Tag Archives: James Wallace Black

Ives, Loyal Moses

Ca. 1844-1846            Address Unknown, Boston, Massachusetts.[1], [2], [3]

1847-1856                   142 Washington Street, Boston, Massachusetts.3

1851                            near the Old South [Church], Boston, Massachusetts.3

Ca. 1850-56.  Advertising Card in back of a Ninth Plate Daguerreotype.  Chris Steele’s collection.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars. 

N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

Information from The New York Historical Society’s Directory of Artists in America 1564-1860. (New Haven, Connecticut & London, England.)  P. 342.

Ives, Loyal Moss.  Portrait painter who worked in New Haven (Conn.) During the latter 1850’s and in NYC from about 1863 into the 1890’s

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut. Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 September.  Massachusetts Charitable Mechanic Association Report (Boston, Massachusetts.)  September 1850, N. P.

Exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association Fair.  A silver medal was awarded.

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

 Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs. Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 October 16.  Railway Advertiser.  (Boston, Massachusetts.)  October 16, 1850, Vol. 2, No. 13, P. 1.

Ives Daguerreotype Rooms!  142 Washington Street, Boston.  (Opposite The Foot Of School Street.)  The Public are respectfully invited to call and examine specimens of daguerreotypes and for themselves.  jul 2.

Advertisement ran from Oct 16, 1850 to April 30, 1851.

1850 December 21.  Gazette Francaise.  (Boston, Massachusetts.)  December 21, 1850, Vol. 1, No. 15, P. 4.

Daguerreotypes!  L. M. Ives, A la derniere Exposition une Medaille avec Diploma a ete accordee specimens, et garantit une parfait resemblances a tous ceux qui voudront bien l’honorer de leur confiance.

Advertisement was recorded fourteen times between December 21, 1850 to July 19, 1851.

1851 March 1.  The Daguerreian Journal.  (New York, New York.) March 1, 1851, Vol. 1, No. 1, N. P.

Lister in the Daguerreian Artist Register (March 1 to April 15, 1851 as L. M. Joes, 142 Washington St., Boston) and as L. M. Ives from May 1 to Dec. 15, 1851 at 142 Washington St., Boston.

Advertisement ran from March 1 to December 15, 1851.

1851 May 15.  The Daguerreian Journal.  (New York, New York.)  May 15, 1851, Vol. 2, No. 1, P. 19.

L. M. Ives of Joston, [sic.] is, we understand, producing some exquisite specimens of Daguerreotypes. Success.

1851 June 1.  The Daguerreian Journal.  (New York, New York.)  June 1, 1851, Vol. 2, No. 2, P. 53.

L. M. Ives of Boston, will please pardon us (or rather or printer) for the mistake in the Journal in his name and locality.  Mr. I. being himselfa sure operator, will certainly pardon a failure in others.  We will endeavor to do better in future.

1851 July 1.  The Daguerreian Journal.  (New York, New York.)  July 1, 1851, Vol. 2, No. 4, P. 114-115.

Boston Daguerreotypists….Mr. Ives we found very busy with his customers, and after taking a hurried look through his collection of specimens, we were not in the least surprised to find so many waiting their turn.

1851 September 8.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 8, 1851, Vol. XXII, No. 6494, P. 1.

A Family Picture…

Let me say to the young men of Boston, whose parental home is in the country, that if they would awaken the affection that lingers around the family hearth, next to that of their living presence—they should send home a fine daguerreotype—such as Ives, or Ormsby and Silsbee, of Washington street, can produce.  A picture where every feature and expression are so finely delineated, and the tone and color so well preserved, that it appears more the reflection from a mirror, than the result of a chemical process.  Such a present to a parent or sister, would be one of the most valuable that could be made, and should death take the original away, this truthful representation would be invaluable.  In this way, at a trifling expense, a whol;e family may leave a memorial which would be greatly prized by the living.  What amount of money, would purchase from a mother the daguerreotype of her dead son?  With this happy thought I close this family letter.  Yours very truly, G. Q. C.

1851 September 9.  Dover Enquirer.  (Dover, New Hampshire.)  September 9, 1851, Vol. XXV, No. 15, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 9 to October 7, 1851.

1851 September 11.  Green-Mountain Freeman.  (Montpelier, Vermont.)  September 11, 1851, Vol. VIII, No. 37, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 11 to October 9, 1851.

