & Porter, Proprietors.—This establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West. The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited. This alone proves the superiority of our pictures.—We invite all to pay us a visit and examine for themselves.
The art of Daguerreotyping taught on scientific principles. We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art. Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.
Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting. Frames, Cases, and Gold Lockets, of various patterns for sale. Alsom German and American Cameras.
N. B. The best hour for taking children is from 11 A. M. to 4 P. M.
No. 30 West 4th street, between Main and Walnut. Fontayne & Porter.
Advertisement ran sixty-two times between August 23 to November 20, 1849.
1849 December 10. Daily Cincinnati Commercial. (Cincinnati, Ohio.) December 10, 1849, Vol. XII, No. 214, P. 2.
Daguerreotyping. We were shown yesterday the likeness of twins, two years old, taken by Fontayne & Porter, No. 30 West Fourth street, which elicited general admiration. The perfection to which this art has been brough is truly astonishing.
1850 March 16. Daily Cincinnati Commercial. (Cincinnati, Ohio.) March 16, 1850, Vol. XII, No. 294, P. 2.
The Washington Euterpeans. Fontayne & Porter on Fourth street near Walnut, have just completed a beautiful Daguerreotype of those justly popular singers. It is a group of them all, six in number, and can be seen at their gallery No. 32, west Fourth street.
1850 October 24. Daily Ohio Statesman. (Columbus, Ohio.) October 24, 1850, Vol II, New Series—No. 979, No 880.
Ohio State Agriculture Fail. Discretionary Premiums…
Fontayne & Porter, Cincinnati, for superior daguerreotypes.
1850 October 24. Liberty Hall And Cincinnati Weekly Gazette. (Cincinnati, Ohio.) October 24, 1850, Vol. 51, No. 2415, P. 2.
Ohio State Board of Agriculture. The following is a list of premiums awarded by the several committees, also the discretionary premiums recommended and amended by the Executive Committee…
Paintings And Drawings, Open To All…
Best specimen of Architecture, Fontayne & Porter, Cincinnati, Dip.
Best collection of Portraits, Thomas Faris, Cincinnati, Dip.
Best specimen of single face, E. C. Hawkins, Cincinnati, Dip.
Best specimen of Talbotypes, E. C. Hawkins, Cincinnati, Dip.
1851 September. The Photographic Art Journal. (New York, New York.) September 1851, Vol. II, Vo. 3, P. 153-154.
From La Lumiere. The Worlds’ Fair. Translated from the French by J. Russell Snelling, M. D. To Monsieur Montfort: Sir:—Intrusted by you with the honorable and delicate mission of describing to the readers of La Lumiere, in a series of critical letters, the contributions of the photographers of different nations to the Worlds’ Fair at London, I cannot wholly conceal from myself for a single moment the many and various difficulties which this task imposes upon me. I have likewise, hesitated a long time as to the manner which it would be the most expedient and useful for me to begin the subject. A single word from one of those men whom it gives me pleasure to call my perception in the art, terminated my perplexities and decided my irresolute mind. In a visit of several days—made quite recently to Paris. I related my troubles to Mr. Ziegler, who thus said to me: “Why give yourself so much trouble to arrive less expeditiously at that point which you could reach very easily by marching straight before you? The chief wish of our photographers is, to know what their brethren of foreign countries are sending to London. Commence by making out a catalogue, than you will render an account of the woks.”
The advise was good, and I have followed it. In the indication of the name of the artists, I have adopted the alphabetical order. Before the name I inscribe the number of the order in which each member is found in the list; after the name, I write the number which is devoted to him in the official catalogue; then I indicate the number of frames, with those proofs which they contain, designate those which are upon paper, upon plate, and upon glass; and afterwards, I copy the excellent remarks accompanying the works which the authors have judged apropos. As to a classification of nations, it was very natural that I should have followed the same order which has been adopted in the Crystal Palace. To commence with the United States, the department of which is situated at the eastern extremity of the Hyde Park edifice, and to finish our description with England and its dependencies, which are placed at the western extremity, and passing along through the intervening nations, appears to me the most rational method.
United States of America:—
1. Mr. Brady, of New York. 137, has exhibited 35 portraits upon plates.
2. Mr. Evans, Buffalo, U. S., 105; Three frames, each containing six portraits upon plates.
3. Messrs. Fontayne & Porter, (bearing the number 550 which does not yet exist in the U. S. catalogue): view of Cincinnati, composed of eight plates united in the same frame, and where the points of junction are concealed by perpendicular fillets, in such a way that the spectator appears to see the city through a gallery of columns.
4. Mr. Harrison, 225, Five portraits upon plates, and several camera obsecura.
5. Messrs. W. & F. Langenheim: Panorama of Philadelphia and a view of Fairmont, near Philadelphia. In both, several proofs upon paper, are brought together so as to form a panorama. Talbotype.
6. Mr. Lawrence, 151, Twenty-six portraits, among which six are representations of three persons from nature.
7. Mr. J. G. Mayall, Philadelphia, 491; Seventy-two plates, among which is found Notre Dame, from M. Le Baron Gross.
8. Messrs. Meade Brothers, N. Y., 109; Twenty-four frames containing nearly all single portraits upon plates, together with some groups.
9. Mr. W. A. Pratt, Richmond, Va., 264; Three frames enclosing jointly twenty-six portraits upon plates.
10. Mr. Jno. A. Whipple, Boston; 451: Five single portraits; three family groups, one of which has seven figures, another nine, and the last six, the whole upon plates. A daguerreotype of the moon taken by means of the large telescope at the Cambridge observatory.
10. Mr. J. H. Whitehurst, Norfolk, Va., 377: Twelve views upon plates, of the Niagara Falls, taken from nature, in Sept. 1850.
1852 January 6. Daily Cincinnati Commercial. (Cincinnati, Ohio.) January 6, 1852, Vol. XV, No. 72, P. 2.
Daguerreotypes by the mammoth sky-light.—Fontayn & Porter, No. 30 West Fourth street, between Main & Walnut,—are always fully prepared (rain or sunshine) to accommodate you with a Miniature in their unsurpassed style.
1855. Cincinnati City Directory. (Cincinnati, Ohio.) Advertisements P. 76.
Fontaine’s Gallery Of Daguerreotype Portraits, And Family Groups, No. 6 West Fourth Street, Between Main and Walnut.
1855 January 20. Cleveland Daily Plain Dealer. (Cleveland, Ohio.) January 20, 1855, Vol. X, No. 226, P. 2.
Now Look Out. The following communication from Dr. Buchanan, of Cincinnati, to the New York Tribune, discloses the fact that the whole Rag Money system is in danger of being blown sky high by the magic power of Photography.—Counterfeiters will not be slow in availing themselves of the discovery, and then they will be able to deceive the very elect among the money changers. Dr. Buchanan says:—
I have just witnessed some illustrations of the art of Photographic Counterfeiting, which I deem highly important, not only to bank officers, but to the public at large. Mr. Fontayne, of this city, one of the best daguerreotypists in the world, has recently made several photographic copies of bank notes, which far surpass, in the perfection of their details, anything which has ever been done in the old way of counterfeiting. When these photographs are carefully taken on proper bank note paper, they defy detection either by the naked eye or by microscopic inspection…
1855 January 31. The Ashland Union. (Ashland, Ohio.) January 31, 1855, Vol. IX, No. 36, Whole No. 1202, P. 1.
Same article.
1855 January 31. Cadiz Democratic Sentinel. (Cadiz, Ohio.) January 31, 1855, Vol. 21, No. 39, P. 2.
Bankers, Look Out. Same article.
1855 February 8. Carroll Free Press. (Carrollton, Ohio.) February 8, 1855, Vol. 23, No. 6, P. 1
Photography in Counterfeiting. Correspondence of the N. Y. Tribune. Same article, expanded.