1851 September 13.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 13, 1851, Vol. XXX, No. 1581, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 13 to October 11, 1851.

1851 October 1.  Cheshire Republican and Farmer.  (Keene, New Hampshire.)  October 1, 1845, Vol. 18, No. 8, Whole No. 1255, P. 4.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street, Boston.

Advertisement was recorded on October 1 & 8, 1851.

1851 November 15.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 1, No. 33, P. 4.

Daguerreotypes.—The pictures taken by Ives & Black, near the Old South, are unsurpassed for the beauty of their finish and the correctness of their portraiture.  It is almost inexcusable in any one to neglect securing pictures of relatives and friends, in view of the facilities now afforded for doing so.  Years ago, when a miniature was a work of great labor and expense, and then was often dependent upon the partiality of friends to decipher the resemblance it bore to those whom it was intended to represent, a picture of a loved object was not to be hoped for by a poor man—in his memory, alone, could the likeness be cherished, unless, perhaps, it was recalled dimly by some queer old black profile, that hung smoke dried on the wall, like that of “corporal Paul” in Mrs. Partington’s back sitting-room.  But now everyone has it in his power to save the semblance of friends in these exquisite pictures, which look out lovingly upon the living though Death may have claimed the originals years agone.  Messrs Ives & Black execute Talbotypes superbly, and specimens we examined recently, we found it difficult to distinguish from the finest lithographs.

1852.  Boston City Directory.  (Boston, Massachusetts.)  1852/1853, P. 35.  Published by George Adams, 1852.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1852 October 16.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 2, No. 29, P. 27.

To Pathfinders!—Among the numerous paths in the City of Notions, there is one leading to L. M. Ives’s Daguerrian Gallery, 142 Washington Street.

Strangers visiting the city are respectfully invited to call, and examine a large collection of Premium Daguerreotypes, and whoever wishes a picture may feel sure of perfect satisfaction being give.  jan 14

1852 December 4.  The Carpet-Bag.  (Boston, Massachusetts.) Vol. 2, No. 36, P. 6. 

Whipple’s Crysalotypes are charming specimens of this class of daguerreotypes.  All the softness and distinctness of lithography are preserved with the correctness and beauty of the daguerreotype.  The pictures of the President elect and the late R. Rantoul, Jr., may well be referred to in proof of what we say.  Those familiar with the features of these notables may see at a glance the life-likeness preserved in their pictures.  Mr. Whipple’s room abound with splendid specimens of daguerreotypes and crysalotypes, worthy the attention of all interested in art.  Mr. Black, formerly with Ives, presides over the crysalotype department, and the excellence of his productions is a lasting monument of his skill.

1853.  Boston City Directory.  (Boston, Massachusetts.)  P. 33.  Published by George Adams, 1853.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1853 July 12.  Daily Evening Transcript.  (Boston, Massachusetts.)  July 12, 1853, Vol. XXIV, No. 7061, P. 3. 

New Daguerreotype Rooms.  140 Washington Street, Seaver & Butler, having recently purchased these rooms, and neatly fitted and newly furnished them throughout, till they are surpassed in convenience and elegance by none in the city, are now prepared to take Likenesses with promptness, in the very best style of the art, and in every size and mode of finish.  The public are respectfully invited to give them a call.  Entire satisfaction guaranteed.

Mr. Seaver having been employed as Operator at Ives’s Establishment, for over a year past, would be pleased to see his numerous friends and acquaintances at his new place of business, where they will meet with entire satisfaction, as heretofore.

Advertisement ran from July 12 to 25, 1853.

1854 June 3.  Boston Evening Transcript.  (Boston, Massachusetts.)  June 3, 1854, Vol. XXV, No. 7338, P. 3.

25 Cents Daguerreotypes.  Good Daguerreotypes are taken at Ives’s, 142 Washington st., for 25 cents.

Advertisement ran from June 3 to 9, 1854.

1854 December 13.  Boston Evening Transcript.  (Boston, Massachusetts.)  December 13, 1854, Vol. XXV, No. 7501, P. 2.

A splendid Portrait.  Mr. Charles H. Brainard has this day published a very accurate and striking likeness of the Rev. Theodore Parker, drawn by Grozelier, from a daguerreotype by L. M. Ives, and printed by L. H. Bradford & Co….

1855 August.  The Photographic And Fine Arts Journal.  (New York, New York.)  August 1855, New Series Vol. II, Old Series VIII, No. 8. P. 247.