1856 May 29. Cleveland Morning Leader. (Cleveland, Ohio.) May 29, 1856Vol. 10, No. 49, P. 1.
Ryder’s Photographs.—We called in at Ryder’s daguerrian rooms yesterday, when the first objects that caught our attention were four most admirable executed photographs, two of life size and two cabinet size. They are certainly as fine specimens of the art as were ever exhibited in this city. They were taken by Mr. Chas. Fontague, (sic.) whose services Mr. Ryder has lately secured. Mr. F. is from Cincinnati, where his pictures have attracted general admiration. He showed us a large collection of valuable photographs, among which were many portraits of distinguished personages, which have a very life-like appearance. Among the rest were some beautiful scenes from nature, but the most remarkable of all was a collection of pictures taken from the ruins of Carthage, Thebes and Memphis, and other Egyptian and African ruins; besides these scenes from around Athens and Rome that are highly entertaining. These should be framed and hung around the rooms for the benefit of the visitors, as they are not only well worth seeing but instructive. Mr. Ryder has done well in thus associating with him in his business Mr. Fontague, (sic.) and we feel confident that they cannot but be highly successful. Their intention is to take photographs of all sizes. We understand the smaller ones will be put at very reasonable prices and within the means of any one desirous of having a good picture taken.
1856 March 31. Cleveland Morning Leader. (Cleveland, Ohio.) March 31, 1856, Vol. 10, No. 50, P. 1.
The name of the gentleman associated with Mr. Ryder in the Photograph business is Chas. Fontayne, instead of Fonyague, as we printed it on Saturday. Mr. F. is the same person who photographed the bills of several of the Cincinnati banks so exactly that the officers of the banks could not distinguish between the imitations and the genuine ones. We would again say that his pictures are highly worthy the attention of all interested in such matters.
1856 April 28. Cleveland Daily Plain Dealer. (Cleveland, Ohio.) April 28, 1856, Vol XII, No. 102, P. 3.
Ryder is taking a great number of Ambrotypes in the very best style. The Photographs of Mr. Fontayne now being taken at these rooms have not been surpassed in the West. They compare favorably with the best now taken in New York, and colored or not, are beautiful representations of the human face.
1856 May 1. Cleveland Morning Leader. (Cleveland, Ohio.) May 1, 1856, Vol. 10, No. 78, P. 2.
Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.
Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.
His portraits are unequalled in this country. Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.
Lovers of Art are invited to call and examine specimens.
Advertisement ran from May 1 to September 30, 1856.
1856 May 2. Cleveland Daily Plain Dealer. (Cleveland, Ohio.) May 2, 1856, Vol. XII, No. 106, P. 2.
Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.
Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.
His portraits are unequalled in this country. Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.
Lovers of Art are invited to call and examine specimens.
Advertisement ran from May 1 to 26, 1856.
1856 May 15. Cleveland Daily Plain Dealer. (Cleveland, Ohio.) May 15, 1856, Vol XII, No. 117, P. 3.
Ryder’s Ambrotypes.—The rooms of Mr. Ryder, the Daguerreotypist, over Merchants’ Bank, are becoming a resort for the beauty and fashion of the city. As an artist, his success in securing good pictures has rarely been surpassed in this country. The comparatively recent introduction of photography has not become familiar to the people, but those who have visited the exhibition of Mr. Fontayne’s photographs, will cheerfully testify to their admirable perfection and beauty.
1856 August 14. Cleveland Morning Leader. (Cleveland, Ohio.) August 14, 1856, Vol. 11, No. 195, P. 3.
A beautiful photograph, from a splendid steel engraving, has just been taken by Mr. Fontayn, at Ryder’s Daguerrean Gallery, of “Evangeline,” one of the sweetest of all poetic creations. The countenance of “Evangeline” is angelic in its simplicity and innocence, and perfectly charming in its beauty. Mr. Fontayne has several of these pictures for sale; those who love the beautiful will not require an invitation to purchase after seeing the picture.
1856 August 27. Cleveland Daily Plain Dealer. (Cleveland, Ohio.) August 27, 1856, Vol XII, No. 204, P. 3.
Miniature City Map.—Pierce & Co. have just published on a little sheet a very neat map engraved by Tibbitts, of this city. We understand that a photograph was taken at Ryder’s by Prof. Fontayne, engraved and electrotyped and is furnished at five cents a sheet, or 75 cents the quire, It will be found convenient for business men and others, to inform their correspondents particularly as to the location of a residence or office. It gives the names of the streets, designates the wards and shows the different lines of the railroads meeting in the city.
1857 August 29. Cleveland Morning Leader. (Cleveland, Ohio.) August 29, 1857, Vol. 11, No. 208, P. 3.
Mr. Fontayne, with Mr. Ryder, has taken several “star” pictures of residences about town—among them, that of Mr. Price, on Euclid street. It is a splendid picture; and is an excellent method, for those who feel disposed, to secure pleasant remembrances of the “homestead.”
1859 July 28. Railroad Record and Journal of Commerce, Banking, Manufactures and Statist.. (Cincinnati, Ohio.) July 28, 1859, P. 270.
Fontayne’s Telesmatic Photograph. In the short notice which we gave of this “magical light-writer” last week, we had only time and space to say that it would print from 3.000 to 4,000 perfect photographs in an hour. This, we then thought, was sufficiently marvelous to be believed by only a few of the most credulous. Since then we have become better acquainted with the capacities of the inventor and his machine, and we have no hestitation in saying that it can be made to far surpass even these marvelous figures.
Photographers have been able, for some years, to make paper exceedingly sensitive to the influence of reflected light; and one great difficulty with many of them, has been to so retard this sensitiveness, as that they could admit the rays of light, and instantly shut them out, without spoiling their paper.
This waste of paper, too, has been another serious objection, and has kept the price of photographs ranging at high rates.
These difficulties Mr. Fontayne has been facing for years, earnestly working against them, and such has been his success, that his pictures have stood first wherever they have been presented.
Being cast upon what many supposed his death-bed, about the first of this year, he had time sufficient to classify his experiments, to theoretically meet his difficulties, and discuss them as they seemed to be presented.
The results wa have already given, and, in reviewing the subject, we find that he makes the paper, upon which the picture is to be produced, exceedingly sensitive. This he dries, and places upon a cylinder in a dark case, having apparatus on the exterior by which the cylinder can be rotated. In the top of this case is an orifice through which the light can be admitted; and underneath this is the negative, so adjusted that it can be made to touch the paper, and leave it similar to the fly in a printing machine. Over this orifice and negative, is mounted a large condensing lens, of such power that a most intense light can be projected through the negative upon the paper beneath. But to prevent any action of the light, except as wanted, this orifice is closed by a slide which is adjusted in a frame, and so operated by coil springs, that his motion is instantaneous, and the orifice is opened and closed as instantaneously as the contraction of a coil spring can produce action. By means of connecting levers and cams, one operator can rotate the cylinder, cause the slides to move together in such a manner, that with one negative, one hundred flashes of light may be admitted per minute, and thus over 6,000 pictures may be given in one hour. But the same machine will admit as many as ten small negative , all operated at the same time, and only requiring more paper.
His improvements also extend to the manner of toneing (sic.) up these impressions afterward; for the paper, on being removed from the cylinder, is as white as when rolled upon it; but the governor of the light is not mistaken. The invention is truly a remarkable one, and will introduce some new flashes in photography.—Scientific Artisan.
1859 September 10. The Penny Press. (Cincinnati, Ohio.) September 10, 1859, Vol. 2, No. 18, P. 3.
If any one wishes to run his face, Cincinnati furnishes as progressive Photographers as can be found anywhere. The walls of the room devoted to the fine arts prove that. We do not see, however, specimens of the recent wonderful discovery of Fontayne, of this city, by which he can print fifteen thousand impressions of a picture in an hour. Fontayne’s Telesmatic Photographs make eastern artists say, “That Queen City is a great place.”
1859 September 22. Evening Star. (Washington, D. C.) September 22, 1859, Vol. XIV, No. 2,069, P. 1.
Patents week ending September 20, 1859. Chas. Fontayne, of Cincinnati, O.—For photographic printing machine No. 25, 540.
1859 September 28. The Penny Press. (Cincinnati, Ohio.) September 28, 1859, Vol. 2, No. 33, P. 1.
Patens To Ohio Inventors. The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…
Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine. [No. 25, 540]
1859 September 30. Dayton Daily Empire. (Dayton, Ohio.) September 30, 1859, Vol. 10, 10 217, P. 2.
Patens To Ohio Inventors. The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…
Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine. [No. 25, 540]
[1] Craig’s Daguerreian Registry.
Pioneer American Photographers, 1839 - 1860 