A Trip to Boston.—Boston Artist…

…Of Mr. Ives and Mr. Chase, both also located in Washington street, and both devoting their attention to daguerreotypes exclusively, I can speak in terms of high commendation.  By their many beautiful productions they have shown themselves able proficients in their art, while by their character and manners they do honor to their profession.

M. A. R., Philadelphia, cor. Chestnut and Fifth sts.


[1] The American Daguerreotype P. 397.  Partnership of Chase & Ives.

[2] The Camera and the Pencil Or, The Heliographic Art, P. 361.

[3] A Directory Of Massachusetts Photographers 1839-1900.

Dunmore, John Lapham

1856-1859       96 Washington Street, Boston, Massachusetts.[1]

1860-1874       173 Washington Street, Boston, Massachusetts.1

1875                334 Washington Street, Boston, Massachusetts.1

1876-1894       333 Washington Street, Boston, Massachusetts.1

1863.   During the Bradford expedition to Labrador, Critcherson & Dunmore expose nearly two hundred 14 x 18 inch wet plate negatives.  In 1873 The Arctic Region, an album of 139 images, including both full-plate images and smaller illustrations, was published in London.

1869.   The Philadelphia Photographer (Philadelphia, Pennsylvania)  1869, P. 412-414.

The Camera Among The Icebergs.  Having just returned from a photographic trip among the Icebergs, probably a few notes of it may interest your readers, and I jot them down.

The expedition was arranged by Mr. Wm. Bradford, the artist, accompanied by Dr. I. L. Hayes.  It was my second trip to the regions of ice, so I know somewhat beforehand of the hardships that had to be endured and the difficulties to be met with.

We left Boston June 13th, and, arriving in New York, found one box of chemicals broken.  We replaced them, and left for Halifax on the 15th.  After a splendid passage we arrived there on the 17th.  I found two boxes of glass broken (about one hundred sheets).  I travelled all over Halifax to find some more glass, and the only place I could find any, was at a hardware store, and that was of a very poor quality.  I went to Mr. Chase, the photographer there, who was very accommodating, and assisted me in albumenizing my glass.  Started the next day for St. John’s, N. F., rather discouraged, but in hopes that a bad beginning would make good ending.  We arrived at St. John’s on the 21st.  Nothing of importance occurred on the trip.  We expected to find our steamer waiting there for us, and were much disappointed to find that she had gone to Sydney for coal, for we had to wait in that dead-and-alive place a week before she returned.  To pass away the time, I made some twenty-five or thirty views of very beautiful scenery thereabouts.

The steamer arrived, and we went aboard the 28th.  We set a carpenter to work building a dark-closet.  It was fifteen feet long by six feet wide, with all the modern improvements.  Our steamer (the panther), was of three hundred and fifty tons burden, and was built very strong, on purpose for the ice, and was used for seal-fishing in the spring.  The passengers and crew consisted of about thirty, the jolliest crowd that ever sailed for Greenland.

We left St. John’s on the 3d of July, and were very glad to get off.  The 4th was a very unpleasant day, foggy, and a very heavy sea running; all hands a little sea-sick; could eat but little breakfast, and did not feel like celebrating much; were not at all patriotic; the foreign water had a bad effect on us.  Had bad weather for a week.  On July 10th we made the Greenland coast, a place called Cape Desolation.  We went ashore, and found the place was rightly named, for there was not a living being on it, nothing but rocks and icebergs to be seen.  We intended to leave the next day, but it blew a gale and we had to lay there four or five days.  All hands began to get home sick   we made a few pictures in the rain.

It cleared up on the 15th, and we sailed for Julianehaab, one of the largest places in South Greenland.  The natives were all scared when we blew off steam, having never seen a steamer before.  In the morning we went ashore and called on the Governor, who entertained us with a little whisky and cigars.  In the afternoon we made some pictures of the Governor and his family, and some views of the Esquimaux huts.  The next morning, about four o’clock, we went about twenty miles in a boat (which they call oomiack), paddled by six Esquimaux girls, who were all dressed in seal-skin suits.  We took a picture of a cathedral, built nine hundred years ago by the Northmen, and did not get back until two o’clock the next morning, almost eaten up with flies and mosquitoes.  We sailed

Again for a place called Kaksimuet, about a hundred miles farther north.  In the evening we went on shore to the house of the Governor, who was a jolly old fellow with twenty-two children.  He celebrated our arrival with a dance, and entertained us in good shape.  The next day we sailed about sixty miles to the mouth of a glacier, where the icebergs break off, to take some views; worked all the forenoon; went  on board to dinner; after dinner went back again, and had quite a narrow escape.  Just as we were landing  a large berg broke off, which sent the water up twenty feet all over us, and washed away collodion, developing glass, green baize, ect., and came very near taking us along with them.  As good luck would have it, our camera and tent were up high and dry on the hill.  We had to go on board and change our clothes, and the captain did not think it was safe to stop there any longer, so we got up anchor and steamed across the fiord two and a half miles, into a snug harbor.  We had not been there more than half an hour when a large berg, two hundred feet high broke off, which sent the water up forty feet, and, if we had been in the old place, the steamer would have gone up twenty feet on the rocks.

The glacier comes moving slowly down from the mountain, a great river of ice, thousands of feet deep, sometimes tem miles wide, to the fiord or bay at the foot of the mountain.  The Alpine glaciers roll down into the warm valleys, and there, warmed by the sun, melt away like a piece of wax before a candle, and form brooks and rivers.  But in Greenland, they cannot do that. It is to cold.  Therefore, as the ice at the mouth of the glacier is pushed forward to the water’s edge, it must break off in pieces and fall in, and such pieces are icebergs.  When they break off, the glacier is said, by the natives, to “calve,” or “an iceberg is born.”

I can give you no idea of what a beautiful sight it is to see an iceberg break off, but we, who have seen it, will never forget it.  Think of a mass of ice as big as the space of ground covered by the city of Boston, falling into the sea, and of the tremendous crash that occurs when it breaks away from its fellows, and they give it a parting salute as they groan and growl their last farewell.  Now, see the waves leap up forty feet into the air, washing and lashing the glacier with spray, and sweeping everything away not strong enough to bear the shock; then watch the new-born berg as it rocks in the sea like a huge porpoise, up and down, dropping here and there portions of itself, which drive down and reappear in all directions, and you can imagine faintly what it is to see a glacier “cave an iceberg.”  It is a long time before the trouble of the waters end, or before the new-born babe ceases to be rocked, and is still enough to have its picture made.  It is a sight one never tires of.

The next day our party started to go on top of the glacier.  It was very hard to get on to the with our cooking untensils and photographic traps, it was so very steep.  We travelled six miles on the top of it.  The sight was grand from there.  It was about two miles wide, and the length of it we could not tell, as it was hundreds of miles.  The depth of it was from five hundred to eight hundred feet.  We made a few pictures, ate our dinner  up there, and then started back.  We sailed the next day for Ivigut, where the Kryolite mines are.  Kryolite, as you know, is a mineral which is now largely used in the manufacture of Hot Cast Porcelain Glass for porcelain photographs and burnt-in-pictures, and which, I am told, will soon be introduced into the market.  This is the only place in the world where the mineral is found, I believe.  It imparts a whiteness and hardness to the glass unequalled by anything else, and can be had working in sheets 60 inches square.  We visited the mines, and intended to make some pictures, but it rained for two days, so we started for Upernavik (which means “Summer-Place”), about eight hundred miles farther north, and the most northern settlement in Greenland where there are any white people.  We steamed at half speed on account of the fog, as there was danger of running into the icebergs.  We crossed the Arctic Circle, July 31st.  We sailed along for a few days, and made instantaneous pictures of icebergs.  August 3d we lowered a boat, went ashore, and shot about fifty ducks.  The 4th, the sun shone forth for twenty-four hours for the first time.  We stopped at a place called “Sanderson’s Hope,” and made a picture of a mountain 4500 feet high.  We also collected a quantity of duck eggs.  We arrived at Upernavik on the 6th, a place of about two hundred and fifty inhabitants; went to a dance in the evening in a cooper’s shop.  The principal amusement there is dancing, and the principal smell is seal, which smell I smell yet.  It was so cold your watch-chain would scorch your fingers.  The next day we sailed for Melville Bay.  We stopped at a place called Tursuesak, and took a picture of a house, which is the farthest house north in the world.  It was taken at twelve o’clock in the morning of the 10th; went on deck and could see nothing but ice.  Presently we discovered three bears; we steamed towards them through ice about two feet thick as far as we could, when they came towards us, and we shot them all.  About seven o’clock we saw three more; all hands were anxious for a shot, but I told them to let me shoot first with the camera, which I did, and got two very good negatives of them from the topgallant forecastle.  Walking on the ice presently, they came nearer, and all hands shot and killed them.  We saw two more in the afternoon, but could not get them.  We were packed in the ice all the next day, and could not get out.  The ice made about two and a half inches at night.  I made some pictures on the ice, but with poor success, owing to so much reflected light.  I could not use my bath stronger than 18 grains.  I made negatives, 14×18, with a view-tube, smallest opening, in two seconds.  The next day the wind changed and broke the ice up.  That night we moored alongside of an iceberg.  It snowed all night.  We worked all the next day making some views of icebergs, and at night, took the midnight sun, three negatives, at ten, eleven, and twelve o’clock.  The next day we got high and dry on the ice, and had to stay there two days.  We began to think we should have to winter there, for all we could see, for miles and miles, was solid ice.  This was in latitude 75°.  We wanted to get through Melville Bay, and go farther north to Smith’s Sound, but had to give it up.

August 19th, we started south.  It snowed all night and froze hard, and we began to think it was time to head home.  On our way back, we stopped at Upernavik for a week.  I made some pictures of the natives and their huts, sleds, dogs, etc.  When we went to get up anchor to leave, we found an iceberg grounded on it.  It took about four hours to get clear of it.  We sailed down the coast to Jacobshaven, where there is a very large glacier, but could not get to it, owing to there being so many icebergs in the fjord.  We could not get to within ten miles of it, even with a small boat, so I made some negatives of the icebergs there, and the next day we started for Disco, and made some views of some high cliffs, and of a whaler that was wrecked there.  That finished my photographing in Greenland.  I made between three and four hundred negatives.

September 16th, was pleasant, and we worked all day packing and securing things for sea.  All hands were in good spirits with the thoughts of going home.  Went on shore in the evening to have the last dance and to say farewell.

September 17th we left for home.  The Governor fired six cannons when we left.  We arrived in Battle Harbor, on the Labrador coast, September 23d; found some newspapers there, a thing we had not seen for three months.  We left the next day; arrived in St. John’s September 26th, and, in a fortnight from that time, we were at home, safe and well.

My great trouble, while away, was reflected light.  Everything worked flat, and I could not force the negatives up—the stronger the bath the flatter the negative.

My friend, Mr. Critcherson, of Worcester, was with me, and I suppose no one ever photographed farther north, or in colder weather than we did, but we were well repaid.  You shall see prints from our best negatives soon.  Truly yours, J. L. Dunmore,             Black’s Studio, Boston

1901.   History of The Military Company of the Massachusetts now called The Ancient and Honorable Artillery Company of Massachusetts.  1837-1888.

John L. Dunmore (1866), photographer, of Boston son of John and Martha W. (Lapham) Dunmore, was born in Dorchester, January 5, 1833.  He married, September 8, 1857, Elizabeth B. Kent.  He attended the public schools in Dorchester; followed the sea for five years afterward, and then learned the photographer’s business, which he has since pursued.  He accompanied the expeditions under Bradford to Labrador in 1863, and under Hays to Greenland in 1869, as photographer.  He was for several years in the employ of J. W. Black (1865), 333 Washington Street, Boston.

Mr. Dunmore (1866) was honorably discharged from the Artillery Company May 31, 1880.

1897 June 2.  Boston Daily Advertiser.  (Boston. Massachusetts.) June 2, 1897, Vol. 169, No. 130, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 6 months (sic.)

1897 June 2.  Boston Evening Journal.  (Boston. Massachusetts.) June 2, 1897, Vol. LXIV, No. 20966, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 4 months.

1897 June 2.  Boston Morning Journal.  (Boston. Massachusetts.) June 2, 1897, Vol. LXIV, No. 20966, P. 8.

Deaths.  Dunmore—At Somerville, May 29, John L. Dunmore, 64 yrs. 4 months.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Black & Batchelder

1859-1861       173 Washington Street, Boston[1]

Notice.  The undersigned have formed a copartnership under the style of Black & Batchelder,.  For carrying on the business of Daguerreotyping and Photography in all its branches, at No. 173 Washington street.

Both partners have had long experience in the business, the senior partner having had charge of the Photographic department of the late firm of Whipple & Black for the last five years.  We are supplied with the best instruments known in our art, have engaged first race artists, and are confident we can furnish as good pictures as can be procured.  J. W. Black, (late of Whipple & Black,) P. M. Batchelder.

Advertisement ran from November 30 to December 7, 1859.

1859 December 27.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  December 27, 1859, Vol. XXX, No. 9101, P. 3

The undersigned have formed a Copartnership, under the style of Black & Batchelder, for carrying on the business of Daguerreotyping and Photographing in all its branches, at No. 173 Washington street.

Both partners have had long experience in the business; the senior partner having had charge of the Photographic department of Whipple & Black for the last five years, during which time he flatters himself that his pictures have given general satisfaction.  He would be most happy to serve his former friends, patrons and the public generally at new stand.  The new firm are supplied with the best of Instruments and Artists, and are confident in their ability to furnish as good pictures as can be procured.

To a great improvement we invite especial attention: A Ground Glass Skylight (the only one in the city) which affords a mild, subdued light, agreeable to the eye, and gives to the public that soft, delicate effect of light and shade, which is unattainable under an ordinary skylight.  We are now taking life-size Photographs on Canvas, thereby obviating the many objections to those taken on paper in the usual manner.  For Coloring in Oil the new method supplies a want long felt among artists, and its superiority must be evident to all.

Daguerreotypes, Ambrotypes, &c., copied and enlarged to any size.  Our rooms are easy of access, up only one flight of stairs.  J. W. Black, (Late Whipple & Black.)  P. M. Batchelder. 

Fine Photograph Rooms.  The art of photography has arrived at great perfection in the hands of J. W. Black, who, while in the firm of Whipple & Black, devoted his attention particularly to that department.  To obtain the advantages of superior light, he has put up a ground-glass skylight in his new a spacious rooms at 173 Washington street, Boston, where, associated with P. M. Batchelder, an experienced artist, every facility has been secured to enable the new firm to produce the most splendid photographs, from miniature to ;life size.  Mr. Black’s abilities are recognized in all quarters.  His work is of the highest order, while his prices are moderate.  For photographs of all descriptions, daguerreotypes or ambrotypes, these gentlemen can safely be patronized by all desiring superior articles in their line; while their facilities for taking outdoor views of buildings, gardens, landscapes, &c., are unsurpassed.

1860 January 6.  Waltham Sentinel.  (Waltham, Massachusetts.) January 6, 1860, Vol. 5. No. 1, P. 3.

Special Notices.  Black and Batchelder’s Photograph Rooms.—The art of photography has arrived at great perfection in the hands of J. W. Black, who, while a partner in the firm of Whipple & Black, devoted untiring attention to that department.  To obtain the advantages of a superior light, he has had a ground Glass Sky-light put up in his new spacious rooms at 173 Washington street, Boston, where, associated with P. M. Batchelder, an experienced artist, every facility has been secured to enable the new firm to produce Photographs from miniature to life size in the highest style of the art.  Mr. Black’s abilities are too well known to require recommendation from us.  His work is of the highest order, while his prices are moderate.  For Photographs on canvas, life size; for plain photographs, Daguerreotypes, or Ambrotypes, we commend these gentlemen to our readers; while their facilities for taking out-door views of buildings, gardens, landscapes, &c. , unsurpassed.

1860 May 26.  Harper’s Weekly. (New York, New York.)  P. 324

Illustration of a photograph by Black & Batchelder group portrait if the “Chimes of Thirteen Bells For Christ Church, Cambridge, Massachusetts, Manufactured By Messrs. Henry N. Hooper & Co., Of Boston.”

1860 September.  Massachusetts Charitable Mechanic Association.

Award a silver medal at the ninth exhibition of the Massachusetts Charitable Mechanics Association Fair for Photographs.

1861, Boston Directory, Published by Adams, Sampson & Co.1861 page 61. 

Black & Batchelder, Photographers, No. 173 Washington Street, Boston.

J. W. Black (Late Whipple & Black).  P. M. Batchelder.

Photographs taken in every style.  Copies made from small Daguerreotypes, Ambrotypes, or Melanotypes, and enlarged to any size, either plain, furnished in India Ink, or Colors.  Also, life-sized Portraits taken on Canvas, finished in Oil Colors.

None but the best Artists employed.  No person required to take picture unless perfectly satisfactory.

Under our new Ground-Glass Skylight, Pictures of Children are made almost instantly, enabling the Artist to secure the expression most desirable.

The negatives, or first impressions, of all sitters are preserved, and duplicates can be procured at any time.


[1] Directory of Massachusetts Photographers, 1839-1900. (1860-1861